Sentences with phrase «modes of perception»

The show continues Vierkant's interest in the shifting modes of perception and criticality as the art object moves from a concrete object in the gallery space to an image of documentation online.

In his new body of work, Wills continues to use his trademark materials of thread and wood to navigate modes of perception.

Here, images from contemporary pop culture and of Hollywood stars are taken out their usual structures of representation and put into a new, perverse context intended to disturb customary modes of perception.

Forget everything you know, open your eyes wide, be open to new modes of perception and come on this tour.

Fabro's interest in exploring modes of perception was shared with other young Italian artists, such as Michelangelo Pistoletto and Giulio Paolini, with whom he collaborated in the so - called Arte Povera shows from 1968 onwards.

In «Line + Light» Brian Wills presents his new body of work, the artist continues to use his trademark materials of thread and wood to navigate modes of perception.

It is, in fact, much more about working along the limits of taste and potential perception, or of compromising and challenging established modes of perception.

Members of the collective have been in residence in Rotterdam for two months to create video and sculptural installations, printed matter, sonic scapes and film shorts that situate different modes of perception as forms of aesthetic and conceptual reinvention, protest, and disobedience to normative orders.

Fluidity here, from intuitive modes of perception to its visceral depictions to the literal wetness of Rodland's analogue process, becomes the thriving, unpredictable quality that distinguishes mysterious life from the inert.

Her work engages collaborative methodologies and a careful attentiveness to place in order to decentre colonial modes of perception within institutional spaces.

The Metalli and Vetri are seminal works in Fabro's artistic research, marking the initiation and embodying the essence of his investigation into modes of perception.

At the entrance to Gallery 2, viewers encounter Olafur Eliasson's Your Compound Eye, the artist's first kaleidoscope and among his earliest experiments with modes of perception relating to space, time, and movement.

Olafur Eliasson's Convex / concave (1995 - 2000), a hydraulic - powered mirror sculpture demonstrating the artist's early experiments with modes of perception and spatial experiences is also on view downstairs.

Spanning 1962 - 2002, 25 exhibitions that have contributed to shifts in modes of perception, presentation and the practice of art have been selected for investigation, from Dylaby at the Stedelijk Museum in 1962, featuring work by Robert Rauschenberg, Niki de Saint Phalle and others, to Documenta 11 in 2002, curated by Okwui Enwezor and a team of co-curators.

«She is interested in how images are constructed and in modes of perception,» said Sillars.

Tomás Saraceno's Trace G64 B213 and Cumulus Filaments similarly navigate forms inspired by nature, such as clouds and spider webs, to imagine new spatial relationships, architectures and modes of perception.

The Upside Down Mushroom Room appears through February 20 in Ecstasy, an exhibit at the Museum of Contemporary Art, Los Angeles, in which 30 artists explore altered modes of perception via painting, sculpture, film, video, and photography.

This results in a basic contrast between the two modes of perception, whose interrelationship can then be explored.

8I take PR II.4.5 - 9 («Organisms and Environment») and II.8 («Symbolic Reference») to constitute together Whitehead's original treatise on the two modes of perception, and the first two chapters of Symbolism (S) to be a rewriting of this material suitable for delivery as lectures.

Here again we come to that fundamental distinction in White - head between the two modes of perception.

We shall propose that from a Whiteheadian perspective yogic meditation involves the silencing of symbolic reference, so that the two pure modes of perception are experienced directly.

From a Whiteheadian perspective, yogic meditation involves the silencing of symbolic reference, so that the two pure modes of perception are experienced directly.

It was shown that through the separation of the two pure modes of perception by the stilling of symbolic reference, Aurobindo's experience of Nirvana could be explained.

Whitehead in his empirical theory of knowledge has two pure modes of perception, causal efficacy and presentational immediacy, which in ordinary perception are combined in the mixed mode of symbolic reference.

Functioning on the basis of the principle that «the how of our present experience must conform to the what of the past in us» (S 58), symbolic reference operates in the intersection of the two modes of perception, an intersection at which «a pair of such percepts must have elements of structure in common, whereby they are marked out for the action of symbolic reference» (S 49).

This conformal, non-orginative phase of experience, which «merely transforms the objective content into subjective feelings,» is said to be «common to all modes of perception» (PR 179, 250).

Basic to an understanding of these two modes of perception is her concept of rapport or preanimistic relatedness.

In ordinary experience the pure modes of perception rarely occur in isolation; they are normally «unified by a blind symbolic reference» (PR 180 / 273).

Rather, it is a projection by a percipient subject onto a (fictitious) contemporaneous spatiotemporal manifold of certain highly refined and analyzed features of entities directly (but more vaguely and dimly) encountered in the percipient's immediate past through the mode of causal efficacy.8 The important distinction between true perception — what we might now in Rortyan jargon call nonmentalistic «unanalyzed raw feels» — and this second - order symbolic projection of select percepta characteristic only of higher - order conscious organisms is somewhat blurred by terming both equally «modes of perception.»

The form of the argument is roughly: If the modes of the therapy's theory of self can correlate with Whitehead's modes of perception, and these same modes can correlate with the stages of gestalt formation, which in turn correlate with the phases of concrescence, then it is quite possible that Whitehead's mode of perception can correlate with the phases of concrescence.

The two pure modes of perception consist in a direct recognition which can not be mistaken.

Memory and anticipation are aspects of that field of feeling which is the self; and through these modes of perception the past and future are immanent within the self.

Whitehead's developed theory of the integration of pure and impure modes of perception is passed over.

The first involves a spatial mismatch between the two pure modes of perception, presentational immediacy (PI) and causal efficacy (CE), in symbolic reference (SR).»

Berry sees hope in the outcropping of movements and modes of perception that suggest an awakening.

In the night, in the jungle, visual and discrete modes of perception are replaced by the tactile, the visceral, and the more synesthetic forms of cognizance.

Hence Whitehead had to devise a theory of two modes of perception — and their symbolic connection.

Ivor Leclerc, without doubt one of Whitehead's finest interpreters, allowed his interpretation to be guided by Whitehead's questionable classification of physical prehensions as a mode of perception.

Our dominant modes of perceptions fill in what others have blind spots to, and vice versa.

His introduction of causal efficacy as a mode of perception is designed to overcome this schism, what he refers to as the «bifurcation of nature» introduced into philosophy by the dualism of Descartes and Locke.

We in fact share this mode of perception with nonhuman occasions of experience.

The knowledge of causality may be grounded in experience only by paying attention to the mode of experience in which causality is the principle constituent; but it is precisely this mode of perception that both Hume and Kant ignore.

One root of cause of this splitting, which results in the exclusion of the spiritual, is a world view that emphasizes one pure mode of perception (presentational immediacy) over against the other pure mode (causal efficacy).

Causal efficacy, Whitehead's other pure mode of perception, makes up for these deficiencies of presentational immediacy, but what it gains in relatedness and explanatory power it loses in vividness and sharpness of definition.

Whitehead tries to avoid radical bifurcation by introducing a second mode of perception, CE, which discriminates the same sorts of entities (events, sensa, geometrical objects) in the same total field as PI (S 8, 30, 49, 53; PR 255 - 59).

Both «symbolic reference» and «propositional feelings» have receptive and imaginative aspects; but, whereas Whitehead emphasized the former, cognitive aspect in his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external world.

The major abstractive and originative processes tend to occur in the accusative mode of perception.

If faith is closely related to the adverbial mode of perception, then faith may have an important role in keeping the higher symbolic processes in contact with reality, that is, the richer qualitative processes from which all experience arises.

The adverbial mode of perception must be understood as a response, a response that has some identity or correspondence with the patterned processes playing upon the organism but that, at the same time, is not unambiguously reproductive of these energetic activities.5 Even though some originative activity may occur at this primitive level of physiological responsiveness, it is holistic in nature.

For the sake of simplicity it might be tempting to associate reason solely with the abstractive, discriminating, and simplifying function of the accusative mode of perception.