Sentences with phrase «modes of production as»

... the character of independence and estrangement which the capitalist mode of production as a whole gives to the instruments of labor and to the product, as against the workman, is developed by means of machinery into a thorough antagonism.17

Not exact matches

«Rail and supporting non-pipeline modes should be capable, as was projected in 2011, of providing the capacity needed to transport all incremental Western Canadian and Bakken crude oil production to markets if there were no additional pipeline projects approved.»

Cycles of rapid expansion in economic production are likely to be followed by downturns conditioned by slackening demand; the costs of acquiring and protecting new markets through diplomatic deals and military intervention eventually outweigh the gains to be had from these markets; dominant countries gradually lose their hegemonic power; and the whole system becomes subject to the strains of realignment as new countries or new modes of production rise to prominence.

In strict science, we can only write down the bare fact of concomitance; and all talk about either production or transmission, as the mode of taking place, is pure superadded hypothesis, and metaphysical hypothesis at that, for we can frame no more notion of the details on the one alternative than on the other.

Heat and light, being modes of motion, «phosphorescence» and «incandescence» are phenomena to which consciousness has been likened by the production - theory: «As one sees a metallic rod, placed in a glowing furnace, gradually heat itself, and — as the undulations of the caloric grow more and more frequent — pass successively from the shades of bright red to dark red (sic), to white, and develope, as its temperature rises, heat and light, — so the living sensitive cells, in presence of the incitations that solicit them, exalt themselves progressively as to their most interior sensibility, enter into a phase of erethism, and at a certain number of vibrations, set free (dégagent) pain as a physiological expression of this same sensibility superheated to a red - white.&raquAs one sees a metallic rod, placed in a glowing furnace, gradually heat itself, and — as the undulations of the caloric grow more and more frequent — pass successively from the shades of bright red to dark red (sic), to white, and develope, as its temperature rises, heat and light, — so the living sensitive cells, in presence of the incitations that solicit them, exalt themselves progressively as to their most interior sensibility, enter into a phase of erethism, and at a certain number of vibrations, set free (dégagent) pain as a physiological expression of this same sensibility superheated to a red - white.&raquas the undulations of the caloric grow more and more frequent — pass successively from the shades of bright red to dark red (sic), to white, and develope, as its temperature rises, heat and light, — so the living sensitive cells, in presence of the incitations that solicit them, exalt themselves progressively as to their most interior sensibility, enter into a phase of erethism, and at a certain number of vibrations, set free (dégagent) pain as a physiological expression of this same sensibility superheated to a red - white.&raquas its temperature rises, heat and light, — so the living sensitive cells, in presence of the incitations that solicit them, exalt themselves progressively as to their most interior sensibility, enter into a phase of erethism, and at a certain number of vibrations, set free (dégagent) pain as a physiological expression of this same sensibility superheated to a red - white.&raquas to their most interior sensibility, enter into a phase of erethism, and at a certain number of vibrations, set free (dégagent) pain as a physiological expression of this same sensibility superheated to a red - white.&raquas a physiological expression of this same sensibility superheated to a red - white.»

Historically, while technological progress such as mechanisation and automation threatened upending existing modes of production and employment in the past, they also created new opportunities and jobs after some adaptations.

Despite this, the future of capitalism, as its past, will lead to new socio - economic consequences and the continued transformation of employment, modes of production and societal structure.

The wealth of those societies in which the capitalist mode of production prevails, presents itself as «an immense accumulation of commodities,» its unit being a single commodity.

As David Yáñez, a CSIC researcher at the Zaidin Experimental Research Centre in Granada (southern Spain) explains, «Up until now, no - one had described the mode of action of a compound which can repeatedly reduce (by 30 %) methane production in animals without any risks, either to the animal's health, or to their productivity.»

The networked computer is an amazing device, the first media machine that serves as the mode of production (you can make stuff), means of distribution (you can upload stuff to the network), site of reception (you can download stuff and interact with it), and locus of praise and critique (you can talk about the stuff you have downloaded or uploaded).

Delfani warns that «in a world in which openness, flexibility and freedom from bureaucracies and cooperation are elements that belong to a capitalistic mode of organising labour and production, we must rethink any easy commitment to open science as good per se.»

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

A feature - length adaptation of the late - 80s television series for which Mann served as executive producer and unofficial show - runner, Vice marks an important shift for Hollywood in the digital era for the way it actively engaged with the implications of a technological change most had simply taken for granted, and it does so by both wholly embracing its mode of production and reflecting the consequences of doing so.»

8A / 12A switchable Level 1 charging cable CHAdeMO DC quick charge port Battery warming system MiEV remote system (pre-activated air conditioning, heater and timer battery charging) Approaching Vehicle Audio System (AVAS) for alerting pedestrians Charging Times: 3 22 hours for 8amp 14 hours for 12 amp 7 hours with 240V / 15A Level 2 charging system Less than 30 minutes to 80 % full with CHAdeMO Level 3 DC Quick Charger Driving Modes: «D» — allows maximum performance as it generates 100 % torque in direct response to accelerator input «ECO» — helps maximize energy usage («fuel economy») by slightly reducing overall power output to reduce the rate of battery consumption «B» — increases regenerative brake biasing to augment energy recycling (with 100 % of power production available)

Production commenced of the C550A, Toyota's first multi-mode transmission, which comes with an»M» mode for driving fun and an «E» mode for easy automatic gear shifting, as well as improved fuel economy

As in other members of the current BMW production line - up, the Driving Experience Control switch in the BMW Concept X5 eDrive can be used to select not only the COMFORT and SPORT settings but also the ECO PRO mode that fosters a particularly economical driving style.

Also bowing at Chicago are limited - production versions of the Toyota Camry, with special seats, wheels and instruments, and the Corolla, which adds a few mechanical tweaks such as paddle shifters, rear disc brakes and a sport driving mode.

For instance, there are over 12 million working cattle in the country, and these animals are integral to rural economies, providing almost all the power in agricultural production and acting as a key mode of transport.

Originally trained as a botanist, Babajide Olatunji is a visual artist and autodidact, having spent many years of self - directed study researching art historical movements and modes of production.

She takes up this ubiquitous feature of every modern home as a historical nexus, both of the post-World War II ideological battles over planning and speculation, and of several gender - coded modes of production.

Smithee makes a case for the production of failures as its own creative mode.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Their experimental mode of production, use of alternative materials and visceral facticity align the artist with other European and American painters working in this decade such as Alberto Burri, Jean Dubuffet, Jean Fautrier, Cy Twombly, Jay DeFeo and Hassel Smith.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

Nipper considers the acts of transcription and translation as she shifts between modes of production that have distinct sets of properties and demands.

Dealing with performance, physicality, collaboration and socially engaged practices, de la Paz is interested in a multifaceted mode of production involving experiential and corporeal knowledge as avenues to investigate time, sitespecificity and accreted activity.

From the studio as a site of labor, to one that blurs production, performance, and spectacle, to a concept that defines the artist's own identity, the exhibition features artists who, in response to changing socio - economic influences, represented new modes of working and living that would subsequently spread across society.

Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.

«White Noise I» approaches contemporary modes of artistic production more directly: Noa Gur uses her face as a stamp, as a printing machine to produce a series of quasi-portraits on paper towels.

Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution.

Embracing fashion as a mode of human togetherness, the focus of both her artistic practice and her teaching is on the relational and empowering aspects of fashion, advancing cooperative models of production and exchange.

His rich improvisational explorations of subjectivity, identity, and history can be linked to modes of black cultural production, such as the jazz ensemble, which encompasses a search for freeform movement among order.

Lauded as a Breakout Artist in New City and ARC Magazine, artist / scholar Rashayla Marie Brown (RMB) manages a living studio practice across an extensive list of cultural production modes.

The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.

Instead, he focuses on what could be termed the para-figurative: a mode of thought and production that treats the human form not as a discrete entity, but rather as a massively distributed data set occupying the interstitial gap between innumerable technologies — often designed by corporations and the military — to outline, project, destroy and re-create the body.

Elsewhere, mechanical modes of production have been deployed in the service of metaphorical or recherché motifs — as in Rudolf Stingel's 2009 series of flock - patterned oil paintings on paper, created by spraying silver paint through a gauze template which is then lifted away to leave a textured imprint.

The movement emerged amid the post-World War II explosions of capitalist consumerism and mass media, as artists explored new modes of mechanical production, often by taking commonplace consumer goods and pop - cultural icons as their subject matter.

Court works with selection, formatting and narration as modes of expression in relation to exhibition as a genre of cultural production.

This year the themes of gender, labour, value and consumption are present in the final selection, as well as an interest in process, the act of making, materiality and modes of production.

Featuring video works by the likes of Harun Farocki, Hito Steyerl and Mark Leckey, Dream Factory explores «various modes of examining new forms of labor, consumption - as - production, and the aesthetics and visual language of globalized lifestyles».

Trained as a painter, Chapline incorporates traditional methods of mark making, sketching, and painting with rendering softwares in an artistic process that obscures the boundary between analogue and digital modes of production.

The most ambitious exhibition in the history of the Gallery to date, MashUp: The Birth Of Modern Culture is the first international survey to examine the development of the now - ubiquitous mode of art production known as «mashup», collage or remiof the Gallery to date, MashUp: The Birth Of Modern Culture is the first international survey to examine the development of the now - ubiquitous mode of art production known as «mashup», collage or remiOf Modern Culture is the first international survey to examine the development of the now - ubiquitous mode of art production known as «mashup», collage or remiof the now - ubiquitous mode of art production known as «mashup», collage or remiof art production known as «mashup», collage or remix.

It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a mode of artmaking in the early twentieth century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today,» said Kathleen S. Bartels, Director of the Vancouver Art Gallery.

Director of the Vancouver Art Gallery, Kathleen S. Bartels, says the exhibition provides, «a comprehensive look at how the «collage» emerged as a mode of artmaking in the early 20th century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today.»

Over the last fifty years, many Latin American artists began to move away from traditional modes of art production, exploring forms such as kinetic, optical, and conceptual art.

Delving into the lives of Caro's assistants, as well as his studio in Camden, his archives, and his body of work, this exhibition explores questions of originality, collaboration and education through one artist's mode of production.

As technology advances at an ever increasing pace, artists are faced with the inevitable decay of the current mode of production.

Drawing upon historic modes of fabric production such as Bogolanfini mud - cloth making, recent work has incorporated mud from the Dead Sea, terracotta from Mexico and clay from Sweden.

Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.

From the studio as a site of labor; to one that blurs production, performance, and spectacle; to a concept that defines the artist's own identity; the exhibition examines the work of artists who, in response to changing socioeconomic influences, represented new modes of working and living that would subsequently spread across society.