Sentences with phrase «modes of production within»

Yet how does this state relate to modes of production within Africa itself, especially given the recent sensations caused by the Angolan Pavilion at the Venice Biennale that deliberately foiled tired tropes around destitution, impermanence and dearth against the cultural trajectory of Venice itself?

Not exact matches

The distinctive character of the region is to be found in its sea, climate, terrain, and mode of production context, within which people worked hard, to meet their needs.160 At no stage of the process the farmer is able to manipulate the outcome.
With a four - wheel - drive system supporting variable torque distribution between the front and rear axles and a battery pack mounted low down within the floor structure, Mercedes is already talking up the dynamic qualities of the upcoming production car, which it hints will offer different driving modes.
It also provides a good model to understand the pictorial intelligence of many of your works, which often allow the forces that establish societal norms and expectations within a given mode of production to inflect or appear within them.
Benjamin T. Busch is currently researching critical modes of architectural production within the field of spatial practice.
These modes of production have led Sahagun to develop an idiosyncratic personal vernacular that remains proudly embedded within the everyday realities of his blue - collar upbringing.
It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.
Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.
Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.
Within the framework of a class run by an artist, a performer and an academic, each mode of thinking and working is presented indistinctively in a setting of knowledge - production.
The performance instigates a dialogue with the context of DRAF's institutional backdrop and display, allowing a reflection on different modes of cultural production and dissemination, and implementing such thinking within a broader public discussion.
The effects of post-Fordism and pluralist modes of production have forced examination of the use / value relationship within contemporary art.
In Modern Fuel's Main Gallery, the artists reflect on prevailing modes of representation — on format and framing — in an attempt to situate cultural production within the social structures and spaces through which it unfolds.
With an interest in exploring how modes of production and documentation in performance affect the consumption and engagement with the work, Actions and Intent: Documentations in Performance comprises a selection of artists operating within a performative practice and presents their work through the multiple channels of its reproduction and record.
His position: • No evidence of increasing lake clarity as a result of secchi measurements since 1946 • The interplay of stratification and plankton productivity are not «straightforward» • Challenges O'Reilly's assumption on the correlation of wind and productivity - the highest production is on the end of the lake with the lowest winds • A strong caution using diatoms as the productivity proxy (it is one of two different lake modes) • No ability to link climate change to productivity changes • More productivity from river than allowed for in Nature Geopscience article • Externally derived nutrients control productivity for a quarter of the year • Strong indications of overfishing • No evidence of a climate and fishery production link • The current productivity of the lake is within the expected range • Doesn't challenge recent temp increase but cites temperature records do not show a temperature rise in the last century • Phytoplankton chlorophylla seems to have not materially changed from the 1970s to 1990s • Disputes O'Reilly's and Verbug's claims of increased warming and decreased productivity • Rejects Verburgs contention that changes in phytoplankton biomass (biovolume), in dissolved silica and in transparency support the idea of declining productivity.
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