Not exact matches
Framed by Gill & Lagodich, period c. 1870 - 90s French Salon
frame; Second Empire style;
gilded applied ornament on wood;
molding width: 8»
Period c. 1850s American painting
frame;
gilded applied composition ornament on wood;
molding width: 5 inches.
Framed by Gill & Lagodich, period 18th - century French Louis XVI - painting
frame;
gilded carved wood;
molding width 4 inches.
Framed by Gill & Lagodich for the Metropolitan Museum; c. 1890s American painting
frame,
gilded hand - carved wood,
molding width 4-7/8» MMA Purchase, Nancy Dunn Revocable Trust Gift, 2015 «The largely Connecticut - based, New York - and Paris - trained Porter was among the first African American artists to exhibit his work nationally.
Period c. 1931 American Modernist painting
frame,
gilded carved wood over red bole; patinated gesso flat - and - hollow liner;
molding width 3-3/4» Painting Gift of C. David O'Brien» 58, Colby Museum Accession number 1983.006
Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting
frame, House of Heydenryk, New York makers; silver -
gilded beveled sight edge, wormy chestnut reverse profile,
molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)
Framed by Gill & Lagodich, period 18th - century French Louis XIII painting
frame;
gilded hand carved wood,
molding width: 4-1/4»
The Whittling Boy, 1873, oil on canvas, 15-3/4» x 22-11/16», period c. 1870s American painting
frame,
gilded applied composition ornament on wood;
molding width: 5-1/4».
Framed by Gill & Lagodich, custom - made replica c. 1870 - 90s French Salon
frame; Second Empire style;
gilded applied ornament on wood;
molding width: 8»
Framed by Gill & Lagodich, period 18th - century French Regence
frame;
gilded hand - carved wood, sand panel;
molding width: 4-3/8»
Charles Ethan Porter, Chrysanthemums, ca. 1881, oil on canvas, 10 x 16»,
framed by Gill & Lagodich in a custom - made variation of an 1880 - 90s American painting
frame;
gilded applied ornament on wood, Japonesque chrysanthemum pattern frieze;
molding width: 4-1/2».
Framed by Gill & Lagodich, period 17th - century Italian
frame, reverse profile,
gilded hand carved wood, pastiglia and punchwork foliate motifs on central reverse ogee; slubbed silk liner added;
molding width: 2-1/2 inches.
CUSTOM MADE REPLICA
FRAME fabricated by Gill & Lagodich, c. 1860s American painting frame; gilded applied cast ornament on wood; Molding width: 6» Note: original painting, canvas size 32-1/8 x 59-7/8 inches, Smithsonian American Art Museum, 1929
FRAME fabricated by Gill & Lagodich, c. 1860s American painting
frame; gilded applied cast ornament on wood; Molding width: 6» Note: original painting, canvas size 32-1/8 x 59-7/8 inches, Smithsonian American Art Museum, 1929
frame;
gilded applied cast ornament on wood;
Molding width: 6» Note: original painting, canvas size 32-1/8 x 59-7/8 inches, Smithsonian American Art Museum, 1929.6.20
Period
frame, c. 1916 American Arts and Crafts
frame,
gilded hand - carved wood, cassetta profile, paper label verso, E. & A. MILCH, INC. / AMERICAN PAINTINGS / FINE
FRAMES / 108 WEST 57TH STREET;
molding width: 3-1/2»
Snowy Mountain Range (Path of Souls, Idaho), 1896, oil on canvas, 15» x 27» Custom - made replica, c. 1880s American painting
frame;
gilded applied composition ornament with
gilded oak panel;
molding width: 5-1/4»
Framed by Gill & Lagodich, period c. 18th century Roman
molding frame; hand carved ebonized and
gilded wood; outer scotia (side view) has original clay finish;
molding width: 3-5/8»
18th - century French Louis XIV
frame,
gilded hand - carved wood,
molding width 4-7/8» The museum has published extensively on this painting and
frame, Pissarro Paintings and Works on Paper at the Art Institute of Chicago, with painting technical report and detailed
frame description, Cat.