But I associated him with the auteurist
moment in film criticism, and I wanted to pick someone like Nicholas Ray or Minnelli, who had been important to the French in the 1950s.
Not exact matches
There's a funny
moment in an interview where LaVona asks what happened to her story, which is a bit self -
criticism of the
film's looseness.
Weighing
in on topical debates — from 3 - D and hyper - fast editing to the culture of the Academy Awards and (yes) the future of
film criticism — Emerson isn't afraid to call bullshit when he sees it, but he reliably turns every takedown into a constructive «learning
moment.»