«I'm completely obsessed with the Labour party at
the moment in this transitional period,» he says.
Not exact matches
Steering clear of the cliched, referential signifiers usually leaning
in on such pronounced
periods and narrative passages, Gerwig casts a wry glance at a
transitional period for a faux rebel dreamer whose
moments of truth come not from her romantic attachments but her complex relationships with a best friend and an endearing but domineering mother.
As Charlie Chaplin did with the
transitional City Lights (1931) and Modern Times (1936), some of The Artist's most memorable
moments actually feature fleeting sound,
in a canny reflection of the
period (the dream sequence is particularly clever).