Sentences with phrase «moments of dialogue»

Simply watching my favorite characters interact and share brief moments of dialogue that left me feeling nostalgic for their respective titles.

who each have some quirky moments of dialogue.

It's more a drama than comedy but the comedic moments of dialogue reflect the same tone of Seven Psychos.

TALKING: Drive has some great moments of dialogue that are jarringly subtle.

I must admit; I laughed out loud at quite a few moments of dialogue.

Instead, let's talk about the little moments of dialogue they get right.

The movie «Sweeney» is merely an exercise in style over substance, apparently taking nothing from the show except for a few relationships and lesser moments of dialogue.

The Grudge 2 is only 95 minutes, but it plods along at an excruciatingly slow pace, padding out its sparse moments of dialogue at lengthy intervals.

The warm color palette is appropriately garish at necessary thematic times, while a few more intimate moments of dialogue towards the third act of the film do reflect a more modern cinematographic flair.

Yes, it balanced massive plot developments with smaller moments of dialogue that built characters, but that's par for the course.

Though the most productive moments of dialogue may take place in private, the ostensible framework of dialogue is that of public discourse measured by results, joint statements, and so forth.

It seems strange that Paramount were worried about the film being too challenging for audiences as almost every moment of dialogue is used to explain what is going on or as a means of off - loading character exposition on the audience.

Not exact matches

The two most illuminating moments of the theological encounter group were quite unplanned, and happened during the dialogue.

I know, I know... it's unpopular, it's not the going dialogue of the moment.

Gregorios correctly warns against a «Committee Theology» and writes that «at the moment the ecumenical dialogue has not progressed to the point where a group of theologians can sit down and write an «ecumenical theology» that is vital and coherent.»

It is often in painful moments that we begin to understand the pain of our dialogue partners, and to face more honestly some of the terrible things that have been done in the name of our own tradition.

I have wondered at such moments whether the dialogue has not become a tedious exercise in preaching to the converted, and I have secretly wished to bring in some of those enthusiasts.

I believe preaching is at its best as a dialogue and the listeners and setting are vital parts of the preaching moment.

«As we've said repeatedly there's been a constant stream of interest and dialogue over a considerable period of time and right at this moment that remains true.

And it needs to be okay for him to say, «I'm struggling and I miss sex and I wish we could find some way to regain intimacy» and we should be able to open a dialogue where he's allowed to say those things, because I think sometimes, I'm assuming this is a heterosexual couple at the moment, but obviously some of these issues are relevant for gay couples too, but, you know, it should be okay for him to say, «I'm having a hard time.»

Indeed, the only moments in which North Korea has opened dialogue on halting its weapons programme have coincided with promises of American - North Korean reconciliation and security guarantees.

«It's a moment for reflection, consultation, and dialogue,» says geologist Jean - Pierre Henriet of the University of Gent in Belgium, a spokesperson for the Eulenspiegel Action group that has opposed the stopping of ESF funding.

If we could step outside of ourselves for a moment and truly listen to the things we say, and think about how we are perceived, and have a decent dialogue with others about such a thing, that would be a step in the right direction.

Obviously, let your brain wander to wherever it wants to go, in the moment, for this sort of dialogue.

Brice's dialogue has a naturalistic feel (no surprise that the Duplass brothers are executive producers), and among all the awkwardness, there are some moments of blissed - out bonding.

If you're looking for a brilliantly integrated musical, with sung moments springing naturally out of dialogue, you'd better look elsewhere.

While the series mostly keeps a suspenseful tone there are a few moments of seemingly long dialogue which just seemed to pad the running time, but again those might make more sense on subsequent viewings - once you know how the story ends it practically begs to be watched at least one more time.

held together by the remarkably vivid and varied performances of Ruffalo, Dern, Watts and Krause, each of whom gets his or her share of juicy moments and sharp dialogue.

There's a naked, drunken stumble through woods and Violet suffers a few painful slapstick moments, but there are also long scenes of dialogue while the couple gently argues in bed, moments of domesticity that feel quite real despite the glossy romcom surroundings.

Honestly, more than any speech or dialogue exchange within the movie, the structure here suggests a lot about how fleeting any given moment, any particular memory, any specific item, or any person's life actually is in the big picture of life across generations.

The subject matter is important, and it's not without it's moments, but the dialogue is clunky and poorly written, veering dangerously close to Movie of the Week territory by times.

I can see this not being as funny to everyone, but I thought his moments of awkward dialogue delivered with a hint of unaware malice were some of the funniest moments of the film.

there were a few moments where just a little more dialogue would have improved certain scenes and the film was not without a few of the cliches of this genre, but overall it stands as a personal favorite of mine.

«Daylight» is persuasive in its action moments but puny in terms of character and dialogue.

There isn't a lucid moment in it (and much of the dialogue is rendered unintelligible by Russell's subversive direction), but it has dash, style, and good looks, as well as the funniest curtain line since Some Like It Hot.

In addition to Mr. Tarantino's trademark dialogue - heavy, suspense - filled set pieces, there are moments of pure silliness, like a gathering of hooded night riders (led by Don Johnson), and a late escapade (featuring Mr. Tarantino speaking in an Australian accent) that perhaps owes more to Bugs Bunny than to any other cultural archetype.

Jacquelin Perske's script delivers Tracy's story in a series of snapshots, brief, highly detailed moments, comprised of close - ups or bits of dialogue.

The film can be hella goofy; there are several moments where the dialogue is a little questionable, and there are a few instances of awkward self - awareness - but it can all be put aside considering the entertainment value.

It's clear almost immediately that the horror elements within the proceedings don't fare quite as well as moments of a more overtly dialogue - based nature, as director Karyn Kusama generally proves unable to infuse the story's horrific moments with any real sense of dread or terror.

For every revelatory moment of sharp perception there's an eternity of goofy smiles, stuttered dialogue and embarrassed glances.

Dark Skies benefits from a good ensemble of actors who give their roles a plausible respectability, and Scott Stewart's (Priest, Legion) dialogue that feels right for the moment.

One of David O. Russell's trademarks is his ability to create chaotic scenes full of firing dialogue from multiple characters in a masterful manner, making memorable moments out this seemingly improvised, but artfully scripted sequences.

Instead of functioning as a one - liner feeding machine for Woody Harrelson (admittedly, some of his moments of outrage come with hilarious lines of dialogue), LBJ also could have deeper explored the relations between its supporting cast.

The Paper Mario series is known for its great dialogue, intricate stories, and amusing humor, but the series has its fair share of touching moments as well.

This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.

While younger audience might go a bit dull - eyed at a few of the slower moments, I stayed involved in the characters» banter, made all the more appealing by witty comic relief and crisp dialogue and delivery.

Speaking of dialogue — there are some great quotable moments from this film, especially from Burt.

When Roger saw Green's second film, «All the Real Girls» (2003), at Sundance, he was struck by the director's «gift for moments of acute observation, for dialogue both naturalistic and uninflected, for mood over plot, for poetry over prose.»

Soderbergh inverts the typical action movie genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46, Analyze That) during the dialogue and chases, while turning the music completely off when the film gets explosive for the highly brutal moments of close - quarter, melee combat.

The first half hour of The Searchers is embarrassingly hokey, with stilted dialogue and goofy characters that are portrayed in over-the-top fashion to provide moments of comedy.