It's clear immediately that Payne is going for a nostalgic, unabashedly old - school feel, with the movie's black - and - white cinematography merely the tip of the iceberg in terms of its far - from - modern sensibilities - as Nebraska progresses at a seriously deliberate pace and, for the most part, emphasizes small, character - based
moments over plot.
Not exact matches
It is one of the big stories dominating the news at the
moment that Raheem Sterling is stalling on signing a new contract at Liverpool, with European giants all
over taking notice and
plotting summer bids for the exciting England youngster.
That is a very good articles Wenger shou; ld never have been given a new contract he has completeky lossed the
plot and if he is allowed to stay on things will get steaderly worse with our team I have supported Arsenal for
over 70 years and we have had some bad times during that period but I have never felt the way I feel at the
moment I really hate Wenger now and have never said that about any of our managers before But really believe Wenger will destroy our great club I believe the Boerd of Directors plus Usmanvof should out vote Kronke and make Usmanof the new Chairman then Usmanof will then sack Wenger As he said he would do if he was Chaiman then we could appoint a new Manager the one from Juventus or Atletico Madrid and Start to see Arsenal begin to be great again
For the
moment at least, it looks as if the
plot is
over.
The premise of a murder mystery with an unreliable narrator is well - trodden territory at this point (The Girl on the Train, In a Dark, Dark Wood, The Woman in Cabin 10, and Sharp Objects all come to mind) but there were at least two
moments where I let out an audible gasp
over an unforeseen
plot twist... so I guess I'm saying if it ain't broke, don't fix it.
In their
moment of desperation, paranoia and fear that their lives are
over, the youths drunkenly construct a chilling plan reminiscent of a video game
plot: they will hunt each other down until only one is left standing.
When Roger saw Green's second film, «All the Real Girls» (2003), at Sundance, he was struck by the director's «gift for
moments of acute observation, for dialogue both naturalistic and uninflected, for mood
over plot, for poetry
over prose.»
U.K. filmmaker Vugar Efendi establishes the agenda of «Here's Looking At You,» his four - minute supercut of memorable cinematic
moments, with this quote from Martin Scorsese: «Films that I constantly revisited, that I saw repeatedly, held up longer for me
over the years not because of
plot but because of character.
Boasting one hell of an ensemble cast, and running
over two hours long, the riveting
plot in Prisoners deserves the adjective brilliant for all the twists and turns that lead lead to the final
moment.
Moments into yet another ordinary commute home (minus the whole being fired part) Michael is joined by a mysterious woman named Joanna (Vera Farmiga in a blink - and - you'll - miss - her capacity) who can't help but dump the
plot all
over his lap.
As he dully broods
over his lost honor and
plots the destruction of the all - powerful Avatar, you can practically see Patel dreaming of the
moment he gets to go back to his trailer and fire his agent.
Long - time fans will enjoy the way their favorite
moments play out, but newcomers might be a little lost when certain important
plot points are glossed
over or skipped entirely.
Still, Fleder covers
over all of the
plot holes by keeping the action moving briskly along, and the interaction of the performers leads to several
moments of dynamite confrontations.
But, yes, there are
moments of undeniable beauty here, and it's wonderful to see a film dedicated to looking for it instead of simply providing close - ups of aerobicized starlets, bashing us
over the head with messages, or insulting us with the same old
plot twists.
If my assumption is correct then the yuan must be pulling up the weighted value of the foreign currencies relative to the US dollar because when I
plot VEA and VTI against each other on google finance they tend to be highly correlated at the
moment and
over the last month do not show a drop one might expect due to the appreciation of the US dollar due to the flight to safety phenomenon that has occurred.
The quality of the writing, pacing and
plot may be all
over the place, but there's no denying that Suda 51 still has a sharp imagination and that he has an eye for cool visual
moments.
As far as a villain goes, is pretty bland and generic and his actions leave much to be desired, let's be honest for a
moment, his
plots basically boil down to «hey, it's Sunday and I am bored, let's try to take
over the Mushroom Kingdom».
All of us have had that one
moment when playing a game when the
plot just goes side ways and our eyes start's to gloss
over.