Sentences with phrase «money a group exhibition»

# 1000 prize money A group exhibition in York, UK hosted by Aesthetica Editorial coverage in Aesthetica Magazine Publication in the Aesthetica Art Prize accompanying publication Enter Main Prize

Not exact matches

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

The sound of the artist Dread Scott chanting «money to burn — money to burn» in a rhythmic cadence accompanies the visitor for the duration of their visit to the group exhibition «It's the Political Economy, Stupid.»

The group are staging a major exhibition in London this spring that will raise money for the homelessness charity Crisis.

Select group exhibitions include: The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); Scarlet Street, Lucien Terras, New York (2016); Background / Foreground, Galerie Nordenhake, Stockholm (2016); Synecdoche, Jessica Silverman Gallery, San Francisco (2015); Dreams That Money Can't Buy, MAXXI Museo delle Arti del XXI secolo, Rome (2014) and We seem to still be moving, Simone Subal Gallery, New York, NY (2013)..

, a group exhibition on the themes of work, labor, time, and money showcasing work by artists from diverse backgrounds and approaches to making art.

Student Prize # 1,000 prize money courtesy of Hiscox Group exhibition hosted by York Museums Trust and Aesthetica Editorial coverage in Aesthetica Magazine Publication in the Aesthetica Art Prize Anthology

In 2014, her work has been featured in group exhibitions including, Pier 54, High Line, New York; Dreams That Money Can't Buy, Maxxi Museum, Rome; The Possible, University of California Berkeley Art Museum.

He will contribute a new project to the group exhibition «Bourgeois Leftovers» at De Appel, Amsterdam, (from 20 April), and his Mobile Information Stand for Money - back Products (International Version)(1999) will be on display at Centre De La Vieille Charité, Marseille, France, from 4 July.

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9.

Notable group exhibitions include «The Importance of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «Contemporary Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum of Art, Georgia, USA; Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation», Indira Gandhi National Centre for the Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected / Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York, USA (2008).

The students are raising money towards renting a venue for an end of year group exhibition, as well as exploring the possibilities of a group trip.

Group exhibitions include The Deep of the Modern, Manifesta 9, Genk; The End of Money, Witte de With, Rotterdam and nThe Moderna Exhibition, Moderna Museet, Stockholm.

Selected group exhibitions (since 2014): Meticulous Observations and Naming the Money, works selected by Lubaina Himid from the Arts Council Collection, Walker Art Gallery, Liverpool, UK; RA Summer Exhibition 2017, Royal Academy of Arts, London, UK; Painting in Time Part 1, The Tetley, Leeds, UK, and Painting in Time Part 2, SAIC Sullivan Galleries, Chicago, USA; Seeing Round Corners, Turner Contemporary, Margate, UK; Grosse Geister, Artist Room: Lisa Milroy, Kunstmuseum Bonn, Germany; Present Tense, Swindon Museum and Art Gallery, Swindon, UK; At Home, Yorkshire Sculpture Park, Wakefield, UK; Houses in the CAM Collection, Museu Calouste Gulbenkian, Lisbon, Portugal; I Cheer a Dead Man's Sweetheart, De La Warr Pavilion, Bexhill on Sea, UK.

Group exhibitions include Materials, Money and Crisis, MUMOK, Vienna; I Know You, Irish Museum of Modern Art, Dublin (both 2013); dOCUMENTA (13), Kassel; The Ungovernables, New Museum Triennial, New York; Modern Monsters / Death and Life of Fiction, Taipei Biennial (all 2012); Until it Makes Sense, Kadist Art Foundation, Paris and How to Work (More for) Less, Kunsthalle Basel (both 2011).

Group exhibitions include The Deep of the Modern, Manifesta 9, Genk (2012); The End of Money, Witte de With, Rotterdam (2011); and The Moderna Exhibition, Moderna Museet, Stockholm (2010).

Apocatopia, a group exhibition at Manchester's Castlefield Gallery, is the latest investigation of economic collapse, and its specific focus — how culture is consumed and the role of money, ritual and desire — is certainly one that artists are well - placed to explore.

Select group exhibitions include The Independent: Dreams that Money Can't Buy (MAXXI Museo, Rome, 2014) and We seem to still be moving (Simone Subal Gallery, 2013).

Berlin Art Prize winners are honored with a group exhibition, an accompanying catalog, a residency, prize money, and a trophy.

The video focuses on art created by the pair for the stop motion art group exhibition, «No Money for Art vs. No Time for Art», held at Artpartment.

and Materials and Money and Crisis was a group exhibition that served as an experimental proposition towards addressing the matter of capital as it exists in the artwork.

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

The annual juried competition awards $ 14,000 in prize monies to selected artists and features the work of the finalists in a group exhibition.

In the group's sites is the museum's plan to deaccession some 40 works, including two Norman Rockwells, to raise money for its endowment and shift its mission toward science and technology - driven exhibitions.