Sentences with phrase «money than its genre»

Not exact matches

For my money, I think there's only a handful of truly great horror films in any given decade, but our own Tim Buel sees many more films in that genre than I do each year.

Vivid proof that filmmaking is more about creativity than money, this micro-budget British movie takes an inventive approach to the ubiquitous zombie genre.

While there are constantly exceptions, the rule remains that prestige dramas are where it's at, and genres that seem designed more to make money than win awards are more often than not left out of the club.

Hollywood pro William Wellman directed more than 80 films in every genre over the course of four decades, but for my money, he was never more interesting than in the early sound era, where his energy and audacity powered over a dozen short, sharp, street - smart films filled with saucy sexiness and startling violence and mixed with varying measures of social commentary.

Also, with the gaming industry now making more money than the film industry, much of our kids» attention is now focused entirely in this new genre of storytelling.

Going indie in genres where the publishers aren't interested (and making more money as an indie than in trad publishing!)

This suggests that there's more money to be had in the romance genre, and conversely a greater chance of something truly valid being said by the author, than, for example, the literary fiction genre.

As long as a small group of Fans think they are better than the fans who put money into the pockets of authors and artists, as long as they refuse to admit indie published works can be as good — or better — than traditionally published works, and as long as they refuse to admit that the Hugos were meant to be a fan award, they will continue to disenfranchise most fans of the genre.

We've seen that self - published authors are earning more money from genre e-books than traditionally published authors.

I recently applied to an organization that won't accept me as an active member or even an associate member, because I'm indie — they will, however, take my money as a fan of the genre... funny, since I've sold more books and made more money than many traditionally published writers.

It's not uncommon to see an indie authors do well and make tons of money despite having an unprofessional cover or website, and doing half of everything wrong (they're nearly always writing books in very popular genres and doing things better than their competition... and it's worth pointing out these books can often make MUCH more money than professionally published / traditionally published books, because they have control over their pricing, promotions and advertising.)

This leads me to this review's biggest caveat - The Following is an immensely enjoyable and well - crafted survival horror experience that I implore any fan of the genre to at least check out, but don't attempt to do so without levelling Crane up to at least level 12, as the difficulty, even on Normal, will more than give you a run for your money if you try to jump straight in.

Overall, Murasaki Baby is a creative platform adventure with a solid story and great pacing that is certainly recommendable to anyone who enjoys the platform or adventure genres and is good value for money at only # 7.99, despite lacking in longevity, but more than making up for it in original artistic style and substance.

The Void is just as deserving of a fat slice of your time and money as Machinarium, perhaps even more so if you believe a game which tries to realise the potential of our hobby through ideas is more worth supporting than an exquisite construct of familiar, fading genres.

Surely Stealth action is my fav genre and it sucking hard now, because no one yet did better stealth action than Chaos Theory was (well perhaps Thief 3 - Deadly shadows & Chronicles of riddick + Hitman blood money are best three after Chaos Theory).

Though it's more difficult than it needs to be, is slightly short on content, and is focused on randomized upgrades, Powerstar Golf fits well within the genre, doesn't cost much at all, and give even the best pros a run for their money.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.