Sentences with phrase «mono with sound effects»

#FHED1385); and in mono with sound effects on R1 Criterion DVD set (Cat.

Not exact matches

Though a straightforward mono mix, «Thirst» has some marvelous sound design that particularly pays off during a hallucinatory «conversion» sequence of sorts, with wild sound effects by mixer Peter Fenton that beautifully intermesh with Brian May's excellent orchestral score.
Isolated mono track Brain May's score, with occasional sound effects between cues.
Isolated mono track of Elmer Bernstein's score with sound effects.
Isolated mono track of Giovanni Fusco's score with modest sound effects / Informative booklet notes by Russell Lack.
Isolated mono track of Ron Goodwin's score with sound effects.
Isolated mono track Miklos Rozsa's score with sound effects.
Isolated mono track of Bernard Herrmann's score with sound effects.
Isolated mono track with music by Jack Marshall (and song composed by Robert Mitchum & Don Raye), plus sound effects.
Isolated mono track of David Amram's score with sound effects.
The original mono mix was beautifully layered with sound effects, and it's worth noting that Anchor Bay didn't upgrade the film with a pseudo-stereo mix, a practice often applied by studios to older films to upgrade their elements for a surround sound setup.
As with any Mono track, all of the audio comes from the center channel, and the mix of dialogue, mostly - present»70s score, and a few active sound effects is satisfactory and never difficult to distinguish.
Isolated mono track of Alex North's arrangements of classical music with sound effects.
Isolated mono tracks of Les Baxter's music, with sound effects for both films.
Isolated mono track of Monty Norman's score with sound effects.
Isolated mono track of Leith Stevens» score with sound effects.
Isolated mono track of Alex North's score with sound effects.
Previously available on a CD from the once - prolific Tsumani, the DVD presents Korngold's complete score in an isolated mono track, with no sound effects whatsoever.
A nice bonus, but pretty useless, since the film's Cantonese track is mastered in a robust Dolby 5.1 mix, and the overtly synth score is reduced to a flat mono track, sharing limited headroom with intrusive sound effects.
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