Not exact matches
While this is perfect for creating resilient
monochrome and even grayscale images, where teeny - tiny
black and white particles arrange in different distances to the
surface of the display to form an image, it poses a problem when trying to show things in color.
Although monotonous on the first sight, his canvases are overwhelmingly full of color — their
monochrome surface is composed of various shades of
black.
The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly
monochrome black or white
surfaces.
Peter Demos» current body of
black and white
monochromes addresses themes of opticality, repetition, and
surface.
Subtle mutations in tone call to mind the undemonstrative play of light on an opaque
surface, but the work is an essentially formalist exercise consisting of the superimposition of
black lines on a
monochrome ground.
The gallery will also present graphite works on paper, and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing the meander to the edge of the canvas, creating nearly
monochrome black or white
surfaces.
PETER DEMOS» current body of
black and white
monochromes addresses themes of opticality, repetition, and
surface.
In 1958, he began making Attese (Waiting),
monochrome surfaces that he sliced open with a single gesture or inscribed with multiple cuts at irregular intervals across the canvas, exposing backgrounds that had been artfully darkened with
black gauze to create a mysterious sense of illusion and depth.
«These pieces and perspectives narrate several Ofilis: the colorist who works in restricted palettes, at times Garveyite red,
black and green, at others blue
monochromes or Favist ochres, purples and greens; the scatologist who uses shit as a sculptural base and pictorial ground, handling paint both to build up and denude his paintings
surfaces; and the mime of machismo and voyeurism who draws on imagery from blaxploitation, Marvel comics, porn, and postcolonial African photography,» he writes.
The show includes a wood panel covered with
black cedar shingles by Aaron Aujla (b. 1986); a vertical
monochrome whose
surface is marked by circular holes, which turn out to be the insides of plastic caps for cans of spray paint, by Dylan Bailey (1985); and a ghostly square
monochrome whose
surface is made from horizontal rows of strapping tape, translucent but reinforced with white string, by Chris Duncan (b. 1974).