Other
monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.
SOME OF THE BEST RECENT SIGNS THAT THE FUTURE IS FEMALE New York's museums had so many impressive
monographic shows of the work of modern women, it's almost feeling normal: Florine Stettheimer at the Jewish Museum; Louise Lawler at the Museum of Modern Art; Marisa Merz and Lygia Pape at the Met Breuer; Carol Rama and Kaari Upson at the New Museum; Laura Owens at the Whitney Museum of American Art (through Feb. 4); Patty Chang at the Queens Museum (through Feb. 18); Judy Chicago at the Brooklyn Museum (through March 4); and Carolee Schneemann and Cathy Wilkes at MoMA / PS1 (through March 11).
The first
monographic show of his work in Germany for more than 30 years, it focuses on his innovative output between the 1940s and 1970s.
It will be the first large - scale,
monographic show of her work in the UK for more than twenty years.
Not exact matches
The 2017 exhibition is part
of a calendar
of monographic shows dedicated by Palazzo Grassi to major contemporary artists — Urs Fischer (2012), Rudolf Stingel (2013), Martial Raysse (2015) and Sigmar Polke (2016)-- alternating with thematic exhibitions
of works from the Pinault Collection.
Frankenthaler's distinguished and prolific career has been the subject
of numerous
monographic museum exhibitions, including — in addition to the 1960 Jewish Museum
show — major retrospectives at the Whitney Museum
of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985,
works on paper); the Modern Art Museum
of Fort Worth, and tour, including The Museum
of Modern Art, New York (1989); the National Gallery
of Art, Washington, D.C., and tour (1993, prints); the Naples Museum
of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum
of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003,
works on paper).
Monographic shows of Hume's
work were organized at the Kestnergesellschaft, Hannover, and the Kunsthaus Bregenz, Austria, in 2004, and Modern Art Oxford mounted a survey
show of his Door paintings in 2008.
The artist's
work has been exhibited in
monographic shows at the Metropolitan Museum
of Art, New York, the Museum
of Contemporary Art, Los Angeles, the National Portrait Gallery, London, and the Irish Museum
of Modern Art, Dublin.
His
work has been the subject
of numerous
monographic museum
shows — most recently, Genus and Species at the Nasher Sculpture Center in Dallas and a monumental exhibition at the Yorkshire Sculpture Park in West Britton, UK, currently on view through September 25.
The internationally touring exhibition will be the first dedicated presentation
of Morisot's
work to be held in the United States since 1987, the very first solo exhibition
of her
work to be mounted in Canada, and the first time since 1941 that a French national museum will devote a
monographic show to this important painter.
This tour will be the first dedicated presentation
of Morisot's
work to be held in the United States since 1987, the very first solo exhibition
of her
work to be mounted in Canada, and the first time since 1941 that a French national museum will devote a
monographic show to this important painter.
Major
monographic exhibition
of Spero's
worked have been
shown at renowned museums including the Centre Georges Pompidou, France; Serpentine Galleries, England; Museo d'Art Contemporani de Barcelona, Museo Nacional Centro de Arte Reina Sofia, and Centro Andaluz de Arte Contemporáneo, Spain.
She has organized
monographic exhibitions
of the
work of Karen Kilimnik, Barry Le Va, Jess, Jason Rhoades, and Anne Tyng, among others, and thematic group
shows such as Deep Storage, The Photogenic, The Puppet
Show, Queer Voice, and Dirt on Delight: Impulses that Form Clay.
Phong Bui has curated over 50
monographic and group
shows since 2000, including the first anniversary commemoration in 2013
of Hurricane Sandy: Come Together: Surviving Sandy, Year 1, «a sprawling, encompassing, inspiring exhibition
of works by some 300 artists,» according to Roberta Smith
of the New York Times.
Gedi Sibony's
works have been a mainstay in major group exhibitions such as the 2006 Whitney Biennial and 2007's «Unmonumental,» but the artist has not yet received the benediction
of a
monographic museum
show.
Elena Geuna curates the
monographic displays — a task that she is familiar with, having curated major solo
shows of work by Rudolf Stingel (2013) and Sigmar Polke (2016) presented at Palazzo Grassi.
The
show is the first
monographic exhibition
of Paolozzi's
work in more than thirty years and focuses on his
work from the 1940s to the»70s, including his time in Berlin in 1974, around when the mural was made.
Without being strictly
monographic, the
show provided enough context for an artist who was fluent in the Western tradition and educated in Vienna, but who chose to remain in Tehran, making
work that is thoroughly imbued with the stylistic and narrative devices
of the East.
Parallel to the exhibition, a comprehensive
monographic catalogue will be published,
showing Herrero's
work of the past 15 years on over 300 pages, alongside four commissioned texts by Chris Sharp, Lisette Lagnado, Sofía Hernández Chong Cuy and Sandino Scheidegger.
The presentation
of the
works that comprise this unique
monographic show establishes an interesting dialogue with the unmistakable architecture
of Frank Gehry's building, whose curving galleries and great fanlights bring out the strength
of Twombly's
work and the rich tonalities and textures
of his paintings and sculptures.
A retrospective
show of his
work from the past six decades is currently on view at the Whitney Museum
of American Art, the museum's first major
monographic show in its new building.
This exhibition will be the first dedicated presentation
of Morisot's
work to be held in the US since 1987, the very first solo exhibition
of her
work to be mounted in Canada, and the first time since 1941 that a French national museum will devote a
monographic show to this important painter.
Up to now, San Francisco has seen comparable concentrations
of work by Alexander Calder, Andy Warhol, Ellsworth Kelly, Chuck Close, Philip Guston and Frank Stella, among others, only in
monographic shows.