Sentences with phrase «montages set»

More photos of Kidman at JustJared Festival director Roger Durling interviewed Ms. Kidman for over an hour, with film clips in between and several montages set to pop songs like Katy Perry's Firework (Perry is a Santa Barbara native, it's...
CGI birds, comedic bits, montages set to Coldplay and various bird songs all make noble plays for your heart, but none of it succeeds at winning you over.
There is so much surface noise, from the casual nudity to the Skrillex soundtrack to the clear social commentary about the fickle nature of youth culture to the Mallickian overtones of slow motion montages set to Franco's slow drawl of «Sprang Break foreeeeeeeevah.»
It's a dark echo in there, side - by - side with Jimmy's grim dedication to buying up lakefront property and turning this prelapsarian wonderland into an exclusive, members - only club, but the film explores neither beyond their mention and contents itself to wrap up with a few scenes of mayhem, three insipid montages set to horrible music, and the same finale involving the birth of a child it seems like Martin has done now in a good half of his films.
The Big Year is completely predictable and full of way too many bird - watching montages set to inspiring music, but it's such an upbeat, cheery film that it's pretty hard to resist.
But sustainable change doesn't usually happen in the span of a film training montage set to «Eye of the Tiger.»
There's the montage set to an independent pop song, a halt - grinding conclusion that's overly confident of its poignancy, the requisite action sequences, and brushes with drama.
Yes, boys and girls, this is a comedy that, in the year 2005, thinks a montage set to Right Said Fred's greatest hit would be hysterical.
There's a montage set to Demi Lovato's «Confident» where Tree confronts all her suspects while dying each time.
Director Ryan Coogler and his stars debuted an extended fight scene set in a casino before the reel segued into a montage set to Kendrick Lamar's «DNA» — the perfect track to mirror T'Challa's journey from Wakandan king to superhero.
Through a montage set to Elvis» «Burning Love,» (good choice) the anchor interrogates — with some snark and humor — right - wing Congressional candidates and supporters.
For every poignant moment, there is another pointless montage set to a contemporary pop song, or a dance - off, or some other silliness.
-- and surrounds it with some lame «comedy» antics and now dated sci - fi effects and cheesy synthesizer music (the montage set to Michael Sembello's «Gravity» is priceless kitsch).
The Blu - ray and DVD loop a short montage set to the dwarves» song.
An intense and funny montage set to a percussion beat shows Marlo going through a seemingly endless routine of caring for her family, bringing home just how exhausting life has become for her — and making us understand and applaud when she decides that whole night - nanny thing is worth a try.
A hyperviolent montage set to Dolly Parton's «9 to 5» opens proceedings in exactly the same way Juice Newton's «Angel of the Morning» kicked off Deadpool OG, which implies there's been zero progression between the start of that film and this one.
The slow slide into anarchy, seemingly precipitated in part by the disconcerting dancing of Luke Evans, is rather appreciated, and the flatness of the ending teased in the beginning flash - forward is greatly mitigated by the extraordinary montage set to a Portishead cover of ABBA's «SOS» and the climactic murders seen through a dazzling kaleidoscope.
With a fantastic, subtle score courtesy of unique composer Clint Mansell, incredible production design from Mark Tildesley, and a brief moment in the film that demands a specific mention - a mid-film montage set to sounds of Portishead covering ABBA's «SOS» - High - Rise is clearly enough of a filmmaking package to warrant seeking out.
A photo montage set to the film's eponymous theme song performed by»60s pop star Lulu (who also plays one of the students) sees them marvel at paintings and sculptures which resemble them.
The short film Ether Reveries (Suite for Thérèse Rivière no. 2)(2017) is a surrealist dream montage set in a flower market in Tangier.

Not exact matches

What sets his videos apart is the quality of his editing — he frequently posts montages that compress his hours of gaming into one compact video of funny moments.
In fact, I was going to put them all together in a slide show montage and set them to music.
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Puttnam, who worked with him on Midnight Express, intended to use electronic music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.
One stylized montage, unexpectedly set to a surging symphonic work by Beethoven, uses anamorphic lens effects to distort and flatten out the sun - drenched streetscape behind its subject's head.
Cole and Sophie wind up in Vegas together and run off into a montage of sexy - dancing set to a Gryffin remix of «Desire» by Years & Years.
Bateman and McAdams manage to be dead - set on winning but not entirely unsympathetic thanks to their peppy enthusiasm and mutual devotion; their really ruthless streak is largely confined to the opening montage.
In place of the emotional stage - setting another film might waste its time on, there is instead a lengthy getting - ready montage, with drooling close - ups of Anastasia (Dakota Johnson) slipping into her lacy gown while her husband - to - be Christian (Jamie Dornan) fastens his cufflinks, which look like two enormous platinum Chewits.
Kubrick and Clarke quickly establish the setting and characters, doing so as part of a lengthy summary montage.
Roth also makes some baffling filmmaking choices (see: a montage where Paul learns to shoot a gun set to «Back in Black») that clash with the harsher realities Paul is dealing with.
The main menu features a nicely edited montage of clips set to dramatic score.
; and a montage of key artwork set to passages of the score («Production Drawings» (6 mins.)-RRB-.
The menu plays a standard montage of scored clips, while placing a couple of music notes among the Set Up options.
(They join a 3 - minute montage of Blake's art set to Anne Kerr's frothy «I've Gone Native Now.»)
Malick is employing his usual style of montage and voice - over narration but in a new, contemporary setting that makes Wonder feel like his most vital work in years.
What would be standard rom - com fare was elevated by the period - perfect details, color - coordinated costuming, life - on - the - town montages, and settings that resembled movie sets of several decades earlier, when every cinematic New York apartment had a terrace.
The opening montage of events literally sets the stage, and we eventually see Anna (Keira Knightley) preparing to leave her home in St. Petersburg to visit her brother Stiva (Matthew Macfadyen) and sister - in - law Dolly (Kelly Macdonald).
Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.
The main menu screen is a simple montage of film clips set to the film's generic action score.
The rest are of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with director Enzo Castellari and actor Bo Svenson (who both make cameo's in QT's film), a mock - featurette on «The Making of Nation's Pride» (with the performers all in character — Eli Roth has a blast playing the sneering autocratic German auteur of this «lost» classic of Nazi propaganda cinema) and montages showing the playfulness of QT and his cast and crew on the set.
While in the final cut this scene was drastically reduced to mere seconds as part of a montage (which just worked in benefit of Ferrell's character), it was a great way of realizing about the amount of improvisation that was going on in the set, as the cast and the director changed lines, added jokes (there was one involving Steve Irwin) and even visual gags (i.e. Ferrell imitating the manta rays).
One of the staples of this series is a montage that alternates between sound wave animation and quick visual jokes, each set to the German song that became «Mack the Knife» (popularized by Louis Armstrong and Bobby Darin).
Intercut action sequences, tough, machismo - fueled training montages, and a cop - out climax all play out as you'd expect, with the only difference being that the setting here is the U.S. Coast Guard.
Montages of people working out will always make you want to get up and start running too, especially if they're set to a soundtrack comprised exclusively of Meek Mill and diet FKA twigs songs.
Not forgetting the quality Will Ferrell cameo as Chazz, who was the notorious albeit deluded man who invented «the rules of wedding crashing,» or the beautiful montage of half - naked women being bedded in the film's earlygoing set to the classic celebratory song «Shout,» Wedding Crashers has assured its place among the great raunchy comedies of modern day filmmaking.
Every shot feels purposeful, even when the film is rushing through a montage to set up the next big twist.
«Whale Ballet» montage (2:45) simply sets clips of Willy and fellow whales swimming to some score.
The disc scores creativity points for its menus, two of which offer a rotation of character photos in addition to score - set clips montage.
Zugor's mentorship soon devolves into a quest to determine just what Tarzan is, setting up an amusing montage in which the savage lead tries to imitate the variety of wild animals he comes across.
The DVD's other extras, a six - minute montage of photos set to score excerpts, production notes, and animated menu screens are nice but are in line with the overall lightweight quality of the supplementary material.
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