While I don't want to say that all of
these montaging film editing lovelies are all great I do believe Joel is one of the highlights of them all.
Not exact matches
In lieu of the earlier
film's dreamlike expressive effects, Disobedience puts an uncommon faith in concisions of acting and
editing (including a wordless, believable
montage of grief), and in loaded moments and changes in point of view that would probably play differently on a second viewing.
A twenty - minute
film proudly advertised as «An Exclusive Documentary» is a hastily patched together
montage of extended clips from the movie maladroitly
edited together with press - junket interviews.
There are some wonderful stylistic tricks Vaughn employs at different points (first - person POV, split - screen
montages); however, now and again the
film feels a little unbalanced or unpolished in its
editing (likely due to the rushed production schedule), though average movie fans are not likely to notice these seams sticking out.
Sexy Beast has a fairly easy linear flow to it - the
film gets to the point, and does not bother with useless backlog of character history, and a bank - robbery scene which is not lacking in imagination not only in narrative but also in
montage editing and cinematographic terms.
Imagery so lush and intense, matched with the most beautiful Morricone score, make this Malick
film — found and made in the
editing room — a breathtaking ninety - four - minute
montage of early twentieth - century rural life that remains unsurpassed as an example of a searching New Hollywood mastery.
Drawing on the use of elliptical conversations in the 1961
film Last Year at Marienbad by Alain Resnais as a point of departure, the exhibition features works of art that utilize various cinematic conventions, such as
editing, character development, narrative, mise - en - scène and
montage, to reveal how our understanding of reality is often mediated by those very cinematic techniques.
Deftly
editing the rich and insightful conversation that follows with a fast - paced
montage of telling moments from
film and media history, Julien and his audience of invited scholars illuminate many of the driving forces and felt repercussions of 21st century capitalism.
These are all scenes from Christian Marclay's 24 - hour video
montage «The Clock,» (2010) in which thousands of
film and television clips have been ingeniously and seamlessly collaged together and fastidiously
edited.
Inspired by jazz compositions and
films from his youth, Gotovac applied cinematic
editing principles to create
montages of everyday items, including cigarette cases, train tickets, and food labels, using personal history as his medium.
The late Austrian avant - garde filmmaker Kurt Kren deconstructs a painting by artist Helga Philipp in his analogue
film, 11/65 — Bild Helga Philipp, using
montage and
editing to create rhythm — in the absence of an actual sound layer.
The
film Under the Bridge - the first part of the Shanghai Redux project launched by Shi Qing + Radical Space, and Ming Wong's newly -
editing version of Next Year / L'Année Prochaine / 明年 will be presented for the first time in Shanghai; the two works are similar to each other for their recreations of classical movies, shifting between reality and memory through different
montages and artistic techniques, reflecting on the turn of the wheel through the cross of time and space.