Sentences with phrase «monumental installation in»

From his early investigation of the rhythms of market stall displays in the 1990's, to his monumental installation in 2001, in which he systematically destroyed all of his possessions in a former department store, his work explores the everyday ways in which capitalism shapes our lives and identities.

This summer provides another opportunity to see this monumental installation in the museum's large exhibition spaces.

Gather amid Orly Genger's cascading monumental installation in the Laguna Gloria amphitheater for an evening celebrating restaurants as sites of creativity and community, with light bites and cocktails provided by local establishments.

In Big Windows: Skin: Portals, Nicola López draws on her recent monumental installation In Gentle Defiance of Gravity and Form at Museum of Contemporary Art Jacksonville, to explore architecture as a metaphor for the human experience on both societal and individual levels.

He talks about the importance of the original installation of the Leviathan, which was created for the Grand Palais in Paris in 2011, and the monumental installation in the atrium of the Martin - Gropius - Bau: Symphony for a Beloved Sun.»

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

Not exact matches

Chihuly Garden and Glass is located next to Seattle's world famous Space Needle and is made up of an exhibition hall, the centerpiece glass house as well as a lush garden that serves as a backdrop for 4 monumental pieces in addition to other installations.

The artworks and installations shown have each immersed audiences in an impactful and significant experiential context — monumental in scale, discipline, and material.

Teresita Fernández's seventh solo exhibition with Lehmann Maupin, coinciding with her monumental sculptural installation Fata Morgana, showcases her newest sculptural works — intimate interior landscapes in concrete, cast bronze, and highly - detailed glazed ceramic.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

The American artist Rita McBride employs non-traditional industrial materials from mass production and urban landscapes in her monumental sculptures and installations.

Fernández's seventh solo exhibition with Lehmann Maupin, coinciding with her monumental sculptural installation Fata Morgana, currently installed in Madison Square Park in New York, showcases her newest sculptural works — intimate interior landscapes in concrete, cast bronze, and highly - detailed glazed ceramic.

The epic vertical and horizontal installations will fill Pioneer Works» monumental main hall, which will be completely blacked out and immersed in haze.

In addition, for the duration of the exhibition, Khan's monumental floor installation, Seven Times, was installed in the museum's Great CourIn addition, for the duration of the exhibition, Khan's monumental floor installation, Seven Times, was installed in the museum's Great Courin the museum's Great Court.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

The subject of «Wakeby Day, Wakeby Night,» is one of the most ambitious monotype projects in printmaking history, Mazur's monumental installation commissioned by the Massachusetts Institute of Technology.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

Included in the show is a new group of four monumental paintings, entitled Four Seasons (Between Spring and Summer), 2015 (installation view, pictured).

Chicago gained broad public attention in the late 1970s for her monumental feminist installation The Dinner Party, now permanently installed as part of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum of Art.

In 2005, the YUZ Museum Shanghai held a solo presentation of her monumental photo - based installation As Simple As Clay.

This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor sculpture that span the artist's sculptural journey, from the early 1980s to site - specific works created this year.

Austrian artist Anita Witek makes her debut at the Wexner Center with a monumental site - specific photomontage installation in the lower lobby, the first the artist has realized in the US.

«Hanne Darboven: Kulturgeschichte 1880 — 1983» November 5 — July 30, 2017 There are 1,590 framed items and nineteen found objects in Hanne Darboven's monumental installation Kulturgeschichte 1880 — 1983.

Finally, a series of mesmerizing video installations Order, More and Culture Plate # 7 (ALL 2003) featuring emblematic, anonymous figures in patterns, culminates in the monumental Time Left (2002), a grand opera of isolation and connection, in which row upon row of human figures forming a vast wall text in motion, endlessly march across the entire perimeter of a room to an unknowable destination.

In her most iconic works, Nevelson utilized wooden objects she gathered from debris in urban environments to create her monumental installationIn her most iconic works, Nevelson utilized wooden objects she gathered from debris in urban environments to create her monumental installationin urban environments to create her monumental installations.

This will be Kentridge's first substantial solo presentation in London for 15 years and includes two immersive multiscreen film installations, monumental ink - on - paper paintings, sculptures and drawings.

Nowhere is this more apparent than in Richard Serra's monumental The Matter of Time (1994 — 2005), one of a number of vast permanent installations including Jeff Koons» Puppy (1992) and Louise Bourgeois's Maman (1999).

Her installation Maypole / Take No Prisoners was presented at the Venice Biennale in 2007, and her last monumental scroll work Cri du Coeur was shown at the 2010 Bienal of Sao Paolo.

This monumental installation was acquired by the museum in 2015 following its debut presentation at David Zwirner in New York the same year.

A highlight of the exhibition is the monumental installation Dawn's Presence — Three (1975 — 80), the artist's only complete white environment held in private hands.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

Hauser & Wirth, London, until 26 July 2014 And anyone blown - away by sculptor Phyllida Barlow's monumental installations at Tate Britain — discussed in Tara Contractor's recent blog — will be interested to see her colourful drawings at London's Hauser & Wirth.

Concurrent with the exhibition at Sean Kelly Gallery, Gormley's monumental Event Horizon installation will be on view in and around Madison Square Park.

The exhibition presents Plensa's installation and monumental sculpture in a new configuration, where the source material for the work appears alongside the finished sculptures.

They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in New York, an installation of his monumental sculpture, Welcome Parade, in front of New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New York.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

This major exhibition is to take place throughout the spaces on the 6th and 7th floors of the CCK, as well as in the two galleries in the «Gran Lámpara» (The Great Lamp), presenting series of photographs by Nobuyoshi Araki, William Eggleston, Alair Gomes, Seydou Keïta, J.D. «Okhai Ojeikere, Juergen Teller, Wolfgang Tillmans, Patti Smith, Hiroshi Sugimoto, Francesca Woodman, projections and video installations by Jean - Michel Alberola, James Coleman, Raymond Depardon and Claudine Nougaret, Nan Goldin, Douglas Gordon, Rinko Kawauchi, Daido Moriyama, Tony Oursler, Artavazd Pelechian, Agnès Varda, a monumental sculpture by Adriana Varejão, several hundred drawings and an inedite series of photographs by filmmaker David Lynch.

As an art educator and artist, Smith frequently involves student artwork in her monumental public installations, created for the New York Metro, Los Angeles Metro Transit Authority, and the Chicago Transit Authority, among others.3

The installations are similar in tone and size to Gli, which was on display at the Brooklyn Museum as part of the artist solo show entitled, Gravity and Grace: Monumental Works by El Anatsui.

The selection of works donated to the Moderno are diverse in artistic language, and include Secure Paradise (2007), a video by artist Judi Werthein; Poema Volcánico (2014), an installation piece by Eduardo Navarro; and Garimpo (2009), a monumental drawing by Matías Duville.

Constellation in Red, Yellow and Blue is a monumental installation of light sculptures created for The Watermill Center by G.T. Pellizzi.

Join us to celebrate The Contemporary Austin's Museum Without Walls installation of David Deming's monumental sculpture Mystic Raven in Pease Park.

In 2014, Cristin Tierney Gallery released the publication Alois Kronschlaeger, which documents the evolution of his work, from individual sculptures to monumental installations.

P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an exhibition featuring spectacular pieces including Leo Villareal's new LED Flag installed in the P.S. 1 elevator; Apolitico, an expansive outdoor flag installation by Wilfredo Prieto; Cannone Semovente, a monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.

«I have a tradition of designing ideas for monumental installations that are... realisable in a drawing, but not possible to make in reality,» he explains.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

A monumental light installation mapping the cosmic flow of charged particles from the Sun, the work is projected onto the walls of a pair of concrete silos next to the Boulevard Périphérique in Paris» 13th arrondissement.

Dawson works in sculpture, installation and performance, creating often monumental kinetic installations that draw largely on physics, mathematics and do - it - yourself construction techniques.