Sentences with phrase «monumental painting gallery»

The exhibition showcases Samuel F.B. Morse's monumental painting Gallery of the Louvre (1831 — 1833), on loan from the Terra Foundation for American Art, and follows the history of its extensive conservation treatment in 2010 as well as two years of scholarly investigation.

Not exact matches

This fall, Pace Gallery in London will be given over to a historical show of Jean Dubuffet's «Théâtres de Mémoire,» a series of monumental paintings made by the late French painter between 1975 and 1978.

To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental oil paintings of robes made up the bulk of his recent exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.

Now, «Crossing» and other monumental paintings will be on display in Tower 49's lobby and 24th floor galleries.

The Nova sector, dedicated to younger galleries and their artists, feels particularly rich thanks to unexpected pauses like the ethereal mix of Dawn Kasper's glowing, dangling sculptures and a monumental abstract painting by Lucy Dodd at David Lewis.

Advancing her constant search into new territories of abstraction and the possibilities of painting, Cain will transform the gallery with her first monumental floor painting that will cover and activate the entire 2,500 square foot exhibition space.

I KILLED KENNY features monumental enamel paintings and large - scale charcoal drawings rendered directly onto SMMoA's gallery walls.

The gallery's website describes Chamberlain's process as «crumpling, crushing, bending, twisting and welding to form individual objects, which may be further painted and sprayed, [and combined] into aggregations, often on a monumental scale.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

Last fall Schubert partnered with the Timothy Taylor Gallery in London to exhibit Riley's monumental wall paintings (first shown in Berlin in 2007, at Galerie Max Hetzler).

The gallery's presentation will coincide with a major solo exhibition of Bowling's monumental paintings, curated by Okwui Enwezor, at the Haus der Kunst in Munich.

Saville is represented by seventeen paintings and a number of drawings that span her career thus far, including several monumental paintings, such as Fulcrum and Ruben's Flap (1999), first exhibited in her landmark 1999 solo exhibition at Gagosian's former Wooster Street gallery in New York.

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary

Like the curator's 2007 exhibition The Painting of Modern Life, at the Hayward Gallery, the London institution he directs, and after Baudelaire, this is an exhibition that spans from the grand themes to the intimacies of the everyday (in 2007 these were represented by — two examples from many — Gerhard Richter's portrait of the grieving Jacqueline Kennedy, Woman with Umbrella, 1964, and Malcolm Moreley's monumental painting of chatting cruise - liner passengers, On DeckPainting of Modern Life, at the Hayward Gallery, the London institution he directs, and after Baudelaire, this is an exhibition that spans from the grand themes to the intimacies of the everyday (in 2007 these were represented by — two examples from many — Gerhard Richter's portrait of the grieving Jacqueline Kennedy, Woman with Umbrella, 1964, and Malcolm Moreley's monumental painting of chatting cruise - liner passengers, On Deckpainting of chatting cruise - liner passengers, On Deck, 1966).

As the exhibit progresses, animals become more prominent, finally exploding in the last gallery with dynamic paintings of birds, including a magnificent Raven with the brooding intensity of a religious icon on a monumental scale more usually associated with contemporary realism.

Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract imagery to convey the humanity, complexity, and ongoing impact of specific cultural experiences, such as Jack Whitten and Ross Bleckner.

Curated by Arne Glimcher, the founder of Pace Gallery, and Tamara Corm, Senior Director at Pace London, this exhibition features eight monumental paintings on loan from Fondation Dubuffet, and significant British and European institutions.

(New York — August 12, 2014) Michael Rosenfeld Gallery is pleased to present Irving Norman: War & Peace — Monumental Paintings, 1969 - 1986, an exhibition of seven large - scale paintings and one drawing created by one of the twentieth century's most talented and outspoken critics of war and other forms of iPaintings, 1969 - 1986, an exhibition of seven large - scale paintings and one drawing created by one of the twentieth century's most talented and outspoken critics of war and other forms of ipaintings and one drawing created by one of the twentieth century's most talented and outspoken critics of war and other forms of injustice.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

Spelboken's centerpiece is Garden Plot, a monumental installation of cut paper and painted board that sprawls across the gallery's primary wall.

Kohn Gallery is pleased to announce Simmons & Burke's third solo exhibition with the gallery, Dutch Masters, consisting of 8 monumental collages that were developed after being given full access to the entire digital archive of paintings in the Rijksmuseum (NetherGallery is pleased to announce Simmons & Burke's third solo exhibition with the gallery, Dutch Masters, consisting of 8 monumental collages that were developed after being given full access to the entire digital archive of paintings in the Rijksmuseum (Nethergallery, Dutch Masters, consisting of 8 monumental collages that were developed after being given full access to the entire digital archive of paintings in the Rijksmuseum (Netherlands).

In a monumental painting that spans one wall of the gallery, white text on a black background explains the different codes that cartographers employ to represent various features of the land and sea, thus highlighting the process of mapping as a symbolic act.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

As warmup for that major event, Stella will present a show of new work at Boesky — his first since signing with the gallery this spring — that will present the dynamic sculptural works he now creates as a mode of painting in three dimensions, including one monumental piece that promises to drop a few critical jaws.

Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist and his work.

Tracing Five Decades of the Artist's Work, Survey Features Approximately 150 Paintings, Sculptures, Video, and Monumental Site - Specific Installation for ICA Miami's Atrium Gallery

March 2008, Philadelphia, PA — Locks Gallery is pleased to announce the unveiling of a new, monumental plate painting by Jennifer Bartlett, Song, in an exhibition that will also feature seminal plate paintings from the artist's early career.

In 2010, the Terra Foundation for American Art's monumental painting by Samuel F.B. Morse, Gallery of the Louvre, underwent an extensive conservation treatment in...

Her early landmark installation Rhapsody (1976), a monumental aggregation of 987 steel plates, is now in the collection of the Museum of Modern Art, and many paintings are found in major public collections including the Metropolitan Museum of Art, the Yale University Art Gallery, the Tate Modern, the Philadelphia Museum of Art, LACMA, and SFMOMA.

His celebrated installation The Upper Room (2002), originally shown at London's Victoria Miro Gallery, emulates the interior of a Catholic chapel, consisting of 13 monumental paintings that each depicts a monkey as one of the figures at the Last Supper, half - subsumed beneath the canvas's gilded surfaces.

The exhibition at Locks Gallery features three monumental works, At Sea (1979), Atlantic Ocean (1984), and Sea Wall (1985) as well as a selection of smaller related works, all devoted to the exploration of water and its visual representation through the act of painting.

March 5 through April 24, 2004, Locks Gallery will present a thematic exhibition of paintings and installations by Jennifer Bartlett — including a selection of monumental works not seen publicly for over a decade.

Ryan Lee Gallery announces Alice in the Garden, an exhibition of monumental paintings by the pioneering feminist artist and MassArt alumna May Stevens.

At the Hollis Taggart Gallery make sure to see Tom Wesselman «s «Study for Bedroom Painting # 75 ″, and a monumental work titled «Breakfast in Florida», a towering titanium sculpture by Martin Willing called «Stacked Squares ``, Alfred Leslie «s «Number 5 ``, Richard Artschwager «s «Untitled (Levi's Painting) ``, and don't miss «Ocre Central» by Jesus Rafael - Soto.

Glenn Ligon's third exhibition at the Thomas Dane Gallery sees inspiration from Steve Reich's Come Out (1966) manifesting through an ensemble of three monumental screen - printed paintings.

Mark Ryden's newest exhibition at Paul Kasmin Gallery opened last week, and features his first monumental bronze sculpture and an ongoing exploration of Jungian archetypes in porcelain and paint.

In the early 1930s, Barnes further commissioned Matisse to paint a monumental mural, known as The Dance II, in the lunettes above the windows of the foundation's main gallery.

2008 Irving Norman, Michael Rosenfeld Gallery, LLC, New York, NY 2014 Irving Norman: War & Peace, Monumental Paintings, 1969 - 1986, Michael Rosenfeld Gallery LLC, New York, NY

Upon seeing the selection of four monumental paintings by Olivier Mosset at the uptown Mary Boone Gallery — three of them dating from the 1980s — I was taken by their Classical stature, their hard - edge quality, and their openness of surface space.

Jennifer Bartlett: At Sea, 2004 26 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-64-6 This publication and the accompanying exhibition at Locks Gallery features three monumental works, At Sea (1979), Atlantic Ocean (1984), and Sea Wall (1985) as well as a selection of smaller related works, all devoted to the exploration of water and its visual representation through the act of painting.

- Jason Jacques Gallery announces a stellar line - up of contemporary ceramic art juxtaposed with Pop and Op Art paintings for its exhibition at Frieze New York, a monumental gathering of the world's leading modern and contemporary galleries.

The 2017 Liste Art fair featured 79 galleries, here are two of our favorite works: John Russell's monumental painting featured by Bridget Donahue Gallery and Louise Sartor's portraits of women on unusual material surfaces featured by Galerie Crevecoeur.

The gallery will present 41 paintings, many of which are heroic monumental scale works that have never been shown at the same time publicly.

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.

Two main exhibition galleries were filled with monumental altar pieces, life - size portraits, some of the earliest still - life paintings in Europe, full - length carved and painted wooden sculptures of Spanish saints and more than 50 pieces of Spanish glass and ceramics.

Craig Fisher, Painting Not Yet Titled, 2009 March 26 — April 24, 2010 Allegra LaViola Gallery is pleased to present Monumental and Piccolini, two separate but related exhibitions curated by artist Jennifer Riley.

Paintings by Dan Walsh at Paula Cooper Gallery summon several monumental streams of late twentieth century painting — color field, geometric abstraction, and even the less monumental Op — to the side of an artist who somehow eludes categorization.

Two monumental sculptures anchor the installation, surrounded by murals painted directly on the walls of the gallery, paintings on panel and paper, and other sculptural objects.

A monumental sculpture forms the centerpiece of Buzz Kill: extending from the four corners of the gallery, and reaching from the floor to the ceiling, this massive painted aluminum sculpture divides the exhibition space into individual «rooms «through which viewers can move.

The site - specific installation features four, large, interconnected abstractions perfectly sized to the gallery wall and a column that's relatedly painted by Mr. Metz smartly paired with a monumental, poured color abstraction from 1958 by Mr. Louis.