Sentences with phrase «monumental paintings on paper»

Her breakthrough came with monumental paintings on paper, such as Untitled (doors)(1996) and LACMA's own Untitled (hallway)(1997), within which detritus from her studio...

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In «Angel Otero: Elegies,» six monumental hanging pieces and three works on paper were installed alongside three of Robert Motherwell's lithographs and drawings, including Motherwell's «Elegy» studies and an excerpt of an... read more... «Angel Otero: Painting and the social landscape»

Highlights include the vibrant pastel on paper, Cakes, 1967, a monumental figurative painting, Girl in Striped Blouse, 1973 - 75, and a rich oil painting, Sunglasses,1983 - 85.

This, the first New York exhibition of John Hoyland's work in 25 years, brings together seven of his monumental stain paintings along with works on paper.

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HuPaper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hupaper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HuPaper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary

This will be Kentridge's first substantial solo presentation in London for 15 years and includes two immersive multiscreen film installations, monumental ink - on - paper paintings, sculptures and drawings.

One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature grid - based approach to creating monumental modular paintings — often built out of graph - paper - gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock - like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.

The current exhibition presents a selection of Riopelle's large - scale paintings from the early 1950s through the 1970s in addition to four monumental works on paper from the 1960s.

28 Walker's works on paper convey the same powerful gestural brush strokes, dense colors, and brooding sensibility of his monumental paintings.

This exhibition marks an important departure from Khan's photographic based works and comprises a suite of large black paintings, a monumental site specific wall drawing and a series of works on paper, all of which consider the metaphysics of creativity.

His fantastical figures in various states of transience transition from paper to sculpture to painting to craft mediums such as the monumental embroidered portraits on sewn canvases for which he was first recognized in the 1990s.

This monumental catalogue raisonné documents 1,209 paintings on canvas and panel, 722 paintings on paper, and 889 collages, providing extensive information about each work.

On display are oil paintings, experimental works on paper, and a monumental new mural that was created in collaboration with Peter Doig's studentOn display are oil paintings, experimental works on paper, and a monumental new mural that was created in collaboration with Peter Doig's studenton paper, and a monumental new mural that was created in collaboration with Peter Doig's students.

The reinstallation will feature iconic masterworks and present recent acquisitions across departments, including artworks never on view before at the High, such as Kara Walker's monumental cut - paper installation «The Jubilant Martyrs of Obsolescence and Ruin» and paintings and sculptures from the 2017 Souls Grown Deep Foundation acquisition of folk and self - taught art.

American Drawings and Watercolors of the Twentieth Century, Selections from the Whitney Museum of American Art, Whitney Museum of American Art, New York, 1987 American Traditions in Watercolor, The Worcester Art Museum, Massachusetts, 1987 Contemporary Works on Paper, Vivian Horan Fine Art, New York, 1987 The Monumental Image, Sonoma University, California, 1987 (Catalogue) Post-war Paintings from Brandeis University, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 1987 Legacy of Light, International Center of Photography, New York, November 20, 1987 — January 8, 1988.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Instead of the monumental installations and paintings he's accustomed to, this work of 30» x 24» of the softest crayon on mylar paper, shows a clear spiral that all together delimits the space for a form ready to be created by the spectator.

Empires primarily includes paintings, many monumental in scale, along with a handful of sculptures and works on paper.

Drawn and sometimes painted, onto paper or on canvas or linen, the compositions envelop the viewer's entire field of vision and appear at once fragile and monumental, flat and illusory.

Two monumental sculptures anchor the installation, surrounded by murals painted directly on the walls of the gallery, paintings on panel and paper, and other sculptural objects.

Untitled, from 1970, is an early example of these beeswax paintings, executed distinctly on two adjoined sheets of paper to achieve a more monumental scale.

Drawing together monumental paintings alongside works on paper, the exhibition charts the crucial period in Hoyland's career that followed his first visit to New York in 1964.