In view of
the monumental scale of the world's need for energy, solutions are not easy — they will require time, huge investments, and thoughtful policies.
And any responsible dive into the topic must take into account
the monumental scale of the world's energy challenges.
Not exact matches
Serra continued to produce large -
scale steel structures for sites throughout the
world, and became particularly renowned for his
monumental arcs, spirals, and ellipses, which engage the viewer in an altered experience
of space.
When David Hockney exhibited his 12 - metre - wide landscape «Bigger Trees Near Warter» at the Royal Academy's 2007 Summer Exhibition, he gave the
world a glimpse
of a tiny corner
of East Yorkshire, albeit on a
monumental scale.
As it turned out in the decades before and after
World War II, Picasso, Matisse, Miró and the New York School continued to make
monumental mural
scale paintings on the level
of the greatest art
of the past.
Though working on a diminutive
scale as compared to Rosenquist's
monumental compositions, Steele draws on rigorous observations
of the real
world to create fragmented images that waver between recognizable form and nonobjective abstraction.
The works themselves index architectural barriers between outside and inside — a
monumental new series
of aluminum - cast windows, a large -
scale brick - wall painting and a new series
of concrete sculptures cast from the corners
of urban buildings — collectively comprising the space
of an inner
world.
He has completed several series
of works - for instance, on the Second
World War, the Passion
of Christ, and the Prodigal Son - as well as numerous shorter series and individual paintings, often on a
monumental scale.
He continues to produce large -
scale steel structures for sites throughout the
world, and has become particularly renowned for his
monumental arcs, spirals, and ellipses, which engage the viewer in an altered experience
of space.
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University
of Hawaii at Manoa, one
of Smith's most open and regular pieces to date, which consists
of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka
World's Fair, a new version
of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components
of Smoke (which was made for the Corcoran's «
Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related
monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.