Sentences with phrase «monumental sculptures and installations»

Eleven contemporary artists comment on the environment, scale and pace of Beijing, Shanghai, Mumbai, Delhi and Seoul, in nearly 20 new monumental sculptures and installations, including works created on - site during the exhibition.

Meanwhile, in collaboration with the Comité Vendôme, monumental sculptures and installations can be found at the Place Vendôme, and further outdoor works can be spotted along the left bank of the Seine river.

These early works can now be seen as foundational to his current monumental sculptures and installations and his elaborate narrative videos.

The American artist Rita McBride employs non-traditional industrial materials from mass production and urban landscapes in her monumental sculptures and installations.

Artist: Jan De Cock Exhibition title: SCULPTURECOMMUNISM Venue: Office Baroque, Brussels, Belgium Date: January 24 — March 7, 2015 Photography: Courtesy of the artist and Office Baroque, Brussels Few artists have expanded the scope of monumental sculpture and installation more than Jan De Cock (1976).

Not exact matches

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor sculpture that span the artist's sculptural journey, from the early 1980s to site - specific works created this year.

This will be Kentridge's first substantial solo presentation in London for 15 years and includes two immersive multiscreen film installations, monumental ink - on - paper paintings, sculptures and drawings.

The exhibition presents Plensa's installation and monumental sculpture in a new configuration, where the source material for the work appears alongside the finished sculptures.

They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in New York, an installation of his monumental sculpture, Welcome Parade, in front of New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New York.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

This major exhibition is to take place throughout the spaces on the 6th and 7th floors of the CCK, as well as in the two galleries in the «Gran Lámpara» (The Great Lamp), presenting series of photographs by Nobuyoshi Araki, William Eggleston, Alair Gomes, Seydou Keïta, J.D. «Okhai Ojeikere, Juergen Teller, Wolfgang Tillmans, Patti Smith, Hiroshi Sugimoto, Francesca Woodman, projections and video installations by Jean - Michel Alberola, James Coleman, Raymond Depardon and Claudine Nougaret, Nan Goldin, Douglas Gordon, Rinko Kawauchi, Daido Moriyama, Tony Oursler, Artavazd Pelechian, Agnès Varda, a monumental sculpture by Adriana Varejão, several hundred drawings and an inedite series of photographs by filmmaker David Lynch.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

Constellation in Red, Yellow and Blue is a monumental installation of light sculptures created for The Watermill Center by G.T. Pellizzi.

This major exhibition includes key monumental installations, sculptures and objects, as well as videos and photography series produced throughout his career.

P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an exhibition featuring spectacular pieces including Leo Villareal's new LED Flag installed in the P.S. 1 elevator; Apolitico, an expansive outdoor flag installation by Wilfredo Prieto; Cannone Semovente, a monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.

Dawson works in sculpture, installation and performance, creating often monumental kinetic installations that draw largely on physics, mathematics and do - it - yourself construction techniques.

From these to Accumulation sculptures, where everyday objects are made uncanny with a covering of soft - sculpture phallic forms or dried macaroni, to monumental outdoor sculptures and installations, such as Narcissus Garden, originating in 1966 when Kusama first participated in the Venice Biennale, and to the entrancing illusions of recent experiential mirrored room installations, Kusama's work is far - reaching, expansive and immersive.

This exhibition displays the distinct construction process Novatt uses for his monumental sculptures, and complements «Chaos Concepción,» a permanent installation that will be unveiled at 5:30 p.m., Friday, April 28, 2017, in the SCAD Museum of Art Alex Townsend Memorial Courtyard.

An event of singular importance is scheduled this spring at MASS MoCA — a decade - long installation of three monumental marbles by Louise Bourgeois, each weighing several tons and occupying a sprawling measure of floor space reinforced by steel supports, with an additional aluminum sculpture on five - year loan.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

With a retrospective at the Foundation Beyler, a monographic show at the Acquavella Gallery, and an installation of his monumental sculpture, Welcome Parade, in front of New York's Seagram Building, global interest in Dubuffet has never been stronger.

Tracing Five Decades of the Artist's Work, Survey Features Approximately 150 Paintings, Sculptures, Video, and Monumental Site - Specific Installation for ICA Miami's Atrium Gallery

American artist Nancy Holt has made some of the most significant contributions to Land art, in particular with her monumental Sun Tunnels (1973 — 6) in Utah, but her wide - ranging practice includes photography, film and video, installation and sculpture.

Through photography, printmaking, sculpture and installation from the miniature to the monumental, this exhibition engages the social landscape, explores the real and mimetic and deconstructs architectural forms, histories and legacies.

Filled with light installations, monumental paintings, interactive graphic works and large scale public sculptures, Happy Station is designed to bring playfulness and delight to the day - to - day commute, making it the happiest train station on earth.

Works by Francesco Clemente, Jenny Holzer, Richard Long, and Sol LeWitt, among others, were made with Gehry's spaces in mind, and most recently Richard Serra has grouped eight monumental sculptures in a permanent installation in Bilbao's largest gallery.

It's a diverse lot that includes the Alturas Foundation, which funded «Makin» Hay,» the public art installation of monumental sculpture by Tim Otterness at Hardberger Park; the Harmon and Harriet Kelley Foundation for the Arts, known for one of the best collections of African American art in the country; and Claudia Huntington and Marshall Miller, who loaned SAMA large scale figurative sculpture for the show, including the piece by Chia and Polish artist Igor Mitoraj's «Sonno Screpolato (Cracked Sleep),» a bronze of a fragmented face.

The reinstallation will feature iconic masterworks and present recent acquisitions across departments, including artworks never on view before at the High, such as Kara Walker's monumental cut - paper installation «The Jubilant Martyrs of Obsolescence and Ruin» and paintings and sculptures from the 2017 Souls Grown Deep Foundation acquisition of folk and self - taught art.

Gormley's most famous works include Event Horizon (a project consisting of 31 life - size male bodies installed separately in Rio, Sao Paulo, NYC, and London), Another Place (100 cast iron sculptures of the artist's own body installed at Crosby Beach), and the monumental installation Angel of the North near Gateshead.

His prior outdoor work includes commissions by the Cass Sculpture Foundation, London and a permanent installation of monumental works at the Waldfrieden Sculpture Park, Wuppertal, Germany.

His alabaster and marble sculptures range from table - sized pieces to monumental scale installation works.

Upstairs, Israel's monumental painting Sky Backdrop will be installed among 18th - century Beauvais tapestries; and the permanent installation of Renaissance bronze sculptures will make room for Israel's Maltese Falcon (cast bronze with black patina), while a room hung with works of art related to the Grand Tour will include Desperado — an acrylic - on - bronze, souvenir - like sculpture depicting a vintage convertible in a desert setting.

Famous modern installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of Monumental Sculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes witSculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes witsculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes with lights.

His installation Kodiak, created with Eli Hansen for the Seattle Museum of Art in 2008, is exemplary: he uses a staircase that he turns into a monumental sculpture, an abstract and dynamic form.

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.

Coming late July 2018, Invisible Man and the Masque of Blackness is a monumental installation of 40 identical figurative sculptures that speak to contemporary issues of race, politics and identity

This large - scale survey covers Maiolino's extraordinary oeuvre from the early 1960s to the present, bringing together expressive woodblock prints, visceral cement sculptures, politically - charged films and performances, fluid drawings, and monumental installations of unfired clay.

The Hall Art Foundation has also formed an exhibition partnership with the Massachusetts Museum of Contemporary Art, in North Adams, Massachusetts, to present monumental outdoor sculpture, in addition to a long - term installation of sculpture and paintings by Anselm Kiefer.

In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and «readymades.»

Through monumental billboards, site - specific environments, sound works, photography, sculptures, and immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.

Caribbean Pirates CP, marks the latest iteration of the White Snow series, while the Caribbean Pirates series features a monumental assemblage installation and new resin block sculptures.

The Bodon galleries offer around 1500 m2 of space to sculptures and monumental art installations from the City Collection, such as «Wombhouse» by Atelier Van Lieshout (purchased in 2011) and the first video - installation «EMMDM» by Erik van Lieshout (purchased in 1999).

It will feature De St. Croix's new site - specific installation, High Rise, a monumental / miniature sculpture referencing both the beauty and devastation upon the Florida Everglades, including issues of encroachment, climate change and the myriad of ways human behavior effects and modifies the natural landscape.

Two monumental sculptures anchor the installation, surrounded by murals painted directly on the walls of the gallery, paintings on panel and paper, and other sculptural objects.