Sentences with phrase «monumental wall pieces»

That he eventually came to produce monumental wall pieces that in many ways rivaled those of the globally famous Anselm Kiefer is testimony to a quality of intellect and imagination that overcame the limits imposed by a rural Southern upbringing at the height of the Jim Crow era.

Not exact matches

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

Louise Nevelson was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures.

Included among these are two monumental, sculptural wall pieces constructed from the rough - hewn woodblocks McCloud used to stamp the paintings in the exhibition.

While the 70's Narrative works engage senses beyond sight through evocative language and color photographs, the wall pieces from the 1980s are immersive, incorporating elements of texture, sound, and monumental scale.

Easternsports is a four - channel video installation projected on four monumental freestanding walls that envelop viewers into the three - hour long video piece.

The monumental 21 - feet - long piece was made by hurling immense amounts of clay onto heavy - duty easels, firing the finished individual sections, then arranging them together on the wall.

Ranging from heroic, monumental constructions with massive tree segments projecting from the wall's surface to intricate grids consisting of thousands of pieces of cut wood.

«Shadows Remain» consists of wall reliefs and monumental freestanding floor pieces that are at once abstract and referential, evoking forces of...

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Thursday, October 13th - Teatrino di Palazzo Grassi 6 pm: Talk by Sol LeWitt scholar and curator Béatrice Gross 6.45 pm: Listening session in the foyer with pieces from «Inevitable Music» composed by Sébastien Roux Friday, October 14th - Punta della Dogana 5 pm: pieces from Sébastien Roux's «Inevitable Music» will be performed by Ensemble Dedalus in the exhibition rooms, in front of Sol LeWitt's monumental wall drawing Talk in French with simultaneous interpreting in Italian Free entry to the Teatrino and Punta della Dogana

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

Focusing on three types of works — namely her monumental wall paintings, colorful pixel installations and interactive drawing machines — SHORT BIG DRAMA presents a selection of existing works together with specially commissioned new pieces.

New pieces include a striking, innovative series of wall works in fired clay based on geometry and symmetry, and two monumental Kilkenny limestone carvings.

Louise Nevelson (September 23, 1899 — April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures.

Hashimoto uses traditional kite - making materials and techniques to create singular, modular units collectively arranged into numinous, monumental installations and smaller, woven, three - dimensional wall pieces.

The installation, Le Magasin Monumental, is composed of mixed - media pieces, «reliefs au mur» constructed out of discarded materials (wire, weathered wood and stories) and installed on the wall among circles painted in pale, pastel colours.

In terms of its emotional and intellectual impact, this a truly monumental work, and yet this is just a piece of paper pinned to the wall.

Highlights include: Flags I Jasper Johns» richly layered 1973 screenprint, presenting an iconic image within the artist's oeuvre in its most striking graphic form; a monumental screenprint on linen, Océanie, la mer, Henri Matisse's largest scale editioned piece and a brilliant example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.

In his first presentation since re-joining the gallery earlier this year, he will show a historical range of work including a major stone floor piece, a text piece and a monumental mud wall work.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.

Among highlights here are two renowned late monumental works by Eva Hesse: the latex and canvas floor work «Augment» and the four - part wall piece «Aught», both created in 1968.

The exhibition will include more than 25 works, both monumental and personal in scale, consisting of carved monoliths, charred wall pieces, groupings and two dimensional colour works.