Sentences with phrase «monumental work black»

This exhibition, curated by Hammons, includes White's monumental work Black Pope (Sandwich Board Man)(1973), from The Museum of Modern Art's collection, and a brush and ink drawing on blue prepared paper by the Renaissance artist Leonardo da Vinci, lent by Her Majesty Queen Elizabeth II from the British Royal Collection.

Not exact matches

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

This show is a monumental work executed in black - and - white on a wall cutting across the length of the exhibition space.

Inspired by the Pulitzer's monumental Ellsworth Kelly wall sculpture, Blue Black, Ligon will expand Kelly's exploration of the two colors with a diverse selection of more than forty works spanning almost a century and touching upon notions of language, identity, and memory.

The epic vertical and horizontal installations will fill Pioneer Works» monumental main hall, which will be completely blacked out and immersed in haze.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

As this monumental lobby mural suggests, Bradford's experience as a young, gay, black man during the AIDS crisis in the 1980s has been central to his work.

While best known for her monumental black cut - paper silhouettes mounted on walls, Walker has been making short films since 2004, and three of these works were included in the survey of her work at the Hammer.

Monumental works composed of aluminum and silk with names such as «Bathers,» «Matisse's Back in Twins,» and «Zanzibar / Black,» are being presented along with smaller examples of her mixed - media sculptures and charcoal drawings.

In this work, strong black lines and scrubbed patches of color course across the canvas, but their movement is constrained by a monumental triangular composition.

This exhibition marks an important departure from Khan's photographic based works and comprises a suite of large black paintings, a monumental site specific wall drawing and a series of works on paper, all of which consider the metaphysics of creativity.

Known for his massive installations built from industrial materials that take the menace implicit in Minimalism and throttle it into overdrive, the Polish Mirosław Bałka is well known on the European museum and biennial circuit — his 2009 work in Tate Modern's Turbine Hall, which resembled a monumental cattle car (with a ramp leading visitors into its pitch - black interior), stunned audiences — but he has only shown rarely in New York.

Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist and his work.

After a while, he decided to combine installation and drawing creating monumental works called» Installation Drawings» on canvas or linen and pinned to the wall and later covered with black paint stick, one sort of grease wax crayon.

The first and most monumental of numerous black monochromes featured in this timely and well - edited survey of works by Wally Hedrick, who died in 2003 at the age of seventy - five, is War Room, 1967-68/2002, a massive volume enclosed on four sides by...

1970 Institute of Contemporary Art, Boston, The Highway American Federation of Arts, New York, The Drawing Society's New York Regional Drawing Exhibition The Art Institute of Chicago, Chicago, 30th Annual Exhibition of the Society of Contemporary Art The Art Museum, Princeton University, Princeton, NJ, American Art Since 1960 Leo Castelli Gallery, New York, Moratorium Philadelphia Museum of Art, Philadelphia, Art for Peace Galerie Beyeler, Basel, Basel International Art Fair Contemporary Arts Center, Cincinnati, Monumental Art School of Fine & Applied Arts Centennial Exhibit, Boston University, Boston, American Artists of the 1960's Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Selected Works from the Collection of Mrs. A. B Sheldon Sonnabend Gallery, New York, Major Works in Black and White Institute of Contemporary Art, London, The Sidney and Harriet Janis Collection

«Black Block» Is Newest Brooklyn Buy — So taken is the Brooklyn Museum with their current exhibition of large - scale sculptures by Ghanaian artist El Anatsui, that the institution has decided to purchase «Black Block,» an unusually monochromatic wall hanging comprised of everyday materials, which is currently on display in the institutions's current show, «Gravity and Grace: Monumental Works by El Anatsui» and will be traveling to museums in Des Moines, Miami Beach San Diego once the exhibition ends in August.

Sprawling across two gallery walls, the monumental black - and - white installation contains traces of markings typically found in Rodriguez's abstract work: solid rectangles juxtaposed against flattened transparent forms and ghosts of rectangles hovering in the distance.

As well as his Elegy series, included are his famous summer collages as well as the black splatter lithograph Bathos, 1975 — a work on such a monumental scale, it has the impact of his most powerful canvases.

Her work is featured in the monumental exhibition, Soul of a Nation: Art in the Age of Black Power, previously at the Tate Modern in London, England, and soon traveling to the Crystal Bridges Museum of American Art in Bentonville, AR and the Brooklyn Museum of Art in 2018.

In January 2015, the renowned American artist Ellsworth Kelly gifted to the Blanton Museum of Art the design concept for his most monumental work, a 2,715 - square - foot stone building with luminous colored glass windows, a totemic wood sculpture, and fourteen black and white marble panels.

Upstairs, Israel's monumental painting Sky Backdrop will be installed among 18th - century Beauvais tapestries; and the permanent installation of Renaissance bronze sculptures will make room for Israel's Maltese Falcon (cast bronze with black patina), while a room hung with works of art related to the Grand Tour will include Desperado — an acrylic - on - bronze, souvenir - like sculpture depicting a vintage convertible in a desert setting.

Over the summer, Colombian artist Oscar Murillo, known for his monumental installations of black flags at the Venice Bienniale in 2015 (and more recently incorporated into this year's Sharjah Biennial), came to Ras al - Amud to take this ongoing body of work, «The Institute of Reconciliation,» in a new direction.

The result is an eclectic collection of works and a wide variety of styles: from handwritten contemplations to pictorial stories taking up a complete wall, from a single monumental black and white ink drawing to an elaborate comic strip.

His monumental, layered works are often painted after black and white photographs depicting portraits, architecture or other remnants of historic events.

The idea for the group exhibition came to Ligon as he gazed up at Ellsworth Kelly's monumental work «Blue Black» (2000), a 28 - foot - tall painted wall sculpture commissioned for the Tadao Ando designed main exhibition hall of Pulitzer Arts.

The earliest work included in this exhibition is the monumental painting Satin Black on White from the Bottom to the Top (1989).

Included is the monumental twenty - metre wide painting Black and White, 2004 — 2005, based on the artist's studio, and Shoes, 1985, the only work from the 1980s in the exhibition, on loan from Tate and a touchstone painting for Milroy.

Works in the «Black Brook» series range in scale from small and intimate to monumental and enveloping.

That's where, as a sixteen - year - old participant in a summer enrichment program, I parked in front of Adolph Gottlieb's Cadmium Red Above Black (1959), a typically monumental yet unusually compressed example from the abstract expressionist's Bursts series, and had my first deeply personal encounter with a work of art.

An overview of Wiley's prolific career from 2001 to the present, A New Republic features spectacular portraits of black men - the artist's signature works - along with exciting new developments: portraits of women, monumental sculpture, and «paintings» in stained glass.

The museum purchased «Town of Hope,» a 1927 painting by Archibald Motley; a Two - Handled Jug, by enslaved South Carolina artisan David Drake, dated 1840; and two works by Sanford Biggers, «Khemestry» (2017), a wall relief with antique quilts, and «Overstood» (2017), which features a monumental wall silhouette of Black Panther figures casting a shadow over diminutive African statuettes.

Whilst Black denies the gendered nature of her sculptures, it is difficult not to interpret her work as overtly «feminine» in a traditional sense — materials associated with house - keeping, beauty and nursing recur within her work, along with formal motifs like bows, canopies and nests, in pretty fondant colours — suggesting an oppositional stance to the traditionally masculine, monumental and heroic idea of the history of sculpture.

On the first floor of the gallery there are two monumental black monochrome canvases, created especially for this exhibition, shown alongside an immense white monochrome from 1999: the three works narrate and trace Olivier Mosset's continuous exploration of the relationship between the ego and the death of the notion of author.

His monumental, layered works often painted after black and white photographs explore the shadow side of human ambition and investigate the line where ethical and aesthetical values cross.

In this medium, Nevelson was able to design numerous monumental outdoor works, including an exterior wall sculpture for Temple Israel, in Boston (1973); a black monumental work for the Embarcadero Center in San Francisco (1977); and perhaps her most successful steel sculpture, Atmosphere and Environment XIII: Windows to the West, for the city of Scottsdale, Arizona.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

This monumental black and white painting encompasses both the abstract and figurative aspects of his work.

In potent contrast with these spare, black - and - white works, looms his most monumental, assertively carnal palette work yet.

Family Properties: Race, Real Estate, and the Exploitation of Black Urban America is a monumental work of history, this tale of racism and real estate, politics and finance, will forever change our understanding of the forces that transformed urban America.