Sentences with phrase «monumental work looks»

Not exact matches

It's like Gaben had an idea, did the minimum work to make the idea happen, struck gold with ignorant people looking for something different who then couldn't stop praising (and vociferously defending) it even with the monumental problems the service continues to have, and with each new «addition» to the service it's met with either intense hatred by the consumers (paid mods) or is abused by consumers and hated by the devs (refunds).

We're starting our trip in the forested mountains of our own backyard, looking at the monumental works of Storm King and Opus 40.

Distinctly European in its look and origins, West's art is now decidedly global, with monumental works populating plazas throughout the world.

We are looking forward to receiving applications and sketches from artists, designers and architects who are working with urban art and monumental paintings.

Donovan's work, as is typical with many of her monumental sculptures, rewards a closer look.

A quick look at the Armory Show last night left us fascinated with and longing to come back for these five monumental sculptural works by the artists from...

As well as the monumental works, look out for some of Gupta's recent experiments with sound and enjoy the delicious irony of his exhibiting in an institution created (way back in 864 CE) to turn metal into objects of desire, worth and economic exchange.

A quick look at the Armory Show last night left us fascinated with and longing to come back for these five monumental sculptural works by the artists from China, Japan, Germany, UK and India.

The artist will guide the audience through some of her most important works, starting with her earliest pieces and ending with her current monumental project, «Looking for Jesus».

And as far as monumental stone works go, look no further than Gutzon Borglum's Presidential Portraits on Mount Rushmore (1941).

Referencing past work, the studio practice, lessons learned, artistic folklore, and personal sources of inspiration (music, newspaper headlines), the artist undertakes a monumental investigation into looking and making through various artistic tropes and frameworks.

I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.

But whether it looks easy or arduous, the provisional work is always opposed to the monumental, the official, the permanent.