Sentences with phrase «monumental works not»

March 5 through April 24, 2004, Locks Gallery will present a thematic exhibition of paintings and installations by Jennifer Bartlett — including a selection of monumental works not seen publicly for over a decade.

Not exact matches

St. Thomas Aquinas, in his monumental work Summa Theologia, offered five proofs for the existence, not the nature but the existence, of God: Proof from Efficient Causality,...

Not only its aesthetic value, which is apparent in the power of its expression, in the depth of its sensitivity, and in its monumental structure; but also its content — the bold and colossal struggle with the ancient, and at the same time always new, human problem of the meaning of suffering — all this puts the work, in its universal significance, in a class with Dante's Divine Comedy and Goethe's Faust.8

St. Thomas Aquinas, in his monumental work Summa Theologia, offered five proofs for the existence, not the nature but the existence, of God: Proof from Efficient Causality, Proof from Contingency, Proof from Grades of Perfection, Proof from Order.

It is, of course, our story: the threat, real or simply paranoid; the flight in terror through the wilderness of despair; the wonder of sustenance in the desert; the darkness, the stillness, the strangely comforting loneliness of the cave in which we spend a night or a week or however long it takes for the noise and fury of our hell to subside; the perception of the gift, now, of gentle silence; the miracle, then, of the discovery anew of the «isness» of the Word, but the immediate, bitter protest against it because it will not let us stay in this place of haven from storm, this realm of the silence of gentleness, because it sends us back again, and because it rebukes the pride of our paranoia, our monumental sense of absolutely unique commitment and persecution; and finally our return, to call an Elisha on the way and to resume the work of ministry to Word of God and word of earth, renewed by the whole kaleidoscopic experience of the trip to the Cave.

The Value of a Hospital Grade Pump or, Isn't my Insurance Pump Good Enough??? When a breastfeeding mother returns to work at the end of her maternity leave, the transition back to the workplace is almost as monumental as becoming a mother in the first place.

The discovery is important for reasons beyond the city's age — it throws into question many assumptions on which a great deal of archaeological work is based, because the inhabitants of Caral built a social and political structure, not to mention monumental architecture, without the trappings of writing, metallurgy, or ceramics.

Although evidence seems to point out the importance of prioritizing speed over strength, skill over muscular development — see: «train the movement, don't train the muscles» (Vern Gambetta)-- it is imperative to realize how the key concept in developing stronger, more powerful athletes is training integration, a monumental quote from the work of Gregory Haff.

Considering the less than stellar track record of Stephen King adaptations (including the recently released monumental failure that is The Dark Tower), it's pleasant to report that director Andy Muschietti's (Mama) stab at one of the writer's most revered works of art doesn't float like a lifeless corpse down in Pennywise's sewer lair, but instead propels forward with frightful momentum and probably the best character work that could be done when bringing such a lengthy and detailed story to the silver screen.

And while this monumental change is not necessarily imminent, be aware that the plan is gaining inertia as Congress sizes up the $ 6.3 trillion in retirement assets of working Americans — followed by mandates that may one day ration your own money back to you.

It's like Gaben had an idea, did the minimum work to make the idea happen, struck gold with ignorant people looking for something different who then couldn't stop praising (and vociferously defending) it even with the monumental problems the service continues to have, and with each new «addition» to the service it's met with either intense hatred by the consumers (paid mods) or is abused by consumers and hated by the devs (refunds).

Monumental's website says that they can't reveal the franchise they're working on yet, which basically backs up the Mega Man theory completely: they're working on a franchise and Mega Man is the only one all of us have gone to sleep dreaming about as an MMO; cuddled up with our Mega Man plush, cursing Dr. Wiley's name as we steadily fall asleep hoping that some day the blue bomber will sweep us up in his arms and... where was I?

If 1962 is the dividing line between one art world and what we seem to have inherited — the moneyed domain of the big, slick, well - produced, and shiny, not to mention the monumental, industrial, and tastefully rusted — Inventing Downtown will bring you back to the period before the art world became arty, segregated, and hierarchical, and introduce you to the early work of Yayoi Kusama, Bob Thompson, Leo Valledor, Yoko Ono, Romare Bearden, Nanae Momiyama, Marcia Marcus, Robert Kobayashi, Jean Follet, Walasse Ting, Norman Lewis, and Tadaaki Kuwayama.

Most of these are more intimately scaled than the early monumental «Fuck» paintings, 1969 — , for which the artist is perhaps best known, doing away with some of the optic strangeness of those works and replacing it with something similar to, but not quite like, eroticism.

The size of her monumental works, such as The Dinner Party (1974 — 79) and The Holocaust Project: From Darkness Into Light (1985 — 93), would require a major museum to step up, but so far, they have not.

His early abstract - ish paintings, small and wan, were nothing if not winning... but does the old formula (near - monochromatic color, sketchy brushwork, mysterious fading imagery) still work when the scale is monumental?

Whether or not the monumental, 27 - panel work will cure the anxiety of cultural identity, as Gu hopes it will, remains to be seen.

His monumental forms make you dance, his table - top works are in drag — and his shapes are so simple you can't believe he dared.

«In Roman Standard Emin poignantly conveys that successful works of public art do not need to be monumental in order to inspire their surroundings.»

Since Durham moved to Europe in the early 1990s, his works often, but not exclusively, challenge the idea of architecture, monumental works and narration of national identities by deconstructing those stereotypes and prejudices on which the Western culture is based.

The exhibition will include some of his major works in ceramic, tapestry, sculpture and etching, as well as the not - to - be-missed monumental tapestry Comfort Blanket, exhibited in Perry's acclaimed National Portrait Gallery London exhibition Who are you?

Although Hunt was not interested in pursuing an early and brief involvement with earthworks, he wanted to include the concept of monumental scale in his work, «using a more classical, compact kind of sculptural form» (View, 1980).

Most of this work isn't overtly political on its surface — there is Henry Taylor's monumental 2012 portrait of a woman grilling chicken on a barbecue, or Celeste Dupuy - Spencer's 2016 painting of a man making a playlist on his laptop, a cigarette - filled ashtray in front of him.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

They could be on the scale of Andreas Gursky's or Thomas Ruff's work, but these photographs show that images don't have to be blown up to huge dimensions to be monumental...»

«His monumental works have not only transformed the landscapes in which they are placed, they transform our ideas about sculpture itself,» said Mr. Cuno.

Paddy: I still can't get over how many monumental art works in this show so effectively dominated the space that you'd literally feel awestruck by their presence.

Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.

In December, we changed the exhibition The World is Made of Stories — Works from the Astrup Fearnley Collection, with works that have not been on view for a long time, such as Tom Sachs» monumental Presidential Seal (2004), along with new works, such as Richard Prince's new series New Portraits, which present appropriated images from InstaWorks from the Astrup Fearnley Collection, with works that have not been on view for a long time, such as Tom Sachs» monumental Presidential Seal (2004), along with new works, such as Richard Prince's new series New Portraits, which present appropriated images from Instaworks that have not been on view for a long time, such as Tom Sachs» monumental Presidential Seal (2004), along with new works, such as Richard Prince's new series New Portraits, which present appropriated images from Instaworks, such as Richard Prince's new series New Portraits, which present appropriated images from Instagram.

The fair was not lacking in impressive presentations by established galleries and artists: Berlin's Contemporary Fine Arts offered mixed media works by Anselm Reyle and Franz West alongside a number of pieces by Günther Förg, including several of his coloured abstractions and a monumental yet intimate colour self - portrait photograph.

Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the sculptor's creative process: some illustrate the origins of compositions for monumental works, while others document ideas not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent significant transformation as they emerged as full - scale sculptures in the exhibition chronicle Arneson's evolution as an artist and the development of his freewheeling creativity and prodigious imagination.

At the Hollis Taggart Gallery make sure to see Tom Wesselman «s «Study for Bedroom Painting # 75 ″, and a monumental work titled «Breakfast in Florida», a towering titanium sculpture by Martin Willing called «Stacked Squares ``, Alfred Leslie «s «Number 5 ``, Richard Artschwager «s «Untitled (Levi's Painting) ``, and don't miss «Ocre Central» by Jesus Rafael - Soto.

Wearing's monumental photographic installation Rock «n» Roll 70 (2015) is a site - specific commission for the Sandra and Gerald Fineberg Art Wall, and the first presentation in Boston of the celebrated artist's work.

Other highlights of this auction include Lot 20, «Duridium,» a 26 - by - 36 inch magna on canvas, dated 1964, by Roy Lichtenstein (1923 - 1997), estimated at $ 600,000 to $ 800,000, which sold for $ 607,500; Lot 21, «Ileana Sonnabend,» a 1963 metallic paint on canvas, 77 3/4 - by -128-inch work by Frank Stella (b. 1936) that has a high estimate of $ 600,000, and which sold for $ 684,500; Lot 29,» Evening in the Studio,» a monumental painting that out - Rubens Rubens by Lucian Freud and has an ambitious high estimate of $ 3,500,000, and which sold for only $ 2,422,500; Lot 30, «Lying Figure,» a large, interesting composition by Francis Bacon (1909 - 1992) that has an ambitious high estimate of $ 2,500,000 and is starker than his more painterly small works, and which was passed at $ 1,600,000; Lot 35, «Bedouin (Personage Gris et Rougeatre),» a great Jean Dubuffet (1901 - 1985) painting that is conservatively estimated at $ 700,000 to $ 900,000 and which sold for $ 992,500; and Lot 46, «Aux Bons Principes,» a more colorful but not as strong Dubuffet that has an ambitious high estimate of $ 3,000,000, and which sold for $ 2,202,500; and Lot 63, an untitled, large painting by Sigmar Polke (b. 1941) that has a mysterious, luminous and mystical sense of a great mountainscape by the Sung Dynasty masters of China and has a conservative high estimate of $ 300,000, and which was passed at $ 150,000.

Groff introduces Tompkins work noting: «What is remarkable about these paintings isn't just the amazing technical skills in achieving these monumental structures but in how he makes it seem like it's all such great fun.

Early paintings by Frank Stella are prominent, and several works are not necessarily common in exhibition, such as early Flavin «Icon» boxes or a fantastic mural by David Novros.23 The tour finished on the fifth - floor bedroom, with a monumental Flavin running the incredible length of the westward facing windows.

Jose Dávila's monumental arrangement of tenuously balanced rocks, concrete, glass, and ratchet straps takes center stage, while quieter works by Jorge Méndez Blake and Gabriel de la Mora also shouldn't be missed.

What's more, constituting the most significant work by Brown ever to come to auction, The Tragic Conversion of Salvador Dalí (After John Martin) not only stands at the very apotheosis of the artist's extraordinary corpus of monumental sci - fi panoramas but also ranks as perhaps the most magnificent work of Glenn Brown's entire creation.

Thiel's monumental works are not merely documentation, but picture a city reborn after a tumultuous history.

A sculpture described as a «monumental work by Sir Anthony Caro» and expected to fetch up to # 150,000 at auction has been disowned by the artist, who described it as «mutilated» and not his real work.

The concise survey of Kersels» work since 1994 at the Santa Monica Museum of Art, «Martin Kersels: Heavyweight Champion,» opens with a monumental sculpture of a bird's nest.

Boasting over 250 drawings, paintings, sculptures, and monumental works (not to mention documentary photographs, films, and plenty of Pop Shop memorabilia), this thematically organized exhibition ascribes Haring's iconic pictographs to diverse political causes — from AIDS awareness to nuclear disarmament.

MARK BRADFORD, 2009 Mark Bradford's But You Better Not Get Old from 2003 is a monumental work of collaged permanent - wave end paper, «materials with a built - in history,» in the words of the artist, aggregated and distressed to form the ethereal yet tactile surface that has become the artist's unique signature.

Ironically, not only were their monumental landscape projects extremely expensive to complete (often requiring land - purchase as well as the use of earth - moving equipment), thus necessitating financial support from the very system that the artists despised, but these works were typically situated in remote places accessible only by the super-rich, and properly viewable only from the air.

These monumental — not to mention monumentally pricey — works don't fit easily into most people's homes, let alone the average New York apartment.

Whether it was de Kooning who recommended that he work large, bringing the brush strokes into monumental focus, or he came up with the idea himself doesn't make much difference.

Di Suvero's tabletop sculptures are not models or maquettes for his monumental works.

Whilst Black denies the gendered nature of her sculptures, it is difficult not to interpret her work as overtly «feminine» in a traditional sense — materials associated with house - keeping, beauty and nursing recur within her work, along with formal motifs like bows, canopies and nests, in pretty fondant colours — suggesting an oppositional stance to the traditionally masculine, monumental and heroic idea of the history of sculpture.

Grabbing drinks and hors d'ouevres on the way inside the factory, guests weren't initially greeted by the monumental work.

That Rauschenberg did not execute a work in homage to Burroughs until 1998 may perhaps be due to the fact that he was occupied by preparations for a monumental traveling retrospective organized by the Solomon R. Guggenheim Museum that opened in New York on September 19, 1997.