Not exact matches
The pervasive, universal values are not
moral and are not mere pleasure, they are
aesthetic in the
sense of the intrinsic harmonies and intensities of experiencing.
Yet there is something vulgar about it that repels the
aesthetic, if not the
moral,
sense.
Logan's director, James Mangold, does the same with clips from the western Shane (1953), hijacking George Stevens's powerful scenes of cruel violence but imparting no
sense of the
aesthetic daring and
moral revulsion that made that film a
moral and artistic landmark.