Robert Pattinson is clearly relishing putting the Twilight franchise ever further in his career's rear - view mirror, but even when you think his Jerome is just about the only vaguely
moral person in this film's twisted universe there comes a twist which throws you completely off, as the script essentially points out that Hollywood is a corrupt and corrupting place where no real human values apply.
Not exact matches
Unsurprisingly, allegory places significant constraints on the
film actors, who are forced to put life into characters that are
moral abstractions, not
people, restricted
in manner of behavior, expression and thought.
Baena uses one of the stories of The Decameron as the inspiration for a comedy of religious
people who don't exactly have the expected
moral code for a
film set
in a 14th century convent.
I was also disappointed with the
film's lack of interest
in Shannon as a
person because I feel like there was potential to build on her thoughts on life and her own
morals instead of focusing way too much on Amy coming to grips with her life.
Like all of Rohmer's
films, this one observes a
moral dilemma
in which some
people act well and others badly; it has the visual beauty of an engraving, a pace that echoes the inexorable progress of the revolution, and the belief that it is less important whether you are Left or Right than whether you behave bravely
in accord with your principles.
This is a
film in which acknowledging error is treated as some terrible surrender and betrayal of trust;
in actual journalism, it's considered a
moral obligation — one that, sadly, most
people in the field have had some experience with,
in one capacity or another.
During the bizarre (and embarrassing) courtroom melodrama that serves as the
film's framing story, her hockey star attorney Bill (Woody Harrelson) will object to an exhumation of her sexual history — but by the time
people have finished standing up
in the gallery
in a show of Dead Poets Society
moral support, it's evident that for director Niki Caro and screenwriter Michael Seitzman, that Josie's sexual history be clean as the driven snow means absolutely everything.
While his detractors blame Kinsey for much of the looseness of
morals that developed
in the decades following his published studies, Condon's
film seeks to make him somewhat of a hero, as sexual repression and lack of adequate education were responsible for a high number of unhappy and confused
people who saw anything but heterosexual intercourse as deviant behavior — even oral sex was against the law
in some parts of the United States at the time.
«Physics, you either are attracted to
people or you're not,» Therese says,
in one of the only conversations
in the
film that actually addresses the «
moral misconduct» as it's referred to
in this time period.
This
moral struggle makes the
film not only a mini-study of philosophy and psychology, but more important, a nail - biter thriller
in which tension comes from the hesitations and even the comic examination of
people who are most concerned with covering their own butts by avoiding a decision to let the bombs rip.
The flip side — the meme - generating contrarian takedown of a critical or popular favorite, however cleverly executed — is just as reactionary if couched
in moral terms that reassure readers that certain types of
films are for certain types of
people.
The guide provides instructional materials to help educators explore background information about the Holocaust, understand manifestations of historical and current day anti-Semitism around the world, delve into the
moral themes of courage, justice and truth presented
in the
film and expand possibilities for young
people to deepen their understanding of the
film with reading, writing and other extension activities.