Sentences with phrase «more abstract forms of»

Although this feature will start in 1993 and focus on of his move into more abstract forms of graffiti, there is no doubt that Joker is skilled in all aspects of traditional graffiti as well.

He provides an abundance of statistics in essays on capitalism and public policy (though some would benefit from updated numbers), and he undertakes a more abstract form of analysis in contemplating Europe's decline and the roots of American liberty.

A modern alternative to the tired academic formula of history painting was to turn to a more abstract form of art when depicting monumental or grave issues.

The artist uses historical images as a backdrop for a more abstract form of storytelling.

Not exact matches

A steadily increasing number of people will want to get in on the «new Bitcoin,» a bizarre paradox given that gold is as old as time, and will soon realize that gold possesses virtues Bitcoin does not, given that it is real, not digital and abstract; that owners can personally possess and store it in physical form; that it will survive any kind of electric grid or Internet disruption that might occur; that it can not ever be hacked; that it is the epitome of private, quiet wealth; that it is actually quite beautiful to behold; and that it was not and can not be made by man, only by God, who does not appear to have any interest in making any more of it.

Over the years the human figures in his prints have filled more and more of the space, leaving less and less for the plant forms, abstract patterns and calligraphy that appeared in early works.

Repeated observations leading to fine tuning of our descriptions was seen to base human inference more than abstracted «forms».

Whitehead holds that the attempt to explain the concrete by constructing it step by step out of the abstract misunderstands the explanatory possibilities of philosophy: «Each fact is more than its forms» (PR 30).

This holds true since the abstract form of the substance - nature remains always the same, yet in its concrete instantiations the form always seeks to realise itself more adequately.

But it seems more appropriate to also speak of «the depth» of reason by pointing to the fact that the valuational responses of the adverbial mode contain the forms that the accusative mode abstracts and gives distinctness.

According to Hartshorne, the categories form pairs of logical opposites with the «r - term» or category involving relativity or dependence always including as a more abstract part of itself its corresponding «a-term» or category involving absoluteness or independence.

Thus, too, Christendom has known the most terrible guilt in history, and as a religious Christianity has progressively and ever more fully reversed the movement of the Incarnation, the Christian God has increasingly become alien and abstract, until in our own time he has only been present and real in actual experience in a totally alien form, and the whole body of Western humanity has been initiated into a radical and total state of guilt.

More importantly, I would need to produce a body of work in the form of presentations, abstract, and journal articles.

That June decision may seem worlds away from biotech, but it aimed to lay out a definitive two - step test for deciding patent eligibility, Burk says, and it forms the backbone of the new guidance: If a patent claim describes «a law of nature, a natural phenomenon, or an abstract idea» (step 1), then it must amount to «significantly more» than what's found in nature — a phrase borrowed from the Mayo decision — in order to be patentable (step 2).

Yet despite more than a century of abstract mathematical knot theories, few have experimentally tested how these convoluted coils form.

It is easy to think of concrete activities when looking for good habits to form, but more abstract ones like creativity can be formed too.

Paul Liebrandt approaches cuisine as an art form, and has made a name for himself with his bold combinations of ingredients (one of his more outré creations features eel, violets and chocolate) and presentation which resembles abstract expressionism more than the way your mother put food on a plate.

They've either grown more allegory - friendly or abstract (as in Fernando Mereilles's adaptation of the Jose Saramago novel Blindness or M. Night Shyamalan's The Happening) or into some souped - up form of undead rabies (as in 28 Days Later or Omega Man remake Blindness).

But the powers of observation that are formed from going outside and studying our immediate surroundings more deeply can not be replicated by delving into these other important, but much more abstract, topics.

The following are common characteristics of gifted children, although not all will necessarily apply to every gifted child: • Has an extensive and detailed memory, particularly in a specific area of interest • Has advanced vocabulary for his or her age; uses precocious language • Has communication skills advanced for his or her age and is able to express ideas and feelings • Asks intelligent and complex questions • Is able to identify the important characteristics of new concepts and problems • Learns information quickly • Uses logic in arriving at common sense answers • Has a broad base of knowledge; a large quantity of information • Understands abstract ideas and complex concepts • Uses analogical thinking, problem solving, or reasoning • Observes relationships and sees connections • Finds and solves difficult and unusual problems • Understands principles, forms generalizations, and uses them in new situations • Wants to learn and is curious • Works conscientiously and has a high degree of concentration in areas of interest • Understands and uses various symbol systems • Is reflective about learning • Is enraptured by a specific subject • Has reading comprehension skills advanced for his or her age • Has advanced writing abilities for his or her age • Has strong artistic or musical abilities • Concentrates intensely for long periods of time, particularly in a specific area of interest • Is more aware, stimulated, and affected by surroundings • Experiences extreme positive or negative feelings • Experiences a strong physical reaction to emotion • Has a strong affective memory, re-living or re-feeling things long after the triggering event

Teaching needs to move to a more abstract form I say its the school boards fault because that have the Data of the test scores its been in decline since the 80s This could have been prevented from happening if Proper action was taken.

# 4 is a little more abstract, though I see you have an LLC taxed as a sole proprietorship, and so I'm guessing protecting your personal assets may have been one of the driving reasons you formed the LLC in the first place.

Your new vocabulary of forms is more abstract — bodies are now represented by parts of bodies — in many works the body is presented as an integrated image / action.

The origins of Color Field — one of the more intriguing forms of contemporary abstract painting — seem to lie in 19th - century Romanticism, particularly in a few radically reductive...

She resolved this, very cleverly by re-asserting a more personal response to her subject by returning to a more naturalistic style and applied a great deal of what she had learnt of abstract forms to decorative work, at the Omega Workshops, and her house Charleston in Sussex.

Conversely, one of the advantages of abstract sculpture is that it does not impose itself in this way: it demands and rewards a different, more considered, more open - ended form of contemplation (an exception to this is the vertical monolith, one of most venerable forms of abstract sculpture and seen in City Sculpture Project in the work of Peter Hide (b1944), Bernard Schottlander (1924 - 99), Kenneth Martin (1905 - 84) and Liliane Lijn (b1939)-RRB-.

Shōhaku transformed more conventional representations of the dragon found in the traditional Japanese mythological figures of the Cloud and Dragon paintings into fantastical images where the mythological being verged between hideous monster and an abstract anamorphic form.

The objectness of the shaped paintings from this period makes them always more than the working out of abstracted, biomorphic or geometric forms on a flat surface, since the form of the support itself is a biomorphic or geometric abstraction.

We can say that it is abstract, non-objective, about colour and form and our perception of those things, but we live in an age of plastic, so much more baggage to look at paintings with.

These abstract qualities generate a form of psychological impressionism, reanimating a more than century - old tradition of landscape painting that insists on temporal and subjective experiences above representational content.

Still strongly influenced by wrestling, family portraits, vintage Hollywood starlets and Mexican porn, some of the new pieces bring back more abstract forms.

Altogether, Grabner's exhibition renders contemporary art and, more significantly, contemporary culture as one that continues to be submerged in abstract, oversized forms that rely more heavily on their physicality than the depths of their intellectual value.

Along the back wall is a fivesome of the more abstract kind of paintings Mr. Oehlen took up in 1988: soupy brown - gray blurs reminiscent of de Kooning, and embellished with sharper, brighter forms, as if the brooding artist had suddenly cheered up in the work's final stages.

As it unfolded, artists in Altoon's orbit — Kenneth Price, Judy Gerowitz (later Chicago), Craig Kauffman and more — moved sexuality to the forefront of their imagery, often in abstract forms.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

Positioned against luminous and darkly shadowed backgrounds, each phrase is spelled out more or less legibly in vividly colored letters of different sizes on scrolling ribbons, embedded in flurries of abstract gestures and in other forms.

His more realistic figurative imagery in the 1930s and»40s gave way to the influences of cubism and other forms of abstract art.

Mental maps form the basis of his working method: they push against the edges of the picture plane; his larger paintings exceed a strictly 2D plane, being more like relief sculptures, employing layer upon layer of collaged forms — abstract painting, ephemera from travel, photography and juxtaposed linear structures — to denote the performative aspect of his initial research.

The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

The pieces include interpretations of microscopic forms, expressive manipulations of unusual angles of vision, playful placements of figures whose points of view contrast with that of the artist and more abstract presentations of a visual experience.

While the paintings of Wendell Gladstone's «Fever Pitch» at Shulamit Nazarian in Los Angeles are figurative in form, the ambiguity of the narratives they propose leans more in the direction of the abstract.

Most painters responded by getting weirder, more abstract, more experimental; representational figurative art was anachronistic, inert, crusty — a form of vanity exclusive to the rich.

She filters the heroic style of Michelangelo through her feminist and lesbian subject matter, yet in recent years her work has become more abstract and less overtly narrative, encompassing psychological ambiguity and looser painterly forms.

In 1953 a group of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their work.

«How lovely is the horse's sensitive nose, the dog's moving ears and deep eyes; but to me these are not stone forms and the love of them and the emotion can only be expressed in more abstract terms» (to 25 October 2015).

An earlier work, Affinity (2011), takes a more abstract approach, with vibrant geometrical diamonds of pastel colors and white in a textile - like pattern that create a surprising degree of physical depth, like two walls meeting to form the corner of a psychedelically wallpapered room.

In the 1980s, her work grew more abstract in its depiction of energetic forms and processes, while maintaining a brightly hued palette.