Not exact matches
Many girls opt for
more artistic or theatrical programs, like the popular Summer Workshop Exploring Arts and Theater camp, said Executive
Director Liza McElroy.
«Expanding Washed Ashore into the community provides an opportunity to engage
more people beyond Shedd's walls with an
artistic, powerful message that single - use plastic trash is one of the deadliest predators for our lakes, rivers and oceans,» said Kris Nesbitt, senior
director of exhibits and experience development at Shedd Aquarium.
Designed by International
Artistic Director for Givenchy Le Makeup Nicolas Degennes, these high quality professional hand - made brushes will ensure powders are left as nothing
more than a subtle uniform veil over your face.
MILAN, Italy — Last Wednesday, when Alessandro Sartori started his new position in Milan as
artistic director of the Ermenegildo Zegna Group, it was
more sentimental homecoming than first day on the job.
Men's
artistic director Lucas Ossendrijver, whose collections continues to attract both critical acclaim and commercial success, is
more likely to continue at the company.
That's probably not the reaction
director Julian Rosefeldt hopes will be stirred by this rigorous series of monologues, stitched together from
more than 50
artistic and political manifestos and performed by Blanchett as 13 characters.
What
director Peyton lacks in
artistic vision he compensates for in his ability to wrangle such a CG - intensive production, which is
more than can be said for such WB favorites as David Yates («The Legend of Tarzan») and Zack Snyder («Justice League»).
Artistic director at the Palm Springs International Film Festival Michael Lerman, actress Leslie Mann, actor Robert De Niro,
director Taylor Hackford, Co-President and Co-Founder of Sony Pictures Classics Michael Barker and producer...
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Corbet clearly wants to be
more than just an actor... and has the skills and vision to make a name for himself as a filmmaker; he has an ear for dialogue, unique
artistic vision and technical skills proving he has the making of a great writer -
director.
Just days later, with Blanchett's jury looking on, Cannes»
Artistic Director Thierry Fremaux signed a pledge to make the festival's selection process
more transparent and promised other measures to improve the festival's record of including female filmmakers.
If you want to know
more on how TIFF managed to bag this project for their opening night, take a look here on Indiewire, where Anne Thompson talks to TIFF's
artistic director Cameron Bailey.
In the end, it all does boil down to providing
more access to the right equipment for the right job to be shown on the right projector / TV set in favor of the
director's
artistic choice
Doc Soup Man talks with Sundance Institute's documentary program
director, Tabitha Jackson, who says she wants make sure «that the doors are opened
more widely» for
artistic expression in documentary filmmaking.
Danner,
Artistic Director of the Edgemar Center for the Arts, has coached some of Hollywood's most elite actors including James Franco, Salma Hayek, Gerard Butler, Chris Rock, Penelope Cruz, Isla Fisher and
more.
The acclaimed Mexican
director Alejandro Gonzalez Inarritu (Amores Perros, 21 Grams, Babel) often outlines complex, multi-character stories with a heavy hand, and it could be argued that his serious, socially - aware tales are designed
more for awards and accolades than they are for personal or
artistic reasons.
Though the narrative requires much
more from the viewer than one would like, I can applaud the
artistic and emotional value beset by the writer /
director along with outstanding performances from newcomer Hunter McCracken, Brad Pitt, and Jessica Chastain.
The
director can't be faulted in his ability to capture the hearts and minds of an audience and this is no
more apparent than the impressively choreographed battle scenes and wonderfully ethereal afterlife sequences — shot with a highly
artistic eye.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far
more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an
artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian
director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
At the festival's announcement press conference,
artistic director Thierry Frémaux hinted that another work from a woman could be added to the lineup in the coming days (the festival will likely announce at least a few
more selections; at the very least, Cannes has yet to reveal its closing night film).
If a passion project like «Supermensch» seems difficult to reconcile with Mr. Myers's mainstream movies, the documentary is, in the eyes of its
director, a perfect unfolding of
artistic passions that
more often point him in esoteric directions.
Phil Lord and Christopher Miller — writers and
directors behind the surprise hit Cloudy with a Chance of Meatballs as well as the even
more surprising 21 Jump Street — return to animation with this
artistic gem that pleases on all fronts.
But when «
artistic»
director Jeffrey Cordova is brought on, he changes to show beyond recognition, including hiring prima ballerina to star opposite of our hero - and the two couldn't be
more unhappy about the situation.
Setia and
Artistic Director Steve Snyder present a diverse line - up of studio films, independents, Minnesota made, documentaries, shorts, web series, and
more.
He plays Aberto Antonelli, the
artistic director of the eponymous company, The... Read
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Editor and
Artistic Director Mark Burstein, President Emeritus of the Lewis Carroll Society of North America, has done a great job incorporating
more of what he refers to as «myth busting» facts on Carroll's work, not to mention featuring the illustrations of 47 world renowned artists including Salvador Dali, Barry Moser and Beatrix Potter.
Director Ian Dallas, as it turns out, was
more than willing to discuss the
artistic and literary influences behind What Remains of Edith Finch with me — as well as chat about a few paths the game did not end up going down.
Massimiliano Gioni,
artistic director of the New Museum, has... Read
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[The Art Newspaper]
Director of the Tate Modern Chris Dercon will be leaving to become the artistic director of... R
Director of the Tate Modern Chris Dercon will be leaving to become the
artistic director of... R
director of... Read
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With over 4,000 objects representing
more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's
artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.
In this public dialogue, a conversation between Serpentine Galleries
Artistic Director, Hans Ulrich Obrist, and AAM Nancy and Bob Magoon CEO and
Director, Heidi Zuckerman, will reveal reflections on the journey that unfolds in her new book Conversations with Artists, which features
more than thirty prominent contemporary artists in personal, illuminating conversations.
Coming soon:
More information, video coverage of the event and an interview with the
artistic director of Portugal Arte 10, Stefan Simchowitz.
Jan Williamson, Executive
Director of 18th Street Arts Center said: ``... Because of Pilar's strong curatorial background, our artists in residence will receive
more tailored support in deepening their
artistic practice.
The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as
artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are
more Black artists represented at Prospect 3 (
more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.
A fully illustrated catalogue, published by DelMonico Prestel books and Prospect New Orleans, will feature documentation on participating artists and include essays by the
Artistic Director Trevor Schoonmaker, with contributions by William Cordova, Miranda Lash, Omar López - Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. Patterson, Ylva Rouse, Ned Sublette and Zoé Whitley along with
more than 20 other contributors including Russell Lord, NOMA's Freeman Family Curator of Photographs and Katie Pfohl, NOMA's Curator of Modern and Contemporary Art.
After reviewing over 400 entries from
more than 70 countries, Roger Hiorns was selected as the winner of the 2016 Faena Prize for the Arts by an international jury coordinated by Ximena Caminos,
Artistic Director and Chair of Faena Art, that included Carlos Basualdo, Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art; Achim Borchardt - Hume,
Director of Exhibitions at Tate Modern; Caroline Bourgeois, curator of the Pinault Collection; Curator XIV Bienal de Cuenca Jesús Fuenmayor; and Victoria Noorthoorn,
Director of Museo de Arte Moderno de Buenos Aires.
«Prospect.3: Notes for Now» will present the work of
more than 50 artists selected by
Artistic Director Franklin Sirmans, in
more than 15 locations, including museums, community centers and independent sites throughout neighborhoods across New Orleans.
In the words of
artistic director Angela Vettese, Arte Fiera 2018 aims to give special focus to the Italian art scene, taking an in - depth look at individual artists as well as exploring
more theoretical aspects.
A historical event for being the first edition ever led by an African
artistic director, Okwui Enwezor, All of the World's Futures also promises a
more inclusive representation of global art practices.
Pasternak comes from the nonprofit arts organization Creative Time, where she has been president and
artistic director for
more than twenty years.
For
more than 365 days, these three different groups of
artistic directors will shape the Bergen Assembly's Second Triennial programme, spreading across an increasing number of venues, gathering
more «assembled» participants.
Featuring Yuko Mohri; a survey of the Cambodian art scene; artist profiles including Chen Shaoxiong; Waqas Khan; Kwan Sheung Chi; interviews with Maria Lind,
artistic director of this year's Gwangju Biennale, and Chinese artist and faire
director Zhou Tiehai; and
more
Planned with the assistance of Pilchuck's
Artistic Director, Tina Aufiero, the exhibition represents
more than 50 artists, including Aufiero herself, Terry Adkins, Jane Bruce, Squeak Carnwath, Nick Cave, Dale Chihuly, Judy Chicago, Mona Hatoum, Joey Kirkpatrick and Flora Mace, Stanislav Libensky, Maya Lin, Paul Marioni, Richard Marquis, Tony Oursler, Judith Schaechter, Italo Scango, Kiki Smith, Akio Takamori, Oiva Toikka, Ulrica Hydman - Vallien, and Ann Wolff.
The Chicago - based art historian Wu Hung has been hired to be consulting
artistic director for the project, which Govan said will involve
more than just traveling exhibitions between the two collections.
«Chaimowicz has suddenly become an urgent artist in the age of the internet, as boundaries become
more porous,» says the Serpentine's
artistic director Hans Ulrich Obrist.
It certainly doesn't seem like two years has elapsed since Nigerian - born Okwui Enwezor's historic turn as
artistic director of the 2015 Venice Biennale and «All the World's Futures» featured
more than 35 black artists, including Glenn Ligon who graced the entrance to the 56th International Exhibition with a neon work.
In a statement, Lisa Phillips, the New Museum's
director, said, «In his new position as Artistic Director, Massimiliano will take an even more active role working with me to envision and plan the next phase of our institution's
director, said, «In his new position as
Artistic Director, Massimiliano will take an even more active role working with me to envision and plan the next phase of our institution's
Director, Massimiliano will take an even
more active role working with me to envision and plan the next phase of our institution's growth.
Info: Art Paris Art Fair 2016,
Artistic Director: Guillaume Piens, Grand Palais, Avenue Winston Churchill, Paris, Days & Hours: Wed (29/3/17) 14:00 - 18:00 (Opening by invitation only) & 18:00 - 22:00 (Vernissage by invitation only), Thu (30/4/17) 11:30 - 20:00, Fri (31/4/17) 11:30 - 21:00, Sat (1/4/17) 11:30 - 20:00, Sun (2/4/17) 11:00 - 19:00, Catalogue: $ 20, Entrance fee: Adults and children over age 10: $ 25, Students and groups of 10 or
more: $ 12, Free admission for children under age of 10, www.artparis.com
Last year, he was
artistic director of the 2014 Prospect New Orleans biennial exhibition «P3: Notes for Now,» which presented works from
more than 50 artists in 18 locales across the city over three months.
«Thanks in part to the arrival of new
Artistic Director Joasia Krysa, it has recently embarked on a
more ambitious programme, setting up a series of four smartly curated group exhibitions on a single theme over the course of a year.»
Vicente Todolí (1958, Valencia) has a career in the visual arts that spans
more than thirty years, including positions such as Chief Curator (1986 - 88) and then
Artistic Director (1988 - 96) of IVAM (Instituto Valenciano de Arte Moderno in Valencia, Spain), before joining the Serralves Museum (Porto) as its founding
Director in 1996.