Not exact matches
He starts, not with the purely concrete, for which
abstractions are to be found, but with such
more or less suitable
abstractions as are already available, and seeks to improve them, having in mind experiences of the concrete.
When Whitehead describes the approach to intellectuality
as a gain in the power of
abstraction, so that «the irrelevant multiplicity is eliminated, and emphasis is laid on the elements of systematic order in the actual world» (PR 388), we take this to mean that mentality becomes habitually effective when its potentially anarchic initiatives are both nourished and preserved at lower,
more reiterative levels of conceptual functioning.
One major reform that Hegel seems to have taken upon himself to effect is the production of a logical hierarchy of being that in a sense reverses the direction of
abstraction of the Aristotelian logical hierarchy, i.e., that becomes
more differentiated and «concrete»
as it rises in generality and inclusiveness, rather than
more empty and abstract.
In other words, there is a complete paradox if we attempt to look at the ordinary physicist's view of time
as anything
more than an
abstraction.
So long
as there are those who identify God with some one - sided
abstraction like infinity; absoluteness, or worst of all omnipotence (not even a self - consistent
abstraction), we shall need the help both of
more balanced theists and of nontheists to counteract these
more subtle and intellectual forms of idolatry.
I do not argue that the reflexes of
abstraction and generalization have no function at all, but we need to be
more honest about their derivative quality and about the normalness of narrative or hortatory genres
as good theology.
On the other hand, from the empirical side, Whitehead and his colleagues in radical empiricism, William James, Henri Bergson, and John Dewey, have insisted that cognition is only an
abstraction from the
more fundamental physical experience, and that to treat the cognizable
as the
more real is — with a truly Cartesian forgetfulness — to put the wagon before the horse.
Thinkers who have been
more faithful to Thomistic Realism, with its a posteriori
abstraction of the universal form, have rejected the idea that formality is a priori to observation in general but kept it
as a priori to modern experimental observation.
Flat, blank facades on buildings conceived
as commodities — or just oddities — rather than works of civic art; flat modernist pictorial
abstractions; the flattening of cultural history into pseudo-history packaged
as what Henry dismissed
as «applied sociology» — all spoke to him of something far
more ominous, the abasement of man and the crude negation of his proper relationship to nature
as embodied in the great tradition.
And,
as the ego's shrill clamor for possessions, pleasure and recognition subsides, the voice of God grows
more distinct and the concept of his guidance moves from
abstraction to daily experience.
Regarding each of them
as an
abstraction from an
abstraction, panexperientialism in effect combines them into a
more inclusive stuff, 3 Whitehead's «creativity.»
Hopefully, by arranging theology this way, the study of theology leads us to action, rather than to
more abstraction as commonly happens with current theological studies.
In his early research into the child's world - view, Piaget showed that the thing - concept,
as Whitehead criticized it, actually appears rather late in a child's development and represents an
abstraction from earlier and
more concrete perceptions (RME) Not until around ten years of age does the child come to see «things» in reality in the way the adult sees «things» in reality and uses the thing - concept consciously, that is argumentatively.
More often than not philosophers of nature take the
abstractions of science and secondary perception
as the bed - rock of their speculations.
When Hartshorne speaks, then, of metaphysical factors common to all possibilities, we understand him to be referring chiefly to factors any conceivable actuality (
more accurately, any concrete singular or particular) will exhibit, not to factors which characterize possibilities or
abstractions as such.
Or,
as Whitehead put the same point
more simply in Adventures of Ideas, «I contend that the notion of mere knowledge is a high
abstraction» (AI 225 - 226).
By understanding presence
as something
more than «mere appearances,» Dillenberger has come to consider
abstraction the pictorial procedure by which artists penetrate beneath the visible surfaces of nature in search of a subject's «essence» or deeper truth.
Christian religious movements do not usually have
as their central dynamic a theory of knowledge, an academic
abstraction, but something
more personal and affective, typically the example and spiritual guidance of a saint or charismatic leader.
First of all, his conception of reality
as social process makes individual personal identity through time an
abstraction from a
more concrete network of social interaction which unites individuals.
Making sense of Christian history
as a living resource, peopled not with venerated
abstractions but men and women
as alive and individual
as you or I, seems critical at a time when storytelling and imitation are
more the province of secular entertainment than sacred order.
But its positive strength is (1) to provide an understanding of God's identity
as an individual through
abstractions alone («This does not imply that God is a merely abstract entity, but only that what makes God God and no other individual is abstract «15), and (2)
more specifically, to identify God
as the sole individual with strictly universal functions, defined with relation to actuality
as such and with respect to possibility
as such.
It was not a mystical, Wordsworthian communion with nature
as a personified
abstraction, but a
more common, everyday appreciation of natural beauty and awareness of the life about him.
As we have wrestled with the question over the years, we have slowly begun to realise it is
more than an
abstraction, the intangible concept embodying anything that can be expressed in strings of 1s and 0s.
As property became first a thing of importance in itself, and then an
abstraction of powers, privileges and immunities, so the likelihood of developing
more equitable and sustainable means to harness nature diminished.
«A clock is a symbol of continuity; one that lasts a really long time might give people a sense of perspective, help them think about the year 3000
as more than just an
abstraction,» Hillis says.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather
more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln
as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some
more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except
as a verbal
abstraction
His portrayal of «landscape» ranges from the straightforward to the
more oblique, sometimes rendering scenes
as diagonal, geometric
abstractions; where notions of framing become intrinsic to the composition itself.
The painting is an example of Phelan's early work which sought to reconcile painterly
abstraction with process based minimalism, but in this context the cut surface feels
more desperate,
as if the painter were punching a hole through which to breathe.
Riffing on the past
as it comments on our own time, contemporary
abstraction evokes landscapes, bodies, signs, buildings, and much
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In terms of style and school, they are not thoroughly cohesive, embracing
as they do geometric
abstraction, gestural
abstraction, realism, still life, seascape, and
more.
Perhaps
more than any other female artist, she succeeded in transcribing such natural phenomena
as light, water, and plants into atmospherically charged paintings, whilst simultaneously maintaining a totally autonomous
abstraction.
These foreshadow
more contemporary works such
as Syed Ahmed Jamal's «Rockin,» a medley of rich colors and bold brushtrokes, and Joanne Greenbaum's «Color System,» a maze of bright
abstractions, pigments, and gridlike patterns.
As its title so aptly demonstrates, the show uses the concept of the line — or more specifically, the hard - edged line — as a starting point in exploring how contemporary artists approach abstractio
As its title so aptly demonstrates, the show uses the concept of the line — or
more specifically, the hard - edged line —
as a starting point in exploring how contemporary artists approach abstractio
as a starting point in exploring how contemporary artists approach
abstraction.
Describing a finished or successful painting
as possessed of a nice awkwardness, differentiating an atypical abstract painting from a great one, conscious of existing within the cultural context of
abstraction, which adds to our understanding of emotion, logic, sensation, and concrete reality while at the same time existing at a... Read
more
The category of painting is examined
more generally in the wood panels on top of the pedestals: straddling the line between
abstraction and representation, they offer painting
as both an object within sculpture
as well
as a discrete project central to the artistʼs studio practice.
Although he continued to promote abstract work produced in Britain and throughout Europe, Sylvester believed at this time that figurative art «was capable of going further... that [it] could be
more complex,
more specific, richer in human content».18 By 1958, however, Sylvester had undergone what he later described
as a «Damascene conversion'to the profound achievements of recent American
abstraction.
The work he created led American art away from
abstraction and personal expression and towards a
more objective art that featured recognizable images such
as targets, maps, and the American flag — «things the mind already knows,»
as he describe them.
More painting, tending to semi-abstract,
as imagery edged out
abstraction; such were Chris Ofili's etched figurations that emerge
as copulations out of a mottled blue backdrop, and Fondation Beyeler's three - wall installation of tiled pixellation that in photographs reads
as porn.
His work fits,
more precisely, in the Lyrical
Abstraction school of thought, which is also promoted by painters such
as Michelle Destarac and Pierre Célice.
When Pollock fully recast Surrealism
as abstraction and drawing
as all - over painting, he had little
more to do than blow up work like this to human scale.
But the deep purple hues and gestural anomalies within Negative Value I, II and III, 1982 are not the result of the swashbuckling brushwork typical of
abstraction;
more accurately, they might be viewed
as the divine accident in triplicate.
The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status
as an important and innovative force within international
abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the
more spatially complex paintings of the early 1980s.
What makes de Kooning such a great artist may be something far
more subtle, far
more interior to painting itself and perhaps expressed best in his earlier works, those that are, again, often described
as transitional, from figurative works of the early 40s to even
abstractions such
as Painting, Attic, or Excavation.
By the looks of it, we are at the tail end of another
abstraction - heavy period, where the decorator - friendly approach to process - driven
abstraction known
as Zombie Formalism is now wending into something
more hybridized still.
As more than one artist pushed realism to
abstraction, I wondered if I had set my brain for too few colors or the wrong file format.
The first works in the series were debuted in Douglas's 2016 Hasselblad Award solo exhibition at the Hasselblad Center in Gothenburg, Sweden, and the compositions that will be on view in this exhibition represent a
more expansive and nuanced investigation into pictorial
abstraction as well
as the complex relationship between technology and image making.
«Later, because he was interpreted
as someone who paved the way for
abstraction of the external world, [his still lifes and landscapes] were
more easily related to his influence on Cubism and early Modernism.
As geometric
abstraction became
more prevalent in the 1950s, Peláez's works also see an uptick in geometric orientation, made apparent in her 1956 - 57 mural sketches.
Conceiving
abstraction as the critical and poetic language of potential allows her to pierce the detached geometries of ordering structures, making them responsive and
more pliable.
The first four works were developed
as a result of my search for an expression of pure
abstraction, beyond what I had achieved with my
more surrealistic, base - bound objects.