This photo was intentionally taken with
more background light than foreground light, and it quickly demonstrated how Apple and Google see the world a little differently.
Not exact matches
In addition to allowing the S7 to collect
more light, its wider aperture should throw
backgrounds out of focus a little
more intensely.
It also confirms
more than any other evidence that the universe had a beginning and expanded at a rate faster than the speed of
light within less than a trillion of a trillion of a trillion of a second — less than 10 ^ -35 of a second — of the Big Bang by detecting the miniscule «
light polarizations» called B - Modes caused by the Gravitational Waves — which were theorized in 1916 by Albert Einstein in his Theory of General Relativity but never detected before — of the Inflation of the Big Bang which are embedded in the Cosmic Microwave
Background Radiation — CMB or CMBR that was discovered by American scientists back in 1964.
Thanks for your civility and thoughtfulness, for shedding new
light on things I thought I'd already figured out, for opening cans of worms that often made the discussions much
more interesting than my original posts, for listening to my occasional rants, and for bringing your own unique
backgrounds, studies, experiences, and links to the conversations.
The tips include
light, your baby's position, the position of the adult,
background and
more for that particular moment.
Coupled with software to reduce assorted stellar
background noise, it could measure
light changes down to 20 parts per million, making it
more than sensitive enough to detect an Earth - size planet around a sunlike star in an orbit as large as Earth's.
The gravitational pull of matter in the cluster bends and twists the
light from
more distant galaxies, producing a plethora of strange optical effects ranging from distorted arcs to multiple images of the same
background object.
They find that a spinning naked singularity turns out to be a strong gravitational lens, magnifying the
light from
background stars
more than an ordinary black hole and producing a distinctive pattern of images.
Unlike a heavy Higgs, a
light Higgs rarely decays into Z bosons, and its
more common decay products are even
more easily lost in the
background.
In its importance for our understanding of — well, everything — measuring such a signal would be even
more revolutionary than mapping the cosmic microwave
background (CMB), the relic
light from when the early universe first cooled to transparency some 380,000 years after the big bang.
Microlensing works on a much smaller scale: Individual stars or planets focus the
light of
more distant stars, making the
background star appear to grow brighter and then dim again.
To their surprise, Fox and his colleagues detected so much absorption of the
background ultraviolet
light that they concluded the Magellanic Stream must contain far
more ionized gas than neutral gas.
The lens also magnifies the
background light source, acting as a «natural telescope» that allows astronomers a
more detailed look at distant galaxies than is normally possible.
Because Proxima Centauri is the closest star to our sun (distance, 4.2
light - years), its angular motion across the sky is relatively fast compared to much
more distant
background stars.
Then we mimicked the
light field when it's
more complex, and the lookdown altered the properties of the polarized
light it was reflecting so that it would be a better blend into its specific
background at different times of day.»
A blend may consist of a
background or foreground eclips... ▽
More Light curves from the Kepler Mission contain valuable information on the nature of the phenomena producing the transit - like signals.
The simulation shows the interface between a sunspot's umbra (dark center) and penumbra (outer region) shows a complex structure with narrow, almost horizontal (
lighter to white) filaments embedded in a
background with
more vertical (darker to black) magnetic field.
The little
background starlight that can be seen through the thick dust clouds appears reddish because dust absorbs and scatters blue
light more easily than red.
You
light up the screen with you new creation and the
background couldn't be
more perfect!
I usually take
more care with
lighting and
background, but this day was particularly trying.
Often I'll brush out my pincurl set, add in all my sectioning clips and hairspray everything into place, feeling content I did my best with my limited skills and even
more limited patience... And then I'll move to somewhere with different
lighting, or go to take a picture against a lightly coloured wall, and realise there's a ton of frizz in my set that I hadn't noticed while styling it against the dark
background that's reflected in my getting - ready mirror.
The tiger print, for example, usually comes in bigger patterns with
light brown as
background shade, the leopard print is much
more fierce and darker, the zebra print usually comes in diagonal / stripe patterns of dark brown or black and white, and there are even
more creative colored animal prints such as dark pink, purple, etc..
It's funny how my photo aesthetic has changed through the years, there was a period where I loved back
lighting, an all white
background time, a period where everything was shot with low aperture and it was all about the bokeh, till now where my photos are all shot on a wide angle lens and has a lot
more messyness in the
background.
A showcase pendant
light can define the style of your room, while
more traditional ceiling
lights provide consistent
background light coverage.
I also liked the idea of shooting against two different backdrops; One well
lit by the sun and against a very organic tropical
background and another
more mute and composed with hints of grey from stones that complimented my hair.
But unlike those other outfits, in this outfit I opted for a dark
background for the pearls as opposed to
light one and, in keeping with a
more casual look, I wore a pair of slightly distressed jeans that I found recently at GoodWill.
In almost every shot there's a sharp differentiation between
background and foreground space, through
lighting and focus, and the cinematography is reminiscent of approaches
more common to black - and - white film than color.
Stage sequences where she's washed in stark, noir - ish grey with eerie red lamps
lighting the
background will arrest you — one of many moments we want to return to, revel in, and experience
more of.
The first poster looks par for the course but I actually didn't notice at first there are
lighter sketch versions of Hawkman, Green Arrow, Zatanna, Blue Beetle, Darkseid and
more in the
background.
That is why we have introduced major reforms through the Higher Education and Research Act, including the Transparency Duty which will require all universities to publish data broken down by gender, ethnicity and socio - economic
background, shining a
light on institutions that need to do
more to widen access.»
As
background, and from a related article about the Cowen Institute and one of its new affiliates — Douglas Harris, who has also written a book about VAMs but positioned VAMs in a
more positive
light than I did in my book, but who is also not listed as a direct or affiliated author on the report — the situation in New Orleans post Katrina is as follows:
Carta screens have slightly better contrast, text is darker and the
background color is
lighter, with
more of a subtle yellow hue rather than grey.
provide many
light moments; the courtroom scene is pure farce; we discover the origin of Grace's obsession with shoes; we learn
more about Fanwell's
background; Grace's musings on physical and mental comfort are worth consideration, as is the concept of the guilt - free sofa; Mma Ramotswe's inner monologue is full of gentle philosophy and it was a lovely surprise for the reader to meet the much - quoted (and apparently very human) Clovis Anderson.
When I taught young adult (YA) literature in a graduate program, my students were often less enamored by the academic
background of YA
lit and
more interested in practical applications.
I know that the
light coloured text does not stand out especially well against
background, but I purposely did not use a darker colour because this took away from the lightness (in both appearance and —
more importantly — «feel») of the cover.
The screen has a
lighter,
more solid
background to its E-Ink display than the first generation did, too.
The new E Ink screen, while still the same size and resolution as its predecessor, has a significantly
lighter background, so the text has
more contrast and is easier to read.
The Kindle DX (Graphite) has a
lighter,
more solid
background to its E-Ink display than its predecessor.
The letters are
more distinctly shaped as well as the screen having a
lighter gray
background.
Combine
more reflecting
background area with bolder, thicker, larger fonts and reading in low
light suddenly becomes a lot
more doable than on small 6 - inch screen.
The
background atmospheric sounds start to develop when the house becomes
more «alive», with things moving, deliberate glitches appearing and
lighting changes, so the sounds could be coming from the house itself, coming from inside the characters mind, or perhaps the noise is just part of the soundtrack and not from the game's environment at all.
As has been highly publicized in the past, players assume the role of a new type of hero, Aiden Pearce, as he uses his ability to hack into Chicago's central operating system (ctOS) with nothing
more than his trusty smartphone to control every element of the city from stop
lights and ATM machines to tapping into the police computer files and citizens
background records.
Well, gruesome depending on who you ask, but seeing a thrashed Dubai covered in sand, blood, firefights and way
more soldiers hanged by the neck from street
lights than we care to count to the sound of «Rooster» by Alice In Chains playing in the
background... well, that might be considered gruesome to some.
As before, the story is
light and straight to the point, and
more a
background to the gameplay, which is easy to get into and virtually the same as Grow Home.
When the comic shifts to Esther's narrative the comic art style is toned down quite a bit through the combination of soft watercolor
backgrounds and the use of a
lighter and
more feminine color palette.
All of these translate into points of
light, against a
background of still
more color or white.
This statement applies
more, if not most, to the five darker paintings stretched on canvas than it does to the two far superior pieces tacked to the wall on un-stretched canvas which feature
lighter cloudlike shapes on an otherwise white
background.
To give you a little
more background about the painting itself, the master artist would have come in and done the sketch, and the secondary artist come in and filled in the
light color.
«It gave me much
more control in post-production and I could correct the mood of the
light if the
background required it.
The green of the bridge and yellow of the field in the
background are
more muted colors than those of other works, but Ghenie's method of dripping and scraping and his overlay of
light, squiggly gray lines resembling streaks of rain brings an ominous mood to the work» (K. Osborne - Bartucca, «Adrian Ghenie,» Artillery, June 30, 2015, http://artillerymag.com/adrian-ghenie/ [accessed October 10, 2016]-RRB-.