On the contrary, If you are naturally a super light
bleeder you may want to scale back on the heavy pads and stock up
more on the lighter cloth pads.
The artistic meditativeness to Refn's approach to this film may be a little
more realized than it was with 1996's «Pusher», but nevertheless, this effort is even
more of the very thing that ruined Refn's breakout, and even seriously threatened Refn's decent follow - up, «
Bleeder», having an experimental, almost abstract, and perhaps even intentionally incoherent structure that is not only questionable, but frustrates with pretentiousness, or at least too much ambition.