Sentences with phrase «more category wins»

Not exact matches

The movie, from Time Warner's (TWX) Warner Bros., won awards in categories such as costume and production design, as well as makeup and two sound categories on its way to scoring more total Oscars than any other film Sunday night.

«It's a huge achievement to win a ROAR Award, especially when you consider that we received more than 150 nominations across the different categories.

According to the 2012 Customer and Management Channel Survey, CPG companies winning in their categories are three times more likely to invest in growth channels and the Hispanic market, 50 percent more likely to use pricing optimization tools, five times more likely to view retailer collaboration as a strategic priority, and invest twice as much time in talent development.

Marks & Spencer won the Quality Food Awards» Retailer of the Year, In addition, their Black Cod was awarded the «Gold Q» beating more than 1400 products across 80 categories.

The Sweet Heat category has won the Grand Prize more than half the time in the 12 year history of the Scovie Awards.

In terms of present - tense odds, Stanford has a win in pocket and more games that fall into the «likely win» category than Oregon.

Having fewer categories will reduce the time it takes for NASA to evaluate proposals, he adds, and that will ensure that applicants who write winning proposals will get funded more quickly.

The Volkswagen defeat device case challenges the assumption that higher fuel economy is a win in every category, showing that better mileage could lead to more pollution in some instances.

As far as Omega 3 is concerned, however, fish oil wins in that category as it contains more of that healthy fatty acid.

Blue Austrian Crystal and Blue Glass Drop Earrings in Silvertone — # 5.99 I'm a huge fan of blue so more or less anything including that colour can quite easily win me over and these completely fall into that category.

Last month, ooOo, the gamified dating platform built by dm ³ LTD, won the early stage category at our first ever GDI Spotlight competition — read more about the awards night here.

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The second film's success was perhaps even more staggering than the first: The Godfather, Pt. 2 garnered six more Oscars, including a win for Coppola in the Best Director category; Robert DeNiro won his first Academy Award in the Best Supporting Actor field; and the movie itself became the first and only sequel ever to win Best Picture honors.Next, Coppola began adapting the Joseph Conrad novel Heart of Darkness, transferring its story to the heart of the Cambodian jungle at the height of the conflict in Vietnam.

I assumed you had severe, technical issues or forgot to update which of course sounds bizarre... I was missing Franco and Robbies Critics Choice wins (AS PRESTIGIOUS AND RELEVANT AWARDS THEY COULD RECIEVE, MORE OR LESS)... Then of course, I notice you do not include the comedy category... The category you of course recognize at the Golden Globes.

I think that this will be more like 1977, where Annie Hall won four major awards, but Star Wars dominated the technical categories.

The same would hold true of a Lead Actor bid for Boseman — though James Brown is an enormously compelling real - life figure whose life is replete with the material that wins actors awards, the Best Actor race more than any other acting category is closely tied to the Best Picture race, and Boseman will likely struggle against competitors in stronger films overall.

Silicon Valley loses Matt Damon winning over pretty much everyone else in that category (though I didn't see the Pacino movie) The Furious 7 song is way better (and has a lot more meaning) than the Spectre song.

Italy has submitted 59 times (every single year since the category's inception, except 1973), has been nominated 28 times and has won 14 times (more than any other country in history, including the first ever given).

OSCAR REACTION: People were quick to come to this category and create their trolling declarations of «Suicide Squad has now won more Oscars than FILL IN THE BLANK» or «as many Oscars as FILL IN THE BLANK.»

Winner: Alicia Vikander, «The Danish Girl» Should win: Jennifer Jason Leigh, «The Hateful Eight» Upset player: Kate Winslet, «Steve Jobs» Nightmare win: Rachel McAdams, «Spotlight» (love her but she's not even the fourth best performance in the movie) Lowdown: The pundits have been fishing for a category that might provide an upset and if the Best Picture race wasn't so tight there would be more think pieces about this race than you can shake a stick at.

Although there is one upside to the Golden Globes classifying Jordan Peele's hit «social thriller» Get Out as a comedy — namely, that it's more likely to win big awards in that less competitive category — there are also several compelling reasons to oppose the decision.

In many ways, they're easier to predict than the frequently confounding technical categories, but that's no reason to get complacent — as we saw last year with then - unexpected wins for Tilda Swinton and Marion Cotillard, BAFTA is more than capable of throwing a significant spanner in the works in the top races.

In many ways, they're easier to predict than the frequently confounding technical categories, but that's no reason to get complacent — as we saw last year with then - unexpected wins for Tilda Swinton and Marion Cotillard, BAFTA is more than capable of -LSB-...]

Richard Linklater's «Boyhood» — nominated in five categories — won more Golden Globes, ending the night with three: Best Motion Picture — Drama, Best Performance by an Actress in a Supporting Role in a Motion Picture by Patricia Arquette (her first) and Best Director — Motion Picture.

If you don't think Colin Firth is taking this one with, if anything, even more ease than Jeff Bridges coasted to his win last year, then you may as well put your money down on Hailee Steinfeld winning this category in a shock upset.

«Moonlight» won best picture and the film academy rewarded more African American actors and filmmakers in more categories than it ever had in a single year.

There were some lows (like the fact that Get Out went home completely empty - handed) but certainly many more highs, from all of the powerful speeches delivered by women to some truly deserving wins (hoorah for Mrs. Maisel and Lady Bird and Big Little Lies, even though it was nominated in the wrong category!)

On a night when favorites won in almost every category, the Oscars also pleaded for a more generous and accepting Hollywood and America

The Popcornflix library includes more than 3,000 titles within a variety of genres, ranging from action and comedy to award - winning foreign films, TV series, National Geographic documentaries, classic cartoons and the recently added extreme sports category.

There are any number of possible explanations for this trend, most probable simply being the increasing split between blockbuster «entertainment» films that dominate the technical categories while low - budget (in) dependent films, driven by strong acting, directing and writing, dominate the more prestigious awards, making a 7 Oscar win relatively rare (in order to reach that number, a film has to do well in either the effects or design categories, areas which favor big - budget spectacle).

Below, you can find out more about the winners of each category, watch all of the winning films, and hear from the winners themselves.

The rest are more up for grabs, but a win in any or all of the nominated categories would be well deserved.

The result: Benh Zeitlin (Beasts) and Michael Haneke (Amour) are up against Ang Lee (The Life of Pi), David O. Russell (Silver Linings Playbook), and Steven Spielberg (Lincoln) for director, which in turn explains the absence in that category of both Hooper and, far more surprisingly, Ben Affleck (Argo), whom many had pegged as the odds - on favourite to win.

There has been some consternation this year, possibly more so than I can personally remember for some time, about studios pushing for «category fraud,» or the act of angling for an award that does not necessarily fit the category in which it is being angled for, usually due to the other category leading to a higher likelihood of winning even if it may not be entirely accurate or moral to do so.

It was bypassed by the main groups in New York and L.A., but it won in Boston and among the New York online critics — and so far in the best picture, best director, best actor and best supporting actress categories, it has won more awards than any other film.

A potential win in this category with precedent is Cate Blanchett's «Bob Dylan» from Todd Haynes's I'm Not There, but that precedent is Cate Blanchett's Katharine Hepburn from Martin Scorsese's The Aviator, and though pundits are right to wonder if the Academy will want to give this fussy actress a second Oscar so soon after her last one, Blanchett may lose for representing a film that comes on intellectually strong and is possibly more obnoxious than American Gangster.

Doubts seemed to be confirmed when David O. Russell failed to get a Globe nod for director (only Driving Miss Daisy has ever won Best Picture in the musical / comedy category without a nomination for director), and more importantly, a DGA nomination.

The miniseries categories, more star - studded than ever, were completely dominated by HBO's Big Little Lies, which won Best Miniseries, Best Director, Best Actress (for Nicole Kidman), Best Supporting Actor (Alexander Skarsgard) and Best Supporting Actress (Laura Dern).

Douglas pretty much swept the awards circuit that year, actually, which would make more sense had Rooney not been in the ideal position to siphon off votes: Douglas had already won an Oscar in this category (for Hud, 16 years earlier), while Rooney had only received a special, non-competitive juvenile award way back in 1938, given jointly to him and Deanna Durbin.

No stranger to the Academy's affections, the man who won this category in 2006 for Brokeback Mountain is the closest thing to a fourth - place lock this year, tailing behind three shoo - ins whose projects were all far more political.