Sentences with phrase «more characters at»

You can even buy more characters at higher levels.

Scrolling through the ones still locked shows some that allow you more characters at the start, another gives you only one but with boosted abilities.

The inclusion of more characters at the expense of nausea inducing dialogue between the leads combined with the knowledge that this is the final film means that this is the best of the bunch.

Not exact matches

While answering a question about other names that were considered for the series — one being «Nonprophit,» when the script focused more on the main character's job at a non-profit and less on her friendship with Molly — she mentioned it was a challenge selling network executives on the name Insecure.

According to studies conducted by Jayne Gackenbach, a psychologist at Grant MacEwan University, «people who frequently played video games were more likely to report lucid dreams, observer dreams where they viewed themselves from outside their bodies, and dream control that allowed people to actively influence or change their dream worlds — qualities suggestive of watching or controlling the action of a video - game character.»

But of the two, Warner has more at stake because it doesn't have to share the cinematic rights to DC characters such as Batman and Superman.

Shareholders allow such characters to exist because they tend to generate extreme performance with their deviant strategies that would not survive the layers of management in more democratic companies, according to Jianyun Tang, a professor at Memorial University.

Bennett says he reads even more children's books («at least two a day») with his daughter, who serves as the basis for his own books» main character.

Jennifer Aaker, the General Atlantic Professor of Marketing at Stanford GSB, says that people embrace and remember narratives, which can be rich with characters, emotions, or actions, far more than they recall facts and data.

In a teaser trailer debuting Wednesday, Dos Equis gives customers a first glimpse at the second act, replacing its older, gray - bearded icon with more of a rugged, James Bond-esque character.

Second, if we change our art just to please the producer or the record president, or just to sell more records, whether at the Family Christian Bookstore or at Best Buy, then we have compromised our character and the art we are creating.

f The more original Biblical reference to retaliation was from the mythical character Jesus (invented by Constantine at the first council at Nicaea in 325, and modeled after his own «prophet» the Sun God, Mithra, and named Jesus Christos to combine the Celtic God Hesus and the Indian God Krishna, whose Latin name was Christos, into one God) who said «turn your other cheek» (when struck in the face).

One way to illustrate the full scope of this problem would be to look more closely at the horizonal character of the ecstatic past in contrast with the past of the ordinary interpretation of time, which is only understood by negative contrast with the present.5 Here Mason, apparently following Whitehead, allows us to make a particularly striking contrast: we can never change the past» he says (p. 95), meaning to evoke what Heidegger calls Dasein's «facticity» and to compare it with the objectivity with which perished actual occasions confront the concrescing actual entity in Whitehead.

At the end of the movie, we see some tension between these two characters, but this scene would have developed that tension more had it made the final cut.

Its imagistic character means it stands as a corrective to the bias of much constructive theology toward conceptual clarity, often at the price of imagistic richness.11 Although it would be insufficient to rest in new images and to refuse to spell out conceptually their implications in as comprehensive a way as possible, the more critical task is to propose what Dennis Nineham calls a «lively imaginative picture» of the way God and the world as we know it are related (Nineham, 201 - 2).

We need to look at the Biblical examples of manliness that had more to do with character and courage than sin and play.

But while Tanya is a church deacon and a board member at the new Kentucky Baptist Seminary in Lexington, Berry's relationship to the church may be more like that of his fictional character Jayber Crow, who attends church but sits in the back pew.

Jeremy i was stumped to on this one as well so i asked the holy spirit to help me i looked at alot of different possibilitys commentarys really werent any help apart from the background.Thinking that Jesus was somehow implicated with satan in any way seemed to be a contradiction of who he was.The holy spirit revealed that to understand these types of passages we can fully trust that God is who he says he is he he does nt change his character or who he is.He is almighty holy trustworthy faithful and more.

I want them to walk away knowing that they know a lot more about the story, that they've gone on an emotional journey with the characters, and at the end of it, they're still left wondering.

Does the change in me represent anything more than this: that the practical relevance, the struggle and the confessional character of my theological teaching have become visible to many, and now for the first time to most, against the background of a time which has taken shape at the hands of National Socialism?.

But some Bunyan, writing Pilgrim's Progress in a prison where it was so damp that, as he cried, «The moss did verily grow upon mine eyebrows»; some Kernahan, born without arms and legs, but by sheer grit fighting his way up until he sat in the House of Commons; some Henry M. Stanley, born in a workhouse and buried in Westminster Abbey; some Dante, his Beatrice dead, he himself an exile from the city of his love, distilling all his agony into a song that became the «voice of ten silent centuries», or some more obscure and humble life close at hand where handicaps have been mastered, griefs have been built into character, disappointments have been turned into trellises, not left a bare, unsightly thing — such incarnations of fortitude and faith have infectious power.

Tóibín's James is «a reticent man from a Puritan place, ready to do battle on behalf of freedom for his characters, but more skilled at allowing them to renounce what freedom came their way for the sake of other things that are harder to define.»

At least that must be the conclusion if his claim is to be supported merely by conformation and reproduction, which ultimately involve nothing more than the transmission of character.

What is more, it did not relate moral character to the mind at all.

God, transcendent and immanent, above all yet in all; God, forthgoing in the sublime and challenging character of Christ; God, no abstract essence only, but the Spirit who can strengthen us with might in the inner man, so that, as Paul dared say, we «may be filled with all the fullness of God» — if one is going to believe in God at all, what richer, more comprehensive, and sustaining idea and experience of him can one imagine than that?

The Book and the Brotherhood, for instance runs to more than 600 pages; it has at least eight major characters; and its themes include love and the failures of love, death, belief and disbelief in God, friendship, Marxism, and the social condition of contemporary...

At the same time, it opens the way for theologians more decisively guided by the distinctive character of biblical faith and of Christian symbols and images to appropriate the achievements of process thinkers into their own understanding.

Their former emotional or feeling characters are more or less conformally repeated in the immediate occasion, modified only by the relevant, novel potentials of character aimed at by the subject (PR 162/246).

Whitehead adopts a more orderly, systematic view of nature, one whose structures are capable of giving rise to a unified, rational mind, while at the same time preserving the open - ended, fluid character of the natural world which is so prominent in our experience and which Nietzsche so rightly embraced.

Here we see unknown writers in the hills of ancient Judah, seated in simple homes that from the point of view of our present - day luxury might be regarded as little better than hovels, surrounded with furnishings more bare and austere than those of a medieval monastery, equipped with simple reed pens and rolls of papyrus, or perhaps with broken sherds of old pots, as they slowly indite in awkward, ancient Hebrew characters, words that have run like fire and are potent at this distant day.

Michael A. Ledeen is the Freedom Scholar at the Foundation for Defense of Democracies and author of more than twenty books, including Machiavelli on Modern Leadership and Tocqueville on American Character.

We called it back at the beginning of the series — we were going to be studying character a lot more in this series, particularly the character of the Doctor.

With each modulation Wagner purposely strains the tenor's voice more, the growing physical strain of the music conveying the emotional conflict within the character: although praising the goddess with his lips, his heart, or at least part of his heart, lies elsewhere.

The Book and the Brotherhood, for instance runs to more than 600 pages; it has at least eight major characters; and its themes include love and the failures of love, death, belief and disbelief in God, friendship, Marxism, and the social condition of contemporary Britain.

At times Hagrid offers comic relief, but he also serves as the headmaster's right - hand man and as an empathic counterpoint to the more cerebral and emotionally distant characters on the Hogwarts faculty.

Careful reading of Book Z of the Metaphysics, to be sure, makes clear that there are at least two conceptions of substantial form in Aristotle's philosophy: one more Platonic in character whereby the form possesses its own substantial unity and communicates that unity to the material elements (stoicheia) from the outside, so to speak; the other apparently originating with Aristotle himself according to which the substantial form comes into being as it unifies the elements into an organic whole (cf. TKT 67 - 120).

The enactment, however, must still at some point include a «speech act» pointing out the meaning of the action, and here once more Shakespeare is able to exploit the resources of folk wisdom, to turn it into music, and to place it in the mouth of one of his characters, who at that moment becomes the chorus commenting on the meaning of the play.

At the same time such an outline may help to locate more clearly the distinctive character of the present attempt to develop a theology of revelation.

Gimmick or not, this final aside reminds us that Smith, ten years on from her ordeal at Nichols» hands, is of course more than just a character in a film, and is now a married, drug - free Christian.

Now there is the possibility of a different philosophical attitude, one that takes with utmost seriousness the evolutionary and processive character of the world indicated by science, but at the same time affirms the reality of God as the supreme excellence and perfect goodness in and above (or more than) the world — in it, because such excellence and goodness is ceaselessly operative to further the world's development of potentialities; above it (or more than it), because such excellence and goodness is inexhaustible, more than merely creaturely, indefatigable, faithful, unfailing.

It is increasingly clear that Deuteronomy and the Priestly writings contain at least some material much older than is indicated by the usual dating of the documents.9 Increasingly, too, it would appear that scholars are disposed to accept the substantial reliability of the persistent tradition which sees Moses as a lawgiver.10 That law was an early and significant aspect of Israelite culture is further attested not only by ancient Near Eastern parallels but even more strikingly in the life, the work and the character of the first three great names in Israel's national history: Moses, Samuel and Elijah.

Some of them today (and they are mostly colleges, not universities) have succeeded, though at a more deliberate pace, in their ambition to maintain a Christian character while upgrading their scholarly performance.

As the «one relational complex in which all potential objectifications find their niche,» (Process 66) for Whitehead the extensive continuum certainly corresponds to the breadth of vision of the divine primordial nature, even as the space - time continuum as a partial realization of the extensive continuum corresponds to the more limited character of the divine consequent nature here and now Thus, even though Whitehead does not make explicit use of field - oriented imagery to describe the God - world relationship, the concepts are at hand to sustain that line of thought.8

I found in Ford far more than I had hoped for: a writer who, by his own account, had «apprenticed» himself to America; whose stories and characters so spring from their landscapes and physical situations as to personify the spirit of the motels, roadside bars, lakes and highways where we encounter them; and who may well be, as his friend Raymond Carver (who died last summer) said, «sentence for sentence... the best writer at work in this country today.»

(Though it should be noted that at times the story is funny and satirical, with hapless characters who seem more suited for a Shakespearean comedy than the Bible.

those who are the most intelligent or able or competent have demonstrated more character in manifesting a potential that flows through all; don't they deserve to be treated with more respect than others, or at least to be entrusted with more power?

On the contrary, the strength of the enforcement devices, the clerical and moralistic character of the legal approach at large, the duty of disclosure, the close control exercised by the community upon the individual and upon the law, if compared with the analogous legal institutions of the Latin countries, seem to disclose rather a more collectivistic than a more individualistic character of the common - law system....

The comparison suggests the importance of faith, but the interactions between the two characters and Jesus as well as the settings in which the exchanges take place suggest that there is more at stake.

Even at a more appropriate season, such a reaction would not be admirable or consistent with what we know of Jesus» character.

It takes more than physical accident to produce integrity of character, fidelity in friendship, sacrifice in service, courage and sportsmanship in difficulty, genuine goodness rising at times to great heights of moral heroism.