Sentences with phrase «more cinematic works»

I'm sorry but there are a ton more cinematic works out there that are ground - breaking and take risks.

Not exact matches

Manifesto works best as a thought experiment; fitting it into cinematic convention makes it a little more boring and confounding.

The Outsider, Nicholas Jarecki's starstruck documentary about the writer and director James Toback, is a tragically missed opportunity to illuminate one of the more unusual cinematic talents working today.

Working through an enormous canon of cinematic influences in a far more satisfying way than Carax's glib offering (Gomes» titular allusion to Murnau is no coincidence), Melbourne's resplendent Forum Theatre proved a fittingly grand venue for Gomes» expansive vision: this film is a joy to watch.

Although the summer of 2015 has proven to be a largely disappointing season in terms of cinematic achievements for the most part, one definite bright spot has been the gradual reemergence of feature animation as a viable art form after a few years in which the genre has been largely dominated by increasingly formulaic and largely forgettable works that have done little more than fatten up the bottom lines of the studios behind them.

Those inserts starkly contrast with the rest of the film's classical, almost formal style; the convincing staging and scrappy scariness of the films - within - the - film create a work more «real» and horrifying than the frame around it, which seems much more safely removed and traditionally cinematic.

Sure, the ending ratchets things up a bit more that it probably needs to, and the tacked - on final scene belies a cinematic catharsis that I'm not entirely sure is necessary for the success of the work.

Look closely at Audiard's work, however, and you can see that he creates entire cinematic worlds as distinctive as any proffered by more obvious «auteurs» like Pedro Almodóvar and Wong Kar - Wai.

We already knew that Paramount and Hasbro were working on turning more than one of the toy company's products into movies, looking to build a shared cinematic universe along the lines of Marvel's behemoth.

At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.

I also hope they keep the more cinematic style of Other M but step up the writing this time (I still like Other M a lot though and think the flaws it has are greatly exaggerated) It would also be nice to see Samus actually working as a bounty hunter rather than stumbling on distress signals all the time — They could keep the exploration and worlds of Prime but have Samus hunting targets / completing objectives as some sort of mission throughout the story rather than playing through the story in one go.

Some truly creative and inventive stop - motion work mixed with charismatic voice acting all around and then sealed with that wonderful Desplat score makes for one of the more enjoyable cinematic experiences one will have at the theater this year.

While the end result may be admittedly more uneven in spots than [Tsui Hark's] best - known works, this lavish period piece contains enough thrills, spills and moments of cinematic grace that not only manage to push it through the rough spots but allow it to put most American action films of recent vintage to shame.

A work of cinematic minimalism, more a study of a city than its people, The Driver established itself as a watershed moment in crime noir without pandering to tropes or cliché.

I think making the Zelda series more cinematic, more open to modern interactive story telling could work well for the series.

But rather than stick to the comic source material, Perlman was given free rein to reinterpret major elements to make them work in Marvel's more (relatively) grounded cinematic universe.

As a piece of cinematic commentary, however, this is by far the more cohesive work — «these things live or die by the script» observes a local Irish reprobate / police informant while watching a subpar porno that's all action and no plot.

However, Blatty was more than just a one - trick pony and while his other projects may not have reached the same commercial peaks as «The Exorcist,» they would go on to form an undeniably interesting body of work that would also include a couple of bona - fide cinematic cult classics.

And that longing may in fact be the very foundation of Lowery's work — the reason it is more feeling than movie, more cinematic emotion unfolding on screen than anything else.

35 years later, its status as a work of cinematic art and a solid piece of problematic entertainment is more assured than ever.

We also know the Marvel Cinematic Universe is going to get more cosmic after Avengers 4, and with Black Widow in the works, hopefully that will do well enough to warrant a sequel of its own.

He'd done similar, equally compelling work prior to his breakthrough (2009's About Elly stands as arguably his strongest film), but with an increased eye on Middle Eastern cinema in the wake of Kiarostami's Certified Copy and the jailing of the more radical, uncompromising Jafar Panahi, coupled with the film's heart - tugging narrative, A Separation arrived at an opportune time for his country's rise to international cinematic prominence.

(In one of the film's few nods to the larger Marvel Cinematic Universe, he refuses to work on War Machine, paralyzed in Captain America: Civil War, a similarly enjoyable film, albeit one with a more developed sense of play.)

As an indie author, you may not feel entirely comfortable moving from the more cerebral world of words to the domain of cinematic stimuli, but the same techniques that work effectively in a book have an equivalent mode of shorthand expression in a video: empathy, surprise, mystery, atmosphere, danger, character, excitement.

But it's also a more eloquent work; smartly condensing the novel's sprawl, the feature forgoes prosaic detail for cinematic vigor.

More and more as I was working at Crystal, especially on Underworld where I was just doing cinematic work, the reality is the control of the characters is in the hands of the creative directors and the publisher,» he told GamesIndustry.More and more as I was working at Crystal, especially on Underworld where I was just doing cinematic work, the reality is the control of the characters is in the hands of the creative directors and the publisher,» he told GamesIndustry.more as I was working at Crystal, especially on Underworld where I was just doing cinematic work, the reality is the control of the characters is in the hands of the creative directors and the publisher,» he told GamesIndustry.biz.

Each designer (Kojima, Nakamura, and Tajiri) was at full - stride in their careers, so it's interesting to hear their different perspectives: the emphasis on cinematic devices and themes from Kojima (who was working on Metal Gear Solid at the time) contrasts sharply with Tajiri and Nakamura's more «traditional» conception of design as rules and gameplay.

It probably could work first person as well but when you're trying to do cover and looking around it's kind of more cinematic in the respect that you can see stuff coming.

Dreamlands presents early experiments with cinematic space that jolt the spectator out of the conventions of seeing, postwar works that offer a darker and more fragmented experience of the moving image, and contemporary works that often exploit the infinite malleability of the digital image.

Based in Bali for more than two decades, the Italian artist Filippo Sciascia is widely known for Lux Lumina, an ongoing series of almost black and white figurative paintings, based on photographic and cinematic sources; their impasto surfaces heavily worked by the painter, who runs a dazzling gamut of painterly techniques, to the point the painting's skin cracks and tears so skillfully by intuitive calculation that its disintegration seems to be instigated from the inside out.

For more than 40 years, Robert Bibler (American, born 1948) has combined a fascination with cinematic storytelling, classic film, and Renaissance art to create a beautifully rendered and thoughtful body of work.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

The process of carefully staging and directing «happenings», often in beautiful rural landscapes, is increasingly more cinematic in tone, while retaining the spontaneity of his early work.

In his introduction John Ashbery calls the book «the finest work of Surrealist fiction,» noting that de Chirico «invented for the occasion a new style and a new kind of novel... his long run - on sentences, stitched together with semi-colons, allow a cinematic freedom of narration... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality.»

Inspired by the work of Chris Marker, who directed the radical 1962 film «La Jetée,» which consisted of a cinematic sequence of still images, Opie's 22 - minute film is composed of more than 800 black - and - white images and stars Stosh, a friend who has appeared in many of her photographs.

Examining structures linked to the entrenched powers of colonialism and institutionalized racism that magnify inequality, the artists will exhibit painted allegories for the administration of power, sculptural proposals to renew (and destroy) monuments, and cinematic works that engage the modes of propaganda that influence mankind more and more each day.

In a career spanning more than five decades, Ruscha has distilled the archetypal signs and symbols of the American vernacular into typographic and cinematic codes that are as accessible as they are profound.The wry choice of words and phrases that pervade his work draws upon the moments of incidental ambiguity implicit in the interplay between language and the concept that it signifies.

Her work is informed by histories of narrative cinema and experimental film, but more precisely concerned with digital video, and in particular its contemporary heterogeneity as a medium used for navigation, advertising, knowledge organisation as well as cinematic special effects.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

Preferring a process more aligned with the cinematic to a low - fi aesthetic or documentary one, Just creates choreographed and grand works of art.

, but also two large - scale creations: a substantial cinematic work shown in a sprawling but comfortable first floor «rec room,» more playpen for grown ups than video installation, and upstairs, another literally «soft» environment: a felt - carpeted room installed in the project space supplemented with found furniture and coffee smells.

Magic Leap is working on something they call «cinematic reality», which is like augmented reality — just a lot more intense.