Sentences with phrase «more conceptual approach»

She eventually moved to Vermont and adopted a more conceptual approach and wood - firing techniques.
Andrew Forge introduced me to British painters and a more conceptual approach to making art.
NS Harsha has taken a more conceptual approach to making a portrait, creating a work that upon close inspection appears to be a bird's - eye view of a gathered crowd.
This procedural approach (left) is highlighted next to a more conceptual approach that Common Core urges (right).

Not exact matches

I urge the SEC to take a step back from the conceptual, and step forward with a more applied, data - driven approach.
When Whitehead describes the approach to intellectuality as a gain in the power of abstraction, so that «the irrelevant multiplicity is eliminated, and emphasis is laid on the elements of systematic order in the actual world» (PR 388), we take this to mean that mentality becomes habitually effective when its potentially anarchic initiatives are both nourished and preserved at lower, more reiterative levels of conceptual functioning.
New approaches to teaching number words and numerals, conceptual place value, mental computation, written computation methods, fractions, and more are discussed in this extensive resource.
The visit also validated the concern about alignment: Transitioning from a conceptual approach to math in the elementary years to a more computational approach in the middle years was challenging for some students.
Teachers obtain that by bringing focus and coherence to the subject matter and allowing themselves to be more conceptual in their approach to learning.
A much more effective mantra would be to adopt «problem solving» approaches as this emphasizes the problem, the problem clarification, the notion of success that comes from resolving problems and asks for a better balance between surface, deep, and conceptual understandings.
Moreover, in schools and colleges like Stanford University the physics subject is being taught to the students in a more conceptual manner where the students can relate themselves to the physical world and can create a practical approach to solving the problems in physics.
Despite the sensual, good - enough - to - eat qualities of his still lifes, Thiebaud's approach is far more formal, almost conceptual, than the word «realism» implies.
Known for more than five decades for his conceptual approach to abstraction, Whitten joined Hauser & Wirth Gallery in New York last month.
From traditional approaches to the more challenging usage, Out of Easy Reach will investigate the contemporary and conceptual expansion of abstraction by female - identifying artists from the black and Latina diasporas.
Positing a more open - ended approach to selection criteria, Cruzvillegas and Kuri cite the socio - political maps of artist and writer Miguel Covarrubias as the exhibition's conceptual origin.
Interacting with the other pieces in the collection requires a more conceptual, abstracted approach — like the cryptically simplistic Thumbnail # 6 (2012), by Ron Ewert, a white background interrupted by cartoonish squiggles, and Elijah Burgher's intricate, multi-colored Don't confuse trust and control (2013), which leads the eyes towards all corners of the piece in maze - like fashion.
Begun in the late 1980s, the Waterfall series marks a shift in the artist's oeuvre towards a more formalist approach to image - making that engendered a basic yet powerful exploration of the physical and conceptual properties of her chosen materials.
In the 1980s, artists like Mary Kelly took a much more conceptual and theoretical approach to feminism, seeking to dismantle the patriarchy through psychoanalysis rather than biological vaginal power.
An artist who has mined the dual seams of abstract painting and conceptual repetition, Christopher Wool has used approaches from decoration, street art, and, in more recent work, the digital landscape.
Schapiro's approach was, in a sense, much more conceptual, which may have been a signal of the role that political ideology would come to have in her work.
The artist's approach to abstraction is not a conceptual or analytical exercise, but a life - affirming method of communication with the viewer, each brush stroke containing much more than just visual information: «Paint strokes do a number of things, but they do not simply describe the form in my work: they affirm the human spirit, the involvement of the human spirit» (S. Scully, Resistance and Persistence: Selected Writings, London, 2006, p. 25).
Taking this approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes for friends or as public statements of creative identity, to more recent conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.
Under the tutelage of the photographers and conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.
In her drawings the quick and instinctive approach emerges more clearly compared with the paintings, where it is mediated by the literary construction, the time of execution, and the conceptual substance.
On a material basis, the trio's work couldn't be more different — from digital prints to rough - hewn figurative sculpture — but connective themes between the shows enrich each in turn, bridging generations, conceptual approaches and subject matter.
The debut of his new project, Projects / Projects, marks a departure from a labored, self - referential, concrete - object - making practice toward a more conceptual, outsourced approach that engages broad cultural themes.
But the appeal of Arcangel's approach lies less in its conceptual underpinnings and more in its emotional world.
And now, with a return to more conceptual, self - aware, and sometimes ironic approaches rooted in Support - Surface and Arte Povera, we're going in the opposite direction, rediscovering the fold, the spray, the pour, the stain, the process, the object, and other strategies that preceded this, for the most part, earnest strain of abstraction from the 1980s.
A leading conceptual artist, Cildo Campos Meireles's practice is situated between the Brazilian Neo-concrete movement, which advocated greater sensuality and color in art and a more conceptually based approach.
Contemporary artists bringing a more conceptual and metaphorical approach to the project include Nari Ward and Renée Cox (born in Jamaica), Janine Antoni (Bahamas), Pepón Osorio and Enoc Pérez (Puerto Rico), Edouard Duval Carrié (Haiti), Abel Barroso, René Peña, and Sandra Ramos (all from Cuba), and Hank Willis Thomas (from the United States), to name a few.
The platform's social component mostly takes a backseat to what Broskoski referred to as a «fuzzier type of thinking» that encourages a more broad - minded and conceptual approach to how we process and arrange the never - ending stream of information we encounter on the internet.
WHETHER ONE THINKS OF AMANDA ROSS - HO AS A SCULPTOR, A photographer, or more broadly, a conceptual artist, it is clear that she applies a deliberate approach to exploring and controlling a passion for «stuff.»
However, within Radical Women's redefined conceptual axes their works exist outside a framework for approaching Latin American conceptualism made popular in recent decades: ``... heroic, political, and even militant, leaving little space for those forms of conceptualism and experimental art that embrace more subjective interjections and both broad and intimate personal and political struggles.»
From an art historical point of view, this noteworthy find, in which the artist has acted on the playful aesthetic potential in iconic Soviet images, confirms once more the conceptual links between Rajangu's early work and Sots Art, which mixed the approaches of socialist realism and pop art and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet project.
This approach seems like a particularly apt curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework spans both media and unites the works -LSB-.....]
This approach seems like a particularly apt curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework spans both media and unites the works on view by reflecting developments in practice.
Other artists pursue more conceptual and documentary approaches.
Starting more or less in the 1960s, a new generation of critics was influenced by Greenberg's ideas and developed a secondary, more «conceptual» or intellectualized approach to formalism, often in an attempt to acknowledge the challenges of critics such as Rosenberg and Alloway.
Simon Morley's approach is more conceptual; he has painted the book cover of Rachel Carson's groundbreaking Silent Spring, published in 1962, which was instrumental in launching the environmental movement in the U.S.A. Morley's choice of a hot orange monochrome conveys the exposure of damage caused by unmonitored use of insecticides at the time.
Jones» approach, which she has called «listening as a conceptual practice,» is more than merely visualizing sound.
Bolotowsky believed that film was an art of empathy and that abstraction represented a conceptual approach more appropriately conveyed through painting and sculpture.
Instead, Monk grounds his conceptual approach in more commonplace concerns, that of personal history, his family, even pets, whilst still alluding to the types of systems and processes that artists such as Sol LeWitt employed so rigorously.
Anyone at all interested in painting might want to start with the early 20th century in Mayfair and move to Wharf Road for more recent work, witnessing the abundantly various approaches to abstraction over time — conceptual, geometric, gestural, hard - edged, romantic, numinous, optical, comic.
From this conceptual and empirical review, it is concluded that an overemphasis on clinical outcomes carries unnecessary risks (e.g., weak causal reasoning and a failure to identify mechanisms of change), while underemphasizing the several benefits of a more inclusive approach (e.g., increasing outcome research and improving supervision).
Hence, for successful SEL readiness, more time might be spent on conceptual understanding than on «training,» since competent educators and school support staff should have the basic skill set to implement SEL approaches well if they are clearly and fully understood.
However, studies on full consciousness are still at very early stage and more rigorous approaches on a methodological level and refined conceptual developments are necessary.
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