She eventually moved to Vermont and adopted
a more conceptual approach and wood - firing techniques.
Andrew Forge introduced me to British painters and
a more conceptual approach to making art.
NS Harsha has taken
a more conceptual approach to making a portrait, creating a work that upon close inspection appears to be a bird's - eye view of a gathered crowd.
This procedural approach (left) is highlighted next to
a more conceptual approach that Common Core urges (right).
Not exact matches
I urge the SEC to take a step back from the
conceptual, and step forward with a
more applied, data - driven
approach.
When Whitehead describes the
approach to intellectuality as a gain in the power of abstraction, so that «the irrelevant multiplicity is eliminated, and emphasis is laid on the elements of systematic order in the actual world» (PR 388), we take this to mean that mentality becomes habitually effective when its potentially anarchic initiatives are both nourished and preserved at lower,
more reiterative levels of
conceptual functioning.
New
approaches to teaching number words and numerals,
conceptual place value, mental computation, written computation methods, fractions, and
more are discussed in this extensive resource.
The visit also validated the concern about alignment: Transitioning from a
conceptual approach to math in the elementary years to a
more computational
approach in the middle years was challenging for some students.
Teachers obtain that by bringing focus and coherence to the subject matter and allowing themselves to be
more conceptual in their
approach to learning.
A much
more effective mantra would be to adopt «problem solving»
approaches as this emphasizes the problem, the problem clarification, the notion of success that comes from resolving problems and asks for a better balance between surface, deep, and
conceptual understandings.
Moreover, in schools and colleges like Stanford University the physics subject is being taught to the students in a
more conceptual manner where the students can relate themselves to the physical world and can create a practical
approach to solving the problems in physics.
Despite the sensual, good - enough - to - eat qualities of his still lifes, Thiebaud's
approach is far
more formal, almost
conceptual, than the word «realism» implies.
Known for
more than five decades for his
conceptual approach to abstraction, Whitten joined Hauser & Wirth Gallery in New York last month.
From traditional
approaches to the
more challenging usage, Out of Easy Reach will investigate the contemporary and
conceptual expansion of abstraction by female - identifying artists from the black and Latina diasporas.
Positing a
more open - ended
approach to selection criteria, Cruzvillegas and Kuri cite the socio - political maps of artist and writer Miguel Covarrubias as the exhibition's
conceptual origin.
Interacting with the other pieces in the collection requires a
more conceptual, abstracted
approach — like the cryptically simplistic Thumbnail # 6 (2012), by Ron Ewert, a white background interrupted by cartoonish squiggles, and Elijah Burgher's intricate, multi-colored Don't confuse trust and control (2013), which leads the eyes towards all corners of the piece in maze - like fashion.
Begun in the late 1980s, the Waterfall series marks a shift in the artist's oeuvre towards a
more formalist
approach to image - making that engendered a basic yet powerful exploration of the physical and
conceptual properties of her chosen materials.
In the 1980s, artists like Mary Kelly took a much
more conceptual and theoretical
approach to feminism, seeking to dismantle the patriarchy through psychoanalysis rather than biological vaginal power.
An artist who has mined the dual seams of abstract painting and
conceptual repetition, Christopher Wool has used
approaches from decoration, street art, and, in
more recent work, the digital landscape.
Schapiro's
approach was, in a sense, much
more conceptual, which may have been a signal of the role that political ideology would come to have in her work.
The artist's
approach to abstraction is not a
conceptual or analytical exercise, but a life - affirming method of communication with the viewer, each brush stroke containing much
more than just visual information: «Paint strokes do a number of things, but they do not simply describe the form in my work: they affirm the human spirit, the involvement of the human spirit» (S. Scully, Resistance and Persistence: Selected Writings, London, 2006, p. 25).
Taking this
approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes for friends or as public statements of creative identity, to
more recent
conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.
Under the tutelage of the photographers and
conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic
approach of the Bechers and applied
conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned
more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.
In her drawings the quick and instinctive
approach emerges
more clearly compared with the paintings, where it is mediated by the literary construction, the time of execution, and the
conceptual substance.
On a material basis, the trio's work couldn't be
more different — from digital prints to rough - hewn figurative sculpture — but connective themes between the shows enrich each in turn, bridging generations,
conceptual approaches and subject matter.
The debut of his new project, Projects / Projects, marks a departure from a labored, self - referential, concrete - object - making practice toward a
more conceptual, outsourced
approach that engages broad cultural themes.
But the appeal of Arcangel's
approach lies less in its
conceptual underpinnings and
more in its emotional world.
And now, with a return to
more conceptual, self - aware, and sometimes ironic
approaches rooted in Support - Surface and Arte Povera, we're going in the opposite direction, rediscovering the fold, the spray, the pour, the stain, the process, the object, and other strategies that preceded this, for the most part, earnest strain of abstraction from the 1980s.
A leading
conceptual artist, Cildo Campos Meireles's practice is situated between the Brazilian Neo-concrete movement, which advocated greater sensuality and color in art and a
more conceptually based
approach.
Contemporary artists bringing a
more conceptual and metaphorical
approach to the project include Nari Ward and Renée Cox (born in Jamaica), Janine Antoni (Bahamas), Pepón Osorio and Enoc Pérez (Puerto Rico), Edouard Duval Carrié (Haiti), Abel Barroso, René Peña, and Sandra Ramos (all from Cuba), and Hank Willis Thomas (from the United States), to name a few.
The platform's social component mostly takes a backseat to what Broskoski referred to as a «fuzzier type of thinking» that encourages a
more broad - minded and
conceptual approach to how we process and arrange the never - ending stream of information we encounter on the internet.
WHETHER ONE THINKS OF AMANDA ROSS - HO AS A SCULPTOR, A photographer, or
more broadly, a
conceptual artist, it is clear that she applies a deliberate
approach to exploring and controlling a passion for «stuff.»
However, within Radical Women's redefined
conceptual axes their works exist outside a framework for
approaching Latin American conceptualism made popular in recent decades: ``... heroic, political, and even militant, leaving little space for those forms of conceptualism and experimental art that embrace
more subjective interjections and both broad and intimate personal and political struggles.»
From an art historical point of view, this noteworthy find, in which the artist has acted on the playful aesthetic potential in iconic Soviet images, confirms once
more the
conceptual links between Rajangu's early work and Sots Art, which mixed the
approaches of socialist realism and pop art and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet project.
This
approach seems like a particularly apt curatorial strategy on the part of Mark
More Gallery, as Azzarella's underlying
conceptual framework spans both media and unites the works -LSB-.....]
This
approach seems like a particularly apt curatorial strategy on the part of Mark
More Gallery, as Azzarella's underlying
conceptual framework spans both media and unites the works on view by reflecting developments in practice.
Other artists pursue
more conceptual and documentary
approaches.
Starting
more or less in the 1960s, a new generation of critics was influenced by Greenberg's ideas and developed a secondary,
more «
conceptual» or intellectualized
approach to formalism, often in an attempt to acknowledge the challenges of critics such as Rosenberg and Alloway.
Simon Morley's
approach is
more conceptual; he has painted the book cover of Rachel Carson's groundbreaking Silent Spring, published in 1962, which was instrumental in launching the environmental movement in the U.S.A. Morley's choice of a hot orange monochrome conveys the exposure of damage caused by unmonitored use of insecticides at the time.
Jones»
approach, which she has called «listening as a
conceptual practice,» is
more than merely visualizing sound.
Bolotowsky believed that film was an art of empathy and that abstraction represented a
conceptual approach more appropriately conveyed through painting and sculpture.
Instead, Monk grounds his
conceptual approach in
more commonplace concerns, that of personal history, his family, even pets, whilst still alluding to the types of systems and processes that artists such as Sol LeWitt employed so rigorously.
Anyone at all interested in painting might want to start with the early 20th century in Mayfair and move to Wharf Road for
more recent work, witnessing the abundantly various
approaches to abstraction over time —
conceptual, geometric, gestural, hard - edged, romantic, numinous, optical, comic.
From this
conceptual and empirical review, it is concluded that an overemphasis on clinical outcomes carries unnecessary risks (e.g., weak causal reasoning and a failure to identify mechanisms of change), while underemphasizing the several benefits of a
more inclusive
approach (e.g., increasing outcome research and improving supervision).
Hence, for successful SEL readiness,
more time might be spent on
conceptual understanding than on «training,» since competent educators and school support staff should have the basic skill set to implement SEL
approaches well if they are clearly and fully understood.
However, studies on full consciousness are still at very early stage and
more rigorous
approaches on a methodological level and refined
conceptual developments are necessary.