Sentences with phrase «more conceptual designs»
«In July Paul Gerrard and Mike Le Han produced a teaser trailer to accompany the pitch document which has many more conceptual designs that revision Hellraiser.
https://themissingreel.com/ Not exact matches
Our conceptual analysis and management of the current terrain is enriched, I think, if we pay more attention than we have in the past to both design technologies and interactive technologies.
In our study, the teachers with larger gains on low - cost state math tests also had students with larger gains on the Balanced Assessment in Mathematics, a more - expensive - to - score test designed to measure students» conceptual understanding of mathematics.
He observes that assessment in many schools is still primarily designed to measure students» grasp of basic skills and factual knowledge, even as educators are placing a growing emphasis on more complex capabilities like conceptual understanding and long - term transfer skills.
Although fidelity of implementation monitoring has shown Science IDEAS classrooms to be affectively positive, this advanced component student motivation strategy is designed to make the linkage between conceptual learning in science (or increasing proficiency in reading comprehension) and student recognition of achievement progress more explicit on a continuing basis.
The students still have to learn important facts and concepts, but the exams are designed to reward conceptual understanding and analysis more than state exams have in the past.
Just ignore the conceptual lines and you'll see the same familiar design adorning the 2016 Mazda CX - 3 and 2016 Mazda CX - 5 crossovers, but with a dash of sportiness due to the thinner headlamps and more aggressive front bumper.
Collectively, the years of research have resulted in a more complete view of art in Southern California, one that goes beyond the genres typically identified with the region: Light and Space sculpture, conceptual landscape photography, and Modernist design.
May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum
Founded in 1887 in Halifax, Nova Scotia, what has come to be called the Nova Scotia College of Art and Design University evolved, over its first century and more, from a conservative provincial art college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garde.
Notable names associated with the Kansas City Art Institute include Walt Disney, who took Saturday classes here as a child; painter Thomas Hart Benton, who taught here from 1935 to 1941; multimedia artist Robert Rauschenberg, who studied fashion design at KCAI; sculptor, conceptual artist and writer Robert Morris; celebrated, present - day performance artist, noted fabric sculptor and more recent KCAI graduate, Nick Cave, and the list goes on.
Expect to find exhibition receptions for figurative art, contemporary abstraction, conceptual mixed media art, design and more.
Fortuna opts for visual saturation, offering over 2,000 images, but the bigger picture proves more daunting: designing a conceptual framework for a book to encompass the profound complexity, subtlety, and incisiveness of Kentridge's project.
Among the rewards given, for a campaign contribution of HKD2, 400 or more, is a newly launched series of limited edition cookware designed by book contributors Fotan - based Taiwanese artist Cheng Ting Ting, Sigapore - based Malaysian artist, curator and writer Heman Chong, local Hong Kong conceptual artist Lam Hoi Sin, Vienna - based Japanese artist Michikazu Matsune and writer, editor, founder and co-editor of e-flux Brian Kuan Wood.
2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
Allan McCollum's Visible Markers is from the acclaimed conceptual artist's ongoing series of object multiples designed to express gratitude, exemplifying McCollum's notion that the art object becomes significant not merely through its making but, more importantly, through the process of exchange.
«His focus often questioned traditional form, material, and use through increasingly conceptual work denying ergonomics or more practical concerns,» he added, «and the Miss Blanche is an iconic example of postmodern design of the 1980s.»
The research needs that have high priority in establishing the technical, environmental, and economic feasibility of large - scale capture and disposal of CO -LCB- sub 2 -RCB- from electric power plants are: (1) survey and assess the capacity, cost, and location of potential depleted gas and oil wells that are suitable CO -LCB- sub 2 -RCB- repositories (with the cooperation of the oil and gas industry); (2) conduct research on the feasibility of ocean disposal, with objectives of determining the cost, residence time, and environmental effects for different methods of CO -LCB- sub 2 -RCB- injection; (3) perform an in - depth survey of knowledge concerning the feasibility of using deep, confined aquifers for disposal and, if feasible, identify potential disposal locations (with the cooperation of the oil and gas industry); (4) evaluate, on a common basis, more» system and design alternatives for integration of CO -LCB- sub 2 -RCB- capture systems with emerging and advanced technologies for power generation; and prepare a conceptual design, an analysis of barrier issues, and a preliminary cost estimate for pipeline networks necessary to transport a significant portion of the CO -LCB- sub 2 -RCB- to potentially feasible disposal locations.
SUMMARY: The Project Manager is responsible for leading the overall conceptual, basic and detailed engineering and design management and execution of assigned projects for industrial and bulk material handling facilities including project initiation, identific... More
SUMMARY More than fifteen years of schematic capture and printed circuit board (PCB) design utilizing Altium Designer, and mechanical 2D drafting and 3D modeling using AutoCAD and Alibre / GeoMagic, with training in AutoDesk Inventor and SolidWorks, as well as experience in all facets of design from the conceptual stage through prototype development, assembly and testing, production and manufacturing support, and project mana...
Consist in more than 8 years of experience highly focused and dedicated to design drafting oriented to 3D - conceptual models of offshore platform miscellaneous steel structures for refineries / petrochemical construction detailed drawings of concrete and steel structures (including primary secondary and tertiary steel) new Greenfield construction and existing brownfield projects Safety trained and qualified to do offshore plat...
A more conceptual limitation of the present design is that the processes that relate parenting to children's health care are not specified.
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