Sentences with phrase «more conceptual sense»

Physical decay of the urban landscape is juxtaposed with a remarkable formal beauty just as, in a more conceptual sense, time and timelessness contend with each other in these works.

Not exact matches

A philosopher notes three areas in which linguistic philosophy could broaden itself: 16 (1) broaden the verifiability principle so as to make other experiences besides sense experience possible, (2) abandon the viewpoint that would reduce all meaning of things to present or actual fact, and (3) pay more attention to conceptual frameworks through which we seek to apprehend the world.
In this sense, physical feelings are more inclusive than conceptual feelings.
Whitehead's «method of extensive abstraction» is used not only in his early writings in the philosophy of natural science but also in his later, more metaphysical, writings to abstract from the complexity of the relations which comprise the datum of sense - perception and to isolate by a conceptual analysis those relations which express a uniform metric structure, that is, to «exhibit» a basis of uniformity in nature.21 It is the sense in which this uniformity is «required» that is the crucial point for further investigation.
The opposition is between the view that the further back you go, you go to more and more rudimentary judgements and the view that there is a real difference between perception and thought; and also that you don't in perception come down to a (Kantian) inchoate manifold which you work up with conceptual schemes, but that you come down to something given in sense - awareness about which you can say a great deal more than that.
Yves Klein (1928 — 1962), was a conceptual artist par excellence, a radical, utopian dreamer described by the French critic, Pierre Restany as «a painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse practice included ephemeral works in his quest for immateriality.
As with more than enough conceptual painting, too, I felt ashamed of both my amusement and sense of wonder.
Schapiro's approach was, in a sense, much more conceptual, which may have been a signal of the role that political ideology would come to have in her work.
This reveals an explicit preference for the «art» side of the ostensible dichotomy between art and craft, where art, unlike craft, takes place within and engages historical discourse: for example, Ono's «written instructions» make more sense alongside other conceptual art of the time.
Visiting the Michael Tedja solo show at the Amstelveen venue makes the connection apparent: although the Surinamese - Dutch artist is evidently more inspired by Jean - Michel Basquiat's urban energy, and he embeds his own work into a more rigorous conceptual matrix, and a creative urge similar to the one animating Cobra art can be sensed throughout.
Alternatively, some works conjure a conceptual idea using one (or more) of the senses, or poetically evoke the senses.
Whereas in the conceptual painting of the»60s, there's more a sense of analyzing modernism or reflecting on its essentials — so the story of conceptual painting belongs with modernism.
And in that sense, a climate model is nothing more or less than a conceptual model, necessary to give a frame of reference to the state of the real world, which can never be generated by observations alone (which are incomplete, may be inconsistent, contradicting each other, biased, non-representative,...).
There is one more possibility: Spotify could one day cut out the labels altogether — the idea certainly makes sense on a conceptual level.
Although that model still had several large modification indices of around 20, none made conceptual sense and adding the largest made the model more difficult to interpret so we stopped considering additional changes to the hypothesized model.
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