Sentences with phrase «more creativity as»

In addition to consolidating memories, or making them stronger, your brain appears to reorganize and restructure them, which may result in more creativity as well.

«New hires come in with a blank slate, and we tend to get more creativity as a result of them shadowing someone» Brennan says.

While a nine - month extension at a reduced pace is viable under current rules, another move could require more creativity as the ECB would be running low on German bonds to buy.

Not exact matches

«Inspiring children through play and creativity is crucial to early development and no company has done more in that space over many generations than Mattel,» said Georgiadis in a statement «As a parent, I have seen this first hand and am honored to be joining the Company at this exciting time of renewed focus.»

For companies committed to fostering both creativity and productivity in their office environment, leaders and office managers are faced with a challenge: How do you design an office where employees feel just as — if not more — productive as they do at home?

A higher degree of diversity seems to translate into better problem solving and decision - making, higher creativity, and more innovation, as well as improved understanding of customers.

The stress of being perfect freezes up creativity and joy, making your task longer, more difficult and not as fun.

Ideally, with some practice you'll develop a more balanced thought process, giving both logic and creativity head space as you make decisions and perform your duties.

Not only due to the endorphins being released while exercising, but also due to the cognitive benefits such as improved creativity and decision making leading to a more rational perspective.

His evidence is largely anecdotal, but compelling: «When even one more person is added to the mix, the situation becomes more stable, but this stability may stifle creativity, as roles and power positions harden,» he writes.

Conservative colors, such as black, blue, gray, and brown, seem to be the safest bet when meeting someone for the first time in a professional setting, whereas colors that signal more creativity, like orange, may be too loud.

As world renowned cellist Yo - Yo Ma has said, «Passion is one great force that unleashes creativity, because if you're passionate about something, then you're more willing to take risks.»

As IoT technology innovators make strides towards making more inanimate «things,» such as toasters, furniture and children's toys intelligent; millennials will be further exposed to limitless creativitAs IoT technology innovators make strides towards making more inanimate «things,» such as toasters, furniture and children's toys intelligent; millennials will be further exposed to limitless creativitas toasters, furniture and children's toys intelligent; millennials will be further exposed to limitless creativity.

For instance, they'll be less happy and more stressed (which affects things like their productivity and creativity); they may quit on you (which will cost you and your company time and money); they may give you bad reviews or complain to HR (which puts your job in jeopardy); and you'll have trouble earning their respect, being viewed as credible, and getting them to listen to your opinions.

«We wanted a laid - back atmosphere that fostered creativity, emphasized communication and honesty, and made people come together more like a family than as coworkers,» says Huey.

Outsourcing is reaching new levels of creativity as entrepreneurs figure out more tasks that can be sourced elsewhere.

If they feel their opinions and insights hold value, they will be more likely to use their talents and creativity to help build the business as a whole.

Though you may need more guidelines and procedures as your company grows, you don't want to stymie creativity or lose your appeal to top talent, which are real dangers of overly corporate cultures.

But it comes as more of a shock to some bosses that study after study shows remote work can actually increase productivity as team members find the right conditions for focus and creativity.

As a startup CEO, I'm learning that I need to set aside time for creativity more intentionally.

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

Epicenter runs corporate innovation labs, provide fast growing digital companies flexible work space as well as knowledge and creativity through seminars and educational programs for companies and organizations that wish to learn more about digital opportunities and corporate innovation.

These nominees, as judged by a panel of more than 3,000 professionals from the fields of product development, design, engineering, science, marketing and education, represent a broad spectrum of innovation and creativity across 12 primary categories.

Skillshare has many different subjects available such as music, technology, creativity, photography, entrepreneurship, design, DIY, crafts, fashion, and more.

The kind of creativity involved, however, strikes me as tautological: one's creativity is enhanced more or less only to the extent that one is limited by the form.

The logical subjects, however, are not capable of doing more than indicating how the proposition could be realized: if the logical subjects to which the predicative pattern refers could, in themselves, make the proposition «tell tales» as to its ingression, it would be to cast the world's lot in advance, it would be to prescribe exhaustively creative unfolding and thus vitiate creativity.

As noted before, the experience of creativity, or more pointedly in a human context, the experience of freedom.

From the time of the Yahwist, through the Deuteronomists and the complex of the Isaiahs and into the postexilic days of the priests, creativity was conspicuously a more corporate achievement wrought by the judicious, inspired use of existent material as well as by the artistic creation of the new.

Hence each occasion (and more particularly every «good» occasion) may be seen as an «incarnation» of deity under the conditions of finite creativity.

Her pain took her deeper into nature's grandeur and agony, and her deeper reflection led to more dis - ease, but to intense creativity as well, if these books are any indication.

Regarding each of them as an abstraction from an abstraction, panexperientialism in effect combines them into a more inclusive stuff, 3 Whitehead's «creativity.»

While the apparent subject of Living by Fiction is thus modern fiction, Dillard seems more interested in the notion of fiction as a metaphor for culture and creativity.

The process - relational model of God as the most extensive exemplification of primordial creativity, with every worldly occasion in its own process of becoming; the process - relational concept of God as the principle of order channeling the world's becoming toward ever richer and more harmonious experience (the primordial nature); and the process - relational concept of God's preservation of every worldly occasion in God's own everlasting becoming (the consequent nature), with each such occasion evaluated and positioned for its greatest possible contribution to the divine life — these perspectives on divine reality which process - relational thought claims to find exemplified in the very nature of things are separately and together congruent with and supportive of the biblical images and events which describe the «already» in inaugurated eschatology.»

As for Whitehead, this creativity lies once more in the appropriation and transformation of the given of the past into a subject that is continuously coming to be.

Yet, for process thinkers, an important value, the virtue of creativity, is the zest for novelty and adventure — characteristics of life itself, particularly in the more complex forms, such as animals with central nervous systems.

Humans came to be seen less as fallen creatures living in a fallen world and more as autonomous, rational beings, capable of choice, of doing good of their own free will, and of creativity.

The discussion as to the real range of Whitehead's notion of creativity, is more than of purely academic interest.

Whitehead understands creativity as the originary creative activity or principle which unites the disjunctive many into one that then becomes part of the disjunctive many once more, as well as the ground of reason itself (PR 21).

His concern is not with evolutionist theories or cosmology, but with an initial formulation of his micro-ontology of actual occasions, intended to provide a coherent account of the experience of novelty and creativity as more than endless permutations of the previously - given.

Now although Hall considers this a «process» view of creativity, its emphasis upon the individual as «its own source of order and novelty» is more extreme than that in Whitehead's philosophy.

As this essay has unfolded, certain analogies between creativity and Being - Itself and Sein have become gradually apparent, and more analogies will emerge later.

Insisting on creativity as well as on routine may be seen as a specific case of a later, more general claim that Whitehead's process metaphysics makes about our own cosmic epoch.

Rather, the more completely we identify God as the source of all creativity; the more fully we affirm the creature's own particularity, its numerical distinctiveness from God, and its own concrescence and decision - making.

I have four of my own arguments against the reinterpretation of creativity as the substantial activity at the base of things; (a) first, assuming that we reject a nominalist interpretation, and assuming that this substantial activity can not be parsed as a factor in one or more actual entities, it would have to have some kind of identity of its own.

One corollary of this view is that creativity in human relationship can never be the sheer imposition of one will upon another, It must be the kind of action, with whatever coercion is involved, which so far as possible leaves the other more free to respond.

My view of God as the source of all creativity provides an additional perhaps more convincing, explanation for God's unique origination.

I contend that a process metaphysics must understand creativity as more basic than either potentiality or actuality, that creativity gives meaning and context to both.

The replacement of Aristotelian «matter» with Whiteheadian «creativity,» and the consequent precedence given by the key concept of prehension to the relational over every merely qualitative determination of a being, undoubtedly allows the Whiteheadian [actual] entity to embody process in a more radical sense than does being as conceived by Aristotle.

Again, Aristotle's matter is the ultimate potentiality, whereas Whitehead's creativity in its role as particular, concrete activity, includes both potentiality and actuality and, thus, is more than either.

I believe that in light of the creativity and compassion that it takes to serve the world as Jesus would, the evangelical community will continue to grow more and more open to the diversity of gifts that women bring to the worldwide communion table, and that women of valor everywhere can truly «laugh at the days to come.»