Sentences with phrase «more direct adaptation»

Not exact matches

«As the story goes with exercise - induced changes in strength, neural adaptations are contributing first with muscle growth playing a more prominent role in the latter portion of a training program: however, there is little direct evidence that this is actually true in an adult partaking in a resistance training program,» said Dr. Jeremy Loenneke, senior author of the Muscle & Nerve article.

Synopsis: In this Zemeckis - directed adaptation of the Carl Sagan novel, Dr. Ellie Arroway (Jodie Foster) races to interpret a possible message originating fr... [MORE]

Mike Newell, whose last two films couldn't be more different (Prince of Persia: The Sands of Time 50 and Love in the Time of Cholera 47) directs this latest adaptation of Charles Dickens» classic novel.

Although it shares many similarities with the first film adaptation of the novel directed by Kon Ichikawa in 1959, Tsukamoto chose to bring some of his more traditional genre film experience to the project in order to create a more vivid portrait of the horror and obscenity of war.

Doing press in Los Angeles for the Andrew Niccol - directed «The Host,» Ronan talked briefly about her two American accents used in the adaptation, before noting that her lead role in «Grand Budapest Hotel» may just be a bit more natural.

Today sees the premiere of several more hot titles including the James Schamus - directed adaptation of the Philip Roth novel Indignation with Logan Lerman and Sarah Gadon, so Sunday night could be another long one for sellers and buyers.

The second he won more recently for «Helium» in 2013, directed by Anders Walter, who will helm the forthcoming «I Kill Giants,» an adaptation of a graphic novel starring Zoe Saldana and Imogen Poots.

I mean the darker, more unnerving question of how a movie adaptation of Paula Hawkin's bestselling novel, cast with a pair of Hollywood's most mesmerizing actresses (Emily Blunt and Rebecca Ferguson), penned by celebrated «Secretary» screenwriter Erin Cressida Wilson, and directed by acclaimed «The Help» helmer Tate Taylor can go so disastrously off the rails.

We recently got to chat with the lovely and talented Saoirse Ronan about her upcoming young adult adaptation «How I Live Now» (review here), which is kind of like what would have happened if Terrence Malick had directed «Red Dawn» (more from that interview soon).

The 34 - year - old actor stars as Thomas McGregor in the new live action / CGI comedy directed by Will Gluck, but Gleeson has admitted filming the adaptation of the beloved Beatrix Potter character was more painful than he anticipated.

A number of other major restorations will have their World Premieres at the Festival: Carol Reed's atmospheric Graham Greene adaptation of OUR MAN IN HAVANA (1959), set in Cuba at the start of the Cold War, makes timely viewing as US / Cuba relations thaw; Ken Russell's reworking of D.H. Lawrence scandalous classic WOMEN IN LOVE (1970) stars Oliver Reed, Alan Bates and Glenda Jackson and shows two couple's contrasting searches for love, and was restored by the BFI National Archive working alongside cinematographer Billy Williams; A MAN FOR ALL SEASONS (1966) is directed by Fred Zinnemann from a script by great British screenwriter, Robert Bolt from Bolt's play about Sir Thomas More, a perfect companion piece to Wolf Hall; Henry Fonda stars in the ripe - for - discovery WARLOCK (1959), a seething study of vengeance and repressed sexuality in a Utah mining outpost; and Bryan Forbes» THE RAGING MOON (1971) starring Malcolm McDowell and Nanette Newman in a tender story between two young people in wheelchairs which was ahead of its time in its attempts to change attitudes to disability.

It's quite possible that August: Osage County, the new film directed by John Wells from Tracy Letts» adaptation of his own play, is the quintessential Weinstein production, more so than we've seen in years.

It's been nearly 50 years since François Truffaut directed an adaptation of Ray Bradbury's Fahrenheit 451 (and more than 60 years since the novel was published), but with poorly - written slash fiction now running rampant, HBO is looking to thin the book herd a bit.

Bill Duke's film is based on a novel by Bishop T.J. Jakes, and like the previous screen Jakes adaptation, 2004's Woman Thou Art Loosed (directed by Michael Schultz), there is a lot more grit and realism on display here than most faith - based movies.

The first installment of the adaptation of Suzanne Collins's bestselling trilogy, directed by Gary Ross, hits theaters March 23, with two more movies planned.

D.J. Caruso (Eagle Eye) will direct the adaptation of Jay Bonansinga's novel, which has been making the rounds in Hollywood for more than 20 years.

While French auteur Benoit Jacquot recently remade Chase's 1945 novel Eva starring Isabelle Huppert, Kino Lorber resurrects his first adaptation (and one of his more bizarrely plotted endeavors) with No Orchids For Miss Blandish, which was directed by St. John Legh Clowes in 1948 (interestingly, Patrice Chereau's 1975 film debut, Flesh of the Orchid, starring Charlotte Rampling and Simone Signoret, was Chase's follow - up to this film, a title which will also be recuperated in 2018 thanks to an upcoming restoration screening in the COLCOA line - up).

William Wyler directed These Three (1936), a bowdlerized adaptation of Lillian Hellman's play The Children's Hour, then returned to the story 25 years later when its lesbian elements could be broached more directly.

THR reports Columbia Pictures has hired David O. Russell to write and direct the movie adaptation of Sony and... Read More

There is an urgent need to scale up financial flows, particularly financial support to developing countries; to create positive incentives for actions; to finance the incremental costs of cleaner and low - carbon technologies; to make more efficient use of funds directed toward climate change; to realize the full potential of appropriate market mechanisms that can provide pricing signals and economic incentives to the private sector; to promote public sector investment; to create enabling environments that promote private investment that is commercially viable; to develop innovative approaches; and to lower costs by creating appropriate incentives for and reducing and eliminating obstacles to technology transfer relevant to both mitigation and adaptation.