Sentences with phrase «more drama in my life»

You don't need any more drama in your life.

I don't want no more drama in my life I like romantic evenings and bedroom talk.

I don't want know more drama in my life like romantic evenings and bedroom talk, I'm a real lady looking for a real man.

Not exact matches

For example, several research teams have criticised medical dramas showing heart resuscitation techniques for conveying misinformation about their effectiveness, such as far higher survival rates from a heart attack, or more younger people experiencing attacks than in real life.

The truth is that there is more than enough real - life drama in the start - up business to keep viewers interested.

Plays are play, as Walter Ong observes, except for the playwright and perhaps some of the paying public.5 Moreover, while most would say that tennis and drama provide at least the occasion for play (even if some tennis players, for example, are not actually «playing»), the list of possible play activities is much broader than we often imagine, including much of life - more, in any case, than just tennis, reading, dancing, etc..

Only, because it is always a joy to me to thank him to whom I am indebted, I would thank Lessing for the one solitary hint of a Christian drama which is found in his Hamturg ~ Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viatodrama which is found in his Hamturg ~ Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viatoDrama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viatorum).

- and, more to the point, his Bride, the Church, is alive too and we are all caught up in this drama and are living together in the Lord's own era, knowing him, loving him, serving him and awaiting his return in glory.

Drinking tons of water (more than you think you need), moving your body in some way every day, and not letting the little dramas of everyday life take up too much space in your life.

sure you may not know the name of all of their guys and all the drama behind them (maybe sometimes there is not even much drama haha) but the fights themselves are exciting and the live production is much more interesting than the likes of UFC... ABC and specially KSW in Poland are surely in that category... even ONE FC sometimes...

And so to that magical meeting of powerful music and drama — the opera, something that I came to later in life and which I appreciate more as time goes on.

DATA DRAMA In the aftermath of another high - profile data breach, there's reason to doubt whether many people will want — or be able to — keep much more of their digital lives private.

More than 120 million years ago, while giant dinosaurs crashed through the forests in fearsome combat, a quieter drama unfolded in the Cretaceous underbrush: some lineage of hairy, diminutive creatures stopped laying eggs and gave birth to live young.

Mad Men ® is an American period drama TV series set in the 1960's and is centered on the private and professional life of Don Draper (Jon... [Read more...]

While women tend to crave a relationship with passion at its core; men become more demanding in the relationship in a different way — they tend to want a smooth life free of drama.»

I have no drama in my life and I try to live it to the fulle... Read More

I love life and having fun going out or watching a movie any walking dead fans in the house lol looking for a nice girl no party girls or drama l ooking for friends first and then maybe more

I'm loyal passionate up front down to earth a father of one fun loving a one woman man no drama just trying to love life an live in peace so ladies u want more about me u know what to do only if u fit what I'm looking for cj

real funny laid back old fashion big on trust in who i love kno drama i have kno kids n love kids i love god, myself, fam, and life if ur real in want real love and respect in ur world hit me up if u would like to kno more much love if its not thic it not shit go big n very sexi

I like drama free people.I'm very down to earth and like the simple things in life... There is so much more just ask ME.

Fight Less, Love More teaches daters how to get rid of unnecessary drama in long - term relationships and feel happier in their day - to - day lives.

a bit about me I'm 56 years young I have no kids no drama in my life I do have 11sisters whom helped me understand how to treat a lady and what it takes to make you happy so I'm here if you want to know more drop me a line thank you for takeeing the time to read this with love TBL

- Lives in Denmark - Likes concerts, movies and PS - learning to play guitar - Hates angry people and drama - love sarcasm And many more.

I had gone through a lot in life all because I am patient and forgiving but this time around, I don't want any more drama.

An indigenous people are turned from a life of violence to a more gentle and forgiving nature in this adventure drama based on a true story.

I know that in real life people are more likely to be hanging out at the local Dariy Queen than having life - changing events, but it does not make for compelling drama.

After the whimsy of last week's The Guernsey Literary and Potato Peel Pie Society and the real - life dramas of 2017's Another Mother's Son, the Channel Islands become home to something altogether more eerie in this Jersey - set debut feature from writer - director Michael Pearce.

Synopsis: This acclaimed biographical drama presents major events in the life of Mohandas Gandhi (Ben Kingsley), the beloved Indian leader who stood against... [MORE]

Real - life recovering anorexic Tracey Gold stars in this emotional drama, which is more than your average disease - of - the - week fare.

What begins as a stark study of the breakdown of a marriage in a small Russian city expands into a more languid, mysterious drama about disconnected lives and failed responsibilities, centered around a missing child whose disappearance haunts the film.

The Way Way Back does generate a fair amount of laughs throughout the film, but misses on the emotional level because of the underplayed drama between mother and son — a shame because Collette's character had real potential to be more than just a naïve mother who is content with looking the other way for everything in life.

Taken together in the context of the Wavelengths program, these extremes of life and death point to something more cinematically dramatic than 90 % of the traditional drama that defines most of the Oscar season landscape.

Great storytellers can make great drama from seemingly average days in their character's lives, sometimes offering even more insight into the human condition by transcending the mundane than highlighting the abnormal.

For one thing, the recent track record of these late summer dramas is decidedly mixed - while The Help indeed connected with Oscar, Lee Daniels» The Butler's summer box office went unrecognized by the Academy, and it is the latter film that Get On Up seems to resemble more, what with it being a biopic that attempts to tell the entire life story of its subject, which, as discussed in the previous installment in regards to Unbroken, is a questionable proposition with today's Academy.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

It's hard not to want her to care more about her life, though to give the film due credit, it well reflects the selfish preoccupation teenagers have in prioritizing their lives according to their daily dramas.

But with roles in JJ Abrams» sci - fi TV show 11.22.63 and Ben Affleck's forthcoming crime drama Live by Night, we've got more, and hopefully larger, Cooper performances to look forward to.

In «The Dark Horse,» a New Zealand drama from writer - director James Napier Robertson about a real - life Maori chess coach with mental illness, star Cliff Curtis is so heartbreakingly convincing in the lead role that he routinely frees you of the feeling you're watching one more adversity saga with scrappy kids and a third - act tournamenIn «The Dark Horse,» a New Zealand drama from writer - director James Napier Robertson about a real - life Maori chess coach with mental illness, star Cliff Curtis is so heartbreakingly convincing in the lead role that he routinely frees you of the feeling you're watching one more adversity saga with scrappy kids and a third - act tournamenin the lead role that he routinely frees you of the feeling you're watching one more adversity saga with scrappy kids and a third - act tournament.

She may be the last relatively untapped figure in British heritage cinema's well - worn library of queenly narratives, but she has once more been passed over for the privilege of fronting the latest middlebrow, true - life royal drama, fast becoming an annual fixture on the UK film calendar.

But its marrying of a location and a sense of time and space seems more predictive of his later masterpiece The River (1951), a reflective drama following an isolated British family living on the banks of the Ganges in India, than it does anything that came out of Italy in the aftermath of World War Two.

In the end, I was more fascinated by the life of Bobby Fischer, which is presented in news footage once in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dramIn the end, I was more fascinated by the life of Bobby Fischer, which is presented in news footage once in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dramin news footage once in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dramin a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished drama.

Away We Go, a droll comedy - cum - drama by director Sam Mendes (American Beauty), perceptively explores the lives of more - or-less ordinary 30somethings lost in a world without much meaning.

There's is a lot of irony, juxtaposition and contrast going on in this film but that's what makes it so multi-layered and much more than your average slice - of - life drama.

One of those swoony American dramas that explores life in all its wondrousness, this film will quickly annoy more cynical viewers.

Ryan Coogler's #BlackPanther claws through old genre conventions, bringing more faces that live in the present into a future where we can see more inclusion with intersectionally rich drama, action, & incredible experiences that will reach anyone no matter where they come from.

Maggie Gyllenhaal has never been more compelling than as the title character in this drama about a reformed heroin addict trying to pull her life together.

We have already seen the first official trailer for Spielberg's latest, but this new version packs more footage from the intense - looking drama and also includes Austin Stowell as real - life U-2 pilot Francis Gary Powers and his training before being shot down while on an espionage mission over Soviet territory in 1960.

After several years of improvisational tone poems cobbled together in post-production, Terrence Malick makes his triumphant return to genuinely scripted, more conventionally structured drama with Radegund, about the life and death of Austrian conscientious objector Franz Jägerstätter, who was executed by the Nazis in 1943.

Unfortunately, it is more often simply a fine, dialogue - driven family drama, each relative neatly assigned a problem and asked to combat it while in the presence of the unwell, judgmental, larger than life host.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.