You don't need
any more drama in your life.
I don't want
no more drama in my life I like romantic evenings and bedroom talk.
I don't want know
more drama in my life like romantic evenings and bedroom talk, I'm a real lady looking for a real man.
Not exact matches
For example, several research teams have criticised medical
dramas showing heart resuscitation techniques for conveying misinformation about their effectiveness, such as far higher survival rates from a heart attack, or
more younger people experiencing attacks than
in real
life.
The truth is that there is
more than enough real -
life drama in the start - up business to keep viewers interested.
Plays are play, as Walter Ong observes, except for the playwright and perhaps some of the paying public.5 Moreover, while most would say that tennis and
drama provide at least the occasion for play (even if some tennis players, for example, are not actually «playing»), the list of possible play activities is much broader than we often imagine, including much of
life -
more,
in any case, than just tennis, reading, dancing, etc..
Only, because it is always a joy to me to thank him to whom I am indebted, I would thank Lessing for the one solitary hint of a Christian
drama which is found in his Hamturg ~ Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viato
drama which is found
in his Hamturg ~
Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viato
Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian
life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid
more attention to the purely human side (theologia viatorum).
- and,
more to the point, his Bride, the Church, is alive too and we are all caught up
in this
drama and are
living together
in the Lord's own era, knowing him, loving him, serving him and awaiting his return
in glory.
Drinking tons of water (
more than you think you need), moving your body
in some way every day, and not letting the little
dramas of everyday
life take up too much space
in your
life.
sure you may not know the name of all of their guys and all the
drama behind them (maybe sometimes there is not even much
drama haha) but the fights themselves are exciting and the
live production is much
more interesting than the likes of UFC... ABC and specially KSW
in Poland are surely
in that category... even ONE FC sometimes...
And so to that magical meeting of powerful music and
drama — the opera, something that I came to later
in life and which I appreciate
more as time goes on.
DATA
DRAMA In the aftermath of another high - profile data breach, there's reason to doubt whether many people will want — or be able to — keep much
more of their digital
lives private.
More than 120 million years ago, while giant dinosaurs crashed through the forests
in fearsome combat, a quieter
drama unfolded
in the Cretaceous underbrush: some lineage of hairy, diminutive creatures stopped laying eggs and gave birth to
live young.
Mad Men ® is an American period
drama TV series set
in the 1960's and is centered on the private and professional
life of Don Draper (Jon... [Read
more...]
While women tend to crave a relationship with passion at its core; men become
more demanding
in the relationship
in a different way — they tend to want a smooth
life free of
drama.»
I have no
drama in my
life and I try to
live it to the fulle... Read
More
I love
life and having fun going out or watching a movie any walking dead fans
in the house lol looking for a nice girl no party girls or
drama l ooking for friends first and then maybe
more
I'm loyal passionate up front down to earth a father of one fun loving a one woman man no
drama just trying to love
life an
live in peace so ladies u want
more about me u know what to do only if u fit what I'm looking for cj
real funny laid back old fashion big on trust
in who i love kno
drama i have kno kids n love kids i love god, myself, fam, and
life if ur real
in want real love and respect
in ur world hit me up if u would like to kno
more much love if its not thic it not shit go big n very sexi
I like
drama free people.I'm very down to earth and like the simple things
in life... There is so much
more just ask ME.
Fight Less, Love
More teaches daters how to get rid of unnecessary
drama in long - term relationships and feel happier
in their day - to - day
lives.
a bit about me I'm 56 years young I have no kids no
drama in my
life I do have 11sisters whom helped me understand how to treat a lady and what it takes to make you happy so I'm here if you want to know
more drop me a line thank you for takeeing the time to read this with love TBL
-
Lives in Denmark - Likes concerts, movies and PS - learning to play guitar - Hates angry people and
drama - love sarcasm And many
more.
I had gone through a lot
in life all because I am patient and forgiving but this time around, I don't want any
more drama.
An indigenous people are turned from a
life of violence to a
more gentle and forgiving nature
in this adventure
drama based on a true story.
I know that
in real
life people are
more likely to be hanging out at the local Dariy Queen than having
life - changing events, but it does not make for compelling
drama.
After the whimsy of last week's The Guernsey Literary and Potato Peel Pie Society and the real -
life dramas of 2017's Another Mother's Son, the Channel Islands become home to something altogether
more eerie
in this Jersey - set debut feature from writer - director Michael Pearce.
Synopsis: This acclaimed biographical
drama presents major events
in the
life of Mohandas Gandhi (Ben Kingsley), the beloved Indian leader who stood against... [
MORE]
Real -
life recovering anorexic Tracey Gold stars
in this emotional
drama, which is
more than your average disease - of - the - week fare.
What begins as a stark study of the breakdown of a marriage
in a small Russian city expands into a
more languid, mysterious
drama about disconnected
lives and failed responsibilities, centered around a missing child whose disappearance haunts the film.
The Way Way Back does generate a fair amount of laughs throughout the film, but misses on the emotional level because of the underplayed
drama between mother and son — a shame because Collette's character had real potential to be
more than just a naïve mother who is content with looking the other way for everything
in life.
Taken together
in the context of the Wavelengths program, these extremes of
life and death point to something
more cinematically dramatic than 90 % of the traditional
drama that defines most of the Oscar season landscape.
Great storytellers can make great
drama from seemingly average days
in their character's
lives, sometimes offering even
more insight into the human condition by transcending the mundane than highlighting the abnormal.
For one thing, the recent track record of these late summer
dramas is decidedly mixed - while The Help indeed connected with Oscar, Lee Daniels» The Butler's summer box office went unrecognized by the Academy, and it is the latter film that Get On Up seems to resemble
more, what with it being a biopic that attempts to tell the entire
life story of its subject, which, as discussed
in the previous installment
in regards to Unbroken, is a questionable proposition with today's Academy.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players
in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather
more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to
life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some
more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume
drama, with costume
drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
It's hard not to want her to care
more about her
life, though to give the film due credit, it well reflects the selfish preoccupation teenagers have
in prioritizing their
lives according to their daily
dramas.
But with roles
in JJ Abrams» sci - fi TV show 11.22.63 and Ben Affleck's forthcoming crime
drama Live by Night, we've got
more, and hopefully larger, Cooper performances to look forward to.
In «The Dark Horse,» a New Zealand drama from writer - director James Napier Robertson about a real - life Maori chess coach with mental illness, star Cliff Curtis is so heartbreakingly convincing in the lead role that he routinely frees you of the feeling you're watching one more adversity saga with scrappy kids and a third - act tournamen
In «The Dark Horse,» a New Zealand
drama from writer - director James Napier Robertson about a real -
life Maori chess coach with mental illness, star Cliff Curtis is so heartbreakingly convincing
in the lead role that he routinely frees you of the feeling you're watching one more adversity saga with scrappy kids and a third - act tournamen
in the lead role that he routinely frees you of the feeling you're watching one
more adversity saga with scrappy kids and a third - act tournament.
She may be the last relatively untapped figure
in British heritage cinema's well - worn library of queenly narratives, but she has once
more been passed over for the privilege of fronting the latest middlebrow, true -
life royal
drama, fast becoming an annual fixture on the UK film calendar.
But its marrying of a location and a sense of time and space seems
more predictive of his later masterpiece The River (1951), a reflective
drama following an isolated British family
living on the banks of the Ganges
in India, than it does anything that came out of Italy
in the aftermath of World War Two.
In the end, I was more fascinated by the life of Bobby Fischer, which is presented in news footage once in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dram
In the end, I was
more fascinated by the
life of Bobby Fischer, which is presented
in news footage once in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dram
in news footage once
in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far more preferable that this artificially embellished dram
in a while, and thought to myself that a documentary on Bobby, or even one based on Josh's story, would be far
more preferable that this artificially embellished
drama.
Away We Go, a droll comedy - cum -
drama by director Sam Mendes (American Beauty), perceptively explores the
lives of
more - or-less ordinary 30somethings lost
in a world without much meaning.
There's is a lot of irony, juxtaposition and contrast going on
in this film but that's what makes it so multi-layered and much
more than your average slice - of -
life drama.
One of those swoony American
dramas that explores
life in all its wondrousness, this film will quickly annoy
more cynical viewers.
Ryan Coogler's #BlackPanther claws through old genre conventions, bringing
more faces that
live in the present into a future where we can see
more inclusion with intersectionally rich
drama, action, & incredible experiences that will reach anyone no matter where they come from.
Maggie Gyllenhaal has never been
more compelling than as the title character
in this
drama about a reformed heroin addict trying to pull her
life together.
We have already seen the first official trailer for Spielberg's latest, but this new version packs
more footage from the intense - looking
drama and also includes Austin Stowell as real -
life U-2 pilot Francis Gary Powers and his training before being shot down while on an espionage mission over Soviet territory
in 1960.
After several years of improvisational tone poems cobbled together
in post-production, Terrence Malick makes his triumphant return to genuinely scripted,
more conventionally structured
drama with Radegund, about the
life and death of Austrian conscientious objector Franz Jägerstätter, who was executed by the Nazis
in 1943.
Unfortunately, it is
more often simply a fine, dialogue - driven family
drama, each relative neatly assigned a problem and asked to combat it while
in the presence of the unwell, judgmental, larger than
life host.
Other highlights
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far
more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village
life to pursue an urban education has her frozen
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed
in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in «Tondoscope» — a circular frame
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in a
drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.