Two recent developments involving the California Institute for Regenerative Medicine (CIRM) again serve to underscore the reality that adult and other non-embryonic avenues of stem cell research are advancing at a far
more dramatic pace toward providing actual therapeutic benefits for patients than is human embryonic stem cell research (hESCR).
Not exact matches
IT analyst forecasts remain unable to keep
pace with the
dramatic rise in cybercrime, the ransomware epidemic, the refocusing of malware from PCs and laptops to smartphones and mobile devices, the deployment of billions of under - protected Internet of Things (IoT) devices, the legions of hackers - for - hire, and the
more sophisticated cyber-attacks launching at businesses, governments, educational institutions, and consumers globally.
When the dance is finally beat, Robert Baker... or Alabama, there's something endearing enough about the pretty points in cinematography and score work, touching occasions in entertainingly well -
paced direction, interesting spots in a colorful story, and across - the - board decent performances - especially the one by Evan Rachel Wood - for the final product to border on decent, ultimately falling under the overwhelming weight of the glaring tonal and narrative incoherencies, flat humor,
dramatic contrivances, problematic themes, even
more problematic leads, ridiculous story and onslaught of clichés which render Andrew Fleming's «Barefoot» an occasionally charming, but mostly mediocrely misguided romantic dramedy.
That's a nice change - of -
pace from some of the
more dramatic and heavy awards contenders, and Hidden Figures has found a sizable audience.
In terms of narrative structure, the previous Spielberg film that Lincoln ends up most resembling is Close Encounters of the Third Kind (1977), which while a
more consistently entertaining film still provided a
dramatic change in
pace and style at the end to deliver a long feel - good sequence as a sort of reward to the audience for hanging in for that long.
Based on the 1950 Alec Guiness film of the same name, Last Holiday moves at a brisk
pace and somehow maintains its light tone even through some of the
more dramatic moments.
Darker and
more dramatic, this account of Harry's troubled second year at Hogwarts may be a bit overlong and unmodulated in
pacing, but it possesses a confidence and intermittent flair that begin to give it a life of its own apart of the literary franchise, something the initial picture never achieved.
The film's lighter tone becomes
more somber as the strike progresses, slowing the narrative
pace to a crawl and making the middle section of the story feel sluggish before developing events push things along to a
dramatic finish.
The E-
Pace is believed to be slightly smaller than the F -
Pace, with a lower roofline and even
more dramatic styling.
This is something that a static page can't control, and the ability to discover story elements at one's own
pace is going to be a very big drawcard on
more dramatic pieces.
Training fast dogs to move faster can be quite difficult, unless you first teach your fast dog to move slowly, then the change in
pace between slow and fast is quite
dramatic and much
more obvious to the dog and therefore, easier to put on cue.