Some have criticized Cannes for not selecting
more films directed by women.
Not exact matches
Based on the iconic DC Comic book, Wonder
Woman has earned more than $ 410 million in the U.S. and over $ 820 million worldwide, set numerous box office records, including becoming the highest - grossing film directed by a woman, the highest - grossing superhero origin film domestically, and the largest opening for a female - led comic - based
Woman has earned
more than $ 410 million in the U.S. and over $ 820 million worldwide, set numerous box office records, including becoming the highest - grossing
film directed by a
woman, the highest - grossing superhero origin film domestically, and the largest opening for a female - led comic - based
woman, the highest - grossing superhero origin
film domestically, and the largest opening for a female - led comic - based
film.
I watched 32 new release
films directed by women (with my total new - to - me
directed by women clocking in at 79 this year;
more on that when I do my year - end review tomorrow).
Re-imagining the 1984 classic with female leads (especially one made up of today's funniest
women: Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones),
directed by a man who not only makes hilarious
films but seems to innately understand the unique humor
women afford to
film, Paul Feig, is not only a great indicator that Hollywood might finally be wising up that we need less Get Hard and
more Spy and Bridesmaids.
More than half of this edition's movies are
directed by women, with 10 out of the 18
films selected.
Bill Duke's
film is based on a novel
by Bishop T.J. Jakes, and like the previous screen Jakes adaptation, 2004's
Woman Thou Art Loosed (
directed by Michael Schultz), there is a lot
more grit and realism on display here than most faith - based movies.
Yet again, the festival will not evade criticism for its historically gender - imbalanced selection, with only three
films in the 2016 competition slate
directed by women (one
more than last year), two in the Un Certain Regard sidebar (the lowest since 2012), and one Out of Competition.
It was the best of times, it was the worst of times, it was the age of transcendent filmmaking in the The Lost City of Z and A Ghost Story, it was the age of foolish Spider - Man remakes / reboots / regurgitations, it was the epoch of a magnificent enquiry into belief
by the evergreen Martin Scorsese, it was the epoch of the incredulous return of Mel Gibson in a box office hit, it was the season of Michael Haneke shining a light on our uncaring societal malaise, it was the season of manifold
more people watching Baywatch, it was the spring of Aki Kaurismäki's warm - hearted but politically pressing The Other Side of Hope, it was the winter of despair at the box office results of masterpieces like Certain
Women, Aquarius and The Death of Louis XIV, we had Yorgos Lanthimos» Kubrickian masterpiece before us, we had a new Kingsman
film before us, we were all going
direct to cinematic Heaven, we were all going
direct the other way.
Of all of the
films directed by women this year (And there have been many), most have favored it over the
MORE «important» stories — like Bigelow's trauma at the Algiers Motel, or Dee Rees» Mudbound or Dayton and Faris» Battle of the Sexes.
With 33 percent of the Official Competition
films directed by women, the 2017 BFI London
Film Festival is set to showcase far
more work from female filmmakers than many of this year's most prestigious
film festivals.
A number of
films over the past several years that were
directed by women were nominated for the Academy Award for Best Picture, a category which allows for
more nominees.
The number of
films directed by women pales compared to men, so it has been even
more daunting for actresses to make the leap.
Yet again it's worrying how few of these
films are
directed by women (just three), but at least there are stories and characters among our choices that suggest that the 2017 nominees could — we repeat, could — be a little
more diverse than the 2016 crop that inspired the #OscarsSoWhite controversy and campaign.
Mari Rodríguez - Ichaso (b. 1943 Havana): After working in journalism, TV production and
film for
more than 30 years, Rodríguez - Ichaso wrote and
directed the documentary Branded
by Paradise, about
women in Cuba, and Made in Cuba: Children of Paradise.