Not exact matches
I am chocolate's mistress,
handmaiden, lackey... whichever you are
more comfortable with.
And for all his vaunted political savvy, Lasher seems to have served as little
more than a
handmaiden to this effort.
Loosely based on (or «inspired by,» per the credits) Sarah Waters» 2002 novel Fingersmith, which was set in Victorian England, The
Handmaiden gets progressively trashier and
more overheated as it goes along, serving up multiple plot twists and replaying earlier scenes from a radically different perspective.
Following 2013's Hitchcockian horror - thriller Stoker, Park's latest continues to plumb female sexuality and the female experience of sex with men absent, and The
Handmaiden is all the
more effective when it maps these territories so seldomly shown in mainstream cinema.
But
more than anything, The
Handmaiden is just pure cinema, a dizzying, disturbing fable of love and betrayal that piles on luxurious imagery, while never losing track of its story's human core.
Loved those / Film Sing already set for a sequel for Christmas 2020 Unicorn Booty 100 intriguing LGBT artists, characters, and people to watch Awards Watch shares the GALECA winners with prizes to Moonlight, The Dressmaker, Christine, The
Handmaiden, and
more Gurus of Gold rank the Oscar nominees in order of likelihood to win... Film School Rejects The Flash movie is going back to the drawing board.
The
Handmaiden is
more than an empty softcore drama full of scamming, backstabbing and wild sex: it's a work of art.
There are the dozen or so Cannes imports, including Andrea Arnold's «American Honey,» Park Chan - wook's «The
Handmaiden,» Jim Jarmusch's «Paterson,» Cristian Mungiu's «Graduation,» Jeff Nichols» «Loving,» Olivier Assayas» «Personal Shopper,» Paul Verhoeven's «Elle,» and many
more.
Andrea Arnold, with American Honey, attempted a reimagining of Jack Kerouac's masculine Beat Generation manifesto On the Road as a modern expression of a woman's sex - rebel freedom; with The
Handmaiden, Park Chan - wook adapted Sarah Waters's novel Fingersmith by upping the agency of its femme fatales; and while Maren Adé's Toni Erdmann may be named after its male protagonist, it's much
more about the effect he has on his daughter, an independent businesswoman.
On a much
more technical level there's plenty to praise about The
Handmaiden too: regular collaborator Chung - hoon Chung's cinematography is as gorgeous as ever; delicate where it matters and fantastically pulpy in equal measure.
Park Chan - wook is far
more vital to cinema than an one - trick wonder and The
Handmaiden is yet another solid entry into his filmography.
Weiner, Amanda Knox, Gleason, Jim: The James Folly Story, One
More Time With Feeling, Supersonic, Certain Women, Team Foxcatcher, The
Handmaiden, Krisha, Michael Jackson's Journey From Motown To Off The Wall, Toni Erdmann, Moonlight, Paterson, Westworld, Reggie Watts: Spatial, The Get Down, The Night Of, Vinyl, Under The Shadow, The Wailing
It's maybe easier to swallow the future when it's framed as science fiction; stories like The
Handmaiden's Tale (1985) perhaps
more productively frame the potential problems of repressive societies, so we can learn to spot warning signs when they appear.