Sentences with phrase «more horizontal plane»

The axles are also mounted on a more horizontal plane that correlates with the wider width of the rear wheels and tires.
The dashboard is spread along a more horizontal plane and a wider central console, creating a greater sense of spaciousness.

Not exact matches

Once the mushrooms were cool, you slice them super thin (and had I known what on a bias meant, I would have done more of a diagonal to the horizontal plane).
Exercises that employ the vertical plane of motion (such as shrugs or upright rows) primarily hit the upper traps, while the lower (and middle) traps need to be trained with movement patterns that are more in the horizontal plane (like with the face pulls).
Crisply lit gauges continue as a Lexus trademark but the new dash features a more contemporary layout that is divided in to two distinct zones, with a horizontal plane splitting them.
As hinted at by the race truck concept, the nose of the new Ridgeline borrows heavily from the Pilot midsize SUV, while the bed profile is a more traditional horizontal plane, rather than the outgoing Ridgeline's slanted bedsides.
[19] This new engine features several innovations, including the use of an unbalanced flywheel to shift the inherent three - cylinder imbalance to the horizontal plane where it is more easily managed by engine mounts, and so remove the need to use balancer shafts.
And I, for whatever reason, became very suspicious of it, so I decided to try to get it to stand up, without having things laid out in a horizontal plane, to get things more vertical.
James Johnson Sweeney, chief curator of the Museum of Modern Art, who had organised Calder's retrospective in that institution in 1943, later noted: «1945 saw him once more working sheet metal, wire and wood as he had for so many previous years, but now with a new grace and a fresh treatment of pierced planes made to swim lazily horizontal.
Though the dispersal of organic forms across a horizontal plane in Group I has also been compared to both Tanguy's biomorphic paintings of the 1940s and 1950s and to the standing stones in the Cornish landscape (Wilkinson 1994, p. 97), one might say more generally that the sculpture has a marked theatrical character.
In a section of the essay subtitled «The Flatbed Picture Plane,» Steinberg describes the phenomenon, well underway by «68, in which paintings «no longer simulate vertical fields, but opaque flatbed horizontals [that] no more depend on a head - to - toe correspondence with human posture than a newspaper does»:
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