To see
some more images of past retreats, click here, here and here!
Not exact matches
In the
past, if 20 % or
more of an ad's
image was text, Facebook would deny the ad.
The proof is in the pudding so to speak, since man was created by God in His
image, there is within every person the knowledge
of God.Standard equipment.In order to become an atheist you first have to lie yourself
past your inner knowledge
of God.You have to ignore your life, your spirit, your environment and the whole
of creation.That takes a lot
of lying to oneself, and you have to buy into a lot
more lies to get there.This is not made up, it is a part
of the process that ultimately allows the created to deny the creator, God.Deep down every atheist knows they are a liar, but as with any repeated sin the suppressed truth gets farther away, and harder to recognize.God bless
Furthermore, since its ultimate claim to existence is rooted
more in the events
of the
past than in contemporary social problems, it has even a
more conservative
image than political and economic institutions.
God, who at sundry times and in divers manners spake in time
past unto the fathers by the prophets, Hath in these last days spoken unto us by [his] Son, whom he hath appointed heir
of all things, by whom also he made the worlds; Who being the brightness
of [his] glory, and the express
image of his person, and upholding all things by the word
of his power, when he had by himself purged our sins, sat down on the right hand
of the Majesty on high; Being made so much better than the angels, as he hath by inheritance obtained a
more excellent name than they.
Hebrews 1:1 KJV God, who at sundry times and in divers manners spake in time
past unto the fathers by the prophets, 2 Hath in these last days spoken unto us by his Son, whom he hath appointed heir
of all things, by whom also he made the worlds; 3 Who being the brightness
of his glory, and the express
image of his person, and upholding all things by the word
of his power, when he had by himself purged our sins, sat down on the right hand
of the Majesty on high; 4 Being made so much better than the angels, as he hath by inheritance obtained a
more excellent name than they.
And still, whether we are conscious
of it or not, the heroic scope
of his negations rebukes us with the
image of a human grandeur perhaps no
more unattainable than in the
past, but certainly far
more unimaginable.
In his
more important argument Altizer says that God's dying to himself so as to become fully one with all men can have a ground in the very life
of the Catholic Church in that the Church is not only not bound to any
past images of herself, but her very goal and mission is to open up to and be incorporated into the entire world.
With our own European culture well
past its «best before» date, and with so many competitors in the field, the imagination, as represented above all by story and
image, seems a
more promising field than that
of rational truth to those seeking a creative way forward.
In November 2014, Jansen assembled
images of Larsen C taken by NASA's Landsat satellites and noticed something unusual: One
of the cracks had spread
past the suture zone and was
more than halfway toward breaking off a large section
of the ice shelf.
It's important to develop strategies, like NEIL's learning algorithms, that allow computers to recognize, categorize and respond to
images as the machines become
more incorporated into our lives, Gupta says: «Over the
past decade, AI researchers have made tremendous advances in the field
of computer vision.
Maunakea, Hawaii — The
past two weeks have been 14 monumental days for beings on Earth interested in Pluto and its five moons.While many people think it's pretty cool to see
images of features... Read
more»
The Grenoble group I visited is one
of the world leaders in direct imaging
of extrasolar planets: over the
past decades Jean - Luc Beuzit and his group have developed
more and
more sophisticated instruments to enhance the sharpness
of the
images that can be obtained with the largest telescopes.
(Courtesy NASA / JHUAPL) Mariner 10 Outgoing Color
Image of Mercury This mosaic
of Mercury was created from
more than 140
images taken by the Mariner 10 spacecraft as it flew
past the innermost planet on March 29, 1974.
Research backs up the idea that a woman's own body
image can have a powerful impact on her kids: A 2014 Australian study revealed that sons and daughters
of moms with a current or
past eating disorder were
more likely to engage in emotional eating and have symptoms
of eating disorders than other kids.
The world's largest online archive
of current and
past fashion collections from the runways
of New York, Paris, Milan, London -
more than 5 million
images Allows users to send flowers, cakes, mithai, sweets, perfumes and other gifts to people in Pakistan.
At this point it may be tempting to call Smith's vision «cinematic,» as
more than a few professorial types in the
past have staked a claim on his lyrics for literature, but this ignores the unbridgeable gaps between aural, written, and moving -
image art — and he remained stubbornly a man
of rock»n' roll.
On this new episode
of The Golden Briefcase 2.0, Tim and Jeremy touch on this
past week's Academy Awards (winners list here), share some Picks
of the Week and then touch on a variety
of topics including Lucio Fulci films (hence the
image), Neill Blomkamp's Alien remake, Fantastic Fest horror film Spring (read Jeremy's review / watch the trailer) and so much
more.
Other details have been kept largely under wraps until now — you can see lots
of new
images and read
more character details here — with cryptic comments made in interviews over the
past year.
Though Wright is known for his elegant ruminations on nostalgia and the mysterious passing
of time, this volume, with its plethora
of seasonal allusions and insistent referencing
of times and
images past, has an even
more elegiac cast than his earlier work.
Clearly, this information gives us no
more information about the game than the extremely blurry
images that the studio released in order to tease fans about their upcoming release, but just based on Zampella's
past history has co-founder
of Infinity Ward, the studio that brought Call
of Duty into the public eye in a big way, we can almost safely say that the title will be a first person shooter.
Friday night at NeueHouse, after slinking
past a seemly - looking Powerpoint presentation on the first floor, I headed towards the basement where far
more titillating
images were on view for the opening
of the explicit B - side
of «In Your Dreams,» organized by curator Marina T. Schindler for the Spring / Break art fair.
Friday night at NeueHouse, after slinking
past a seemly - looking Powerpoint presentation on the first floor, I headed towards the basement where far
more titillating images were on view for the opening of the explicit B - side of «In Your Dreams,» organized... Read
more titillating
images were on view for the opening
of the explicit B - side
of «In Your Dreams,» organized... Read
MoreMore
Recent exhibitions Everything and
More at The Whitney Museum
of American Art (2015); Interiors at Castello di Rivoli (2015); and
past shows include Visitors, Governor's Island, New York (2015); Cloud Cover, CCS Bard College, Hessel Museum, Annandale - on - Hudson, New York (2015); The Importance
of Being a (Moving)
Image, National Gallery, Prague (2015); The Great Acceleration, Taipei Biennial, Taipei (2014); Phantom Limbs, Pilar Corrias, London (2014); A Minute Ago, High Art, Paris (2014); Chance Motives, Sculpture Center, New York (2013); Geographies
of Contamination, David Roberts Art Foundation, London (2013).
Male artists as well, such as Richard Tsao, use the richness
of paint to blur the edges
of an
image, while others channel
past styles
more overtly.
Their work over the
past year has included erotic artbook
images with the smutty bits sandpapered out, exploring the commodification
of art through the medium
of dance, telling circuitous personal stories live to an appreciative but perhaps baffled audience and, for the
more old school - minded, screen printing.
In a time
of packaged genealogy and promised connection to history's grandeur and romance, Bole's work turns the soil on her own family's
past to produce a
more visceral interpretation
of the arcane nature and collapse
of familial histories, artifacts and
images.
The artist's single - channel video works
of the
past ten years are
more allusive and poetic, addressing political and theoretical concerns obliquely via densely constructed
image - sound montages whose explicit subjects range from the relationship between Maria Callas and Pier Paolo Pasolini (Come Lontano, 2010) to the life
of Charlotte Brontë (CB, 2011).
Through this process
of rearranging and combining
images from places nearby and remote, recent and
past, Chams attempts to make sense
of this abundant visual information, to make it
more comprehensible and at the same time awe - inspiring.
The majority
of the works in New
Image Painting require a sense
of humor to get
past an initial hit
of awkwardness, but when subjects are
more clearly painted, such as in Henry Taylor's Where Are my Brothers Keepers (2008) or Sean Landers» Around the World Alone (Boy Skipper — Dawn)(2011), the jokes tend to fall flat.
While in the
past Rafferty used the subject
of mid to late 20th century comedy as an immediate reference point, her new pieces employ
images of comedians and entertainers in a rather
more open - ended way.
The ghost - like traces embodied in Brother (II), Jeune Danseur, and Voile speak
of loss and transformation, and as
more than literal representations
of everyday objects, Ridgway's poetic
images find a way to connect us with
past experience, both with the artist's and perhaps with our own.
After looking at
images of McCall's vertical light works in the
past, «they seemed like soloists to me,» said Grubbs, who has worked in collaborative projects as a musician (with Susan Howe, the Red Krayola, Gastr del Sol, and
more) and authored the books Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (Duke University Press, 2014) and Now that audience has assembled (due out via Duke in April 2018).
All have thought seriously about the form
of their work, and the three film - makers combine
images from the
past with
more recent footage as a way
of playing with conventional narrative and visual structures.
Familiar features are distorted
past the point
of recognition, with the resulting
images bearing
more resemblance to a land / waterscape than any human face.
For artists like Robert Rauschenberg, Claude Viallat, Elizabeth Murray, Blinky Palermo, Rochelle Feinstein, and Michael Venezia, painting has arguably been about the object
more than about the
image, and in the
past decade or so, a slew
of artists working with found materials, furniture, lumber, and
more have adopted a painting - as - object, amalgamated approach to art making.
«Immigration is one
of the stepping stones to what's happening in this country and (what has taken place over) this
past year,» he said, at the Howard Greenberg Gallery in New York, where
images from
more than 40 photographers are on show.
They vary from an attempt at reconstruction (When Attitudes Become Form, Venice, 2013), which entails the impossible endeavor
of providing the viewer with an authentic experience in the form
of an archival documentation exhibition with the aim
of updating our (own)
past (Recollections), to a much
more multifaceted or «corrected»
image of the original, such as Jens Hoffman's Other Primary Structures, which also included sculptures by artists working in the 1960s in Asia, Latin America, the Middle East, Eastern Europe, and Africa, and which reexamined the exhibition
of 1966 from a global point
of view.
In her opinion, our culture no longer creates its self -
image and an understanding
of itself through text and artifact, but by means
of cultural performances.11 In her analysis
of the «reenactment» phenomenon
of artistic performances, curator Inke Arns suggests that reenactments give us access to the
past by means
of immersion, identification, and the forging
of more personal and diversified links with aspects
of that
past.
The results, all produced in the
past year and based on photographs the artist takes himself, are lovely enough — unmistakably
of an able hand, a keen sense for color and design, and an eye for isolating
images from the fray
of the world — laid out in gouache and collage on paper, or in pencil and oil on canvas, sometimes with additions
of wax and
more collage.
More than 80 black - and - white
images celebrating the rebuilding
of San Francisco over the
past century.
In
past work, the paint
more dramatically creased, pinched, and folded as the artist piled layer upon layer
of oil skins on the canvas, further abstracting the
image.
Over the
past year, art magazines have selected winning cover
images paying tribute to painter Kerry James Marshall, marking the historic opening
of the Smithsonian's National Museum
of African American History and Culture, addressing the fractious political season, and
more.
Accordingly, many also sought to rid their art
of any narrative content: «The new painting dispensed with recognizable
images from the known world... It was an art that sought to negate the art
of America's recent
past as well as that
of more distant times and places.»
Now
more than ever the notions
of the
past are in question and Metemetrica provides a new system for the use and consumption
of images.
At Pace's Midtown gallery, on 32 East 57th Street, Mr. Kabakov will unveil
more than eight large canvases completed between 2010 and this year, depicting fragments
of images drawn from postcards, photographs, magazines and Mr. Kabakov's own
past artworks.
Using satellite
images to reveal changes in forest cover between 1972 and 2002, researchers from the University
of Papua New Guinea and the Australian National University found that Papua New Guinea (PNG) lost
more than 5 million hectares
of forest over the
past three decades — total forest cover declined from 38 million hectares in 1972 to 33 million hectares in 2002.
The long, flat «handle»
of the stick — extending back a full thousand years and sloping slightly downward in a cooling trend from the deeper
past toward
more recent times — balanced with the dramatic upward jut
of the «blade», made a satisfying and even arresting
image.
In the
past, when I wanted to find photos or
images to illustrate a blog post, my go - to default was Wikimedia Commons, a database
of more than 20 million user - contributed
images that are free to copy and use according to the author's specified license terms (often just requiring credit to the source).
With the advent
of new technology, discrimination laws, increasing specialisation among barristers and larger,
more competitive chambers, the barristers» clerk role has moved on, with the stereotypical Victorian barrow - boy
image left firmly in the
past.