Sentences with phrase «more important exhibition»

A large exhibition of his subsequent work, which now included many ancient and archaeological influences, was given at the Café Royal, London in 1972 and a still more important exhibition at the Palazzo della Permanente, Milan in 1974.

Post-war art in general has been booming, as we've seen more and more important exhibitions and critical attention given to art of the «50s, «60s and «70s.

Not exact matches

Ronald Holman, Exhibition and Sales Director says: «Free from food solutions are becoming more and more important for the R&D departments and food technologists working with food manufacturers.

Its 2016 Future Jobs report said that the only things that will be more important will be complex problem solving and critical thinking, two skills that anyone who's ever staged a theatrical production or exhibition will know all about.

This exhibition explores West's important role in the establishment of the RA and PAFA through more than sixty paintings, drawings, prints, sculptures, manuscripts, and books.

The exhibition presents a cross-section of Rachel Whiteread's entire oeuvre, showing her most important large scale sculptures alongside her more intimate works.

«The Bronx Museum of the Arts is one of the city's more animated and resilient cultural spaces... and because the Bronx Museum's exhibitions reflect its constituency, this institution is an important player in shaping New York art of both the present and the future.»

In addition, the book employs sidebars to provide brief and incisive accounts of and commentaries on important contemporary political, economic and cultural events, and on exhibitions, biennales, workshops, artist groups and more.

More important, the sheer mess keeps the exhibition alive.

Since more than 20 years, her works have been included in several solo and group exhibitions in important museums and institutions worldwide.

MODERN SPANISH ART FROM THE ASOCIACION COLECCÍON ARTE CONTEMPORÁNEO Beyond Picasso and Miró, an exhibition of more than 90 works created between 1915 and 1960 tracks the contributions of other important Spanish modernists, including Eduardo Chillida, Óscar Dominguez, Pablo Gargallo, Julio González, Antoni Tàpies and Joaquín Torres - Garcia.

The idea of environment is incredibly important to this show, perhaps more so than the singular landscape (the wholeness of environment) created in pieces such as Rosenkranz's Venice installation — but of course, the form of the pavilion / solo exhibition lends itself to that approach.

The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status as an important and innovative force within international abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the more spatially complex paintings of the early 1980s.

L&M Arts is pleased to present THE COMPLEXITY OF THE SIMPLE, an exhibition of more than twenty important works by twenty artists of international renown.

Meanwhile, as these other artists deservedly gained more attention and ended up in important group shows and biennials, curators almost entirely bypassed Schutz for these sorts of exhibitions.

The Fitzwilliam Museum's exhibition «A World of Private Mystery: John Craxton RA (1922 — 2009)» now seeks to reassert the relevance of a painter who was persistently punished for his assertion that life was more important than art.

In 1932, when most important art exhibitions in America were conservative affairs administered by academic judges, the one - year - old Whitney Museum unveiled an alternative aimed at leveling the ground to survey the more unruly range of the day's visual expression.

In the last two years he has become more and more prominent through large group exhibitions, and his recent show of new works (all from 1987) in a temporary gallery at Clayton State College in suburban Atlanta has consolidated his presence as an important and idiosyncratic voice

Showcasing more than twenty important and cutting - edge Chinese, Japanese, Taiwanese, and Korean artists and artist groups, this exhibition presents the work of artists who skillfully use contemporary approaches to express their respective cultural and artistic heritages.

Founded in 1959 and now comprising five wings, nearly 8,000 works, and more than 38,000 square feet of exhibition space, the Colby College Museum of Art has built an important collection that specializes in American and contemporary art with additional, select collections of Chinese antiquities, European paintings, and works on paper.

The Museum does a great job of emphasizing the looking process, and I'd like to think that our Clyff Notes exhibition provides more insight into why it is so important to learn about Clyfford Still by looking closely at his work.

The exhibition features American artists for whom Blake was an important inspiration and includes more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

The exhibition will feature American artists for whom Blake was an important inspiration and will include more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

Consisting of more than 50 works, including the public debut of at least 13 new works, Marc Quinn will be one of the artist's most important exhibitions to date.

As one of the nation's most vital contemporary fine arts institutions — and an epicenter of experimental thinking on the West Coast for more than 140 years — SFAI is the ideal venue for an exhibition that celebrates the legacy of the Gutai artists and contextualizes these important works for a new generation.

Curator Hans Ulrich Obrist's trick, with this group exhibition, is to enlist the house, gardens and contents, and inviting more than 30 Brazilian and international artists to work on a series of site - specific pieces: to «immerse themselves in Lina Bo Bardi's world in order to establish intimate relationships with this singularly important figure».

Installation view December 1, 2007 — January 31, 2008 L&M Arts presents The Complexity of the Simple, an exhibition of more than twenty important works by twenty artists of international renown.

More recently, catalogs accompanied important exhibitions at Mnuchin Gallery in New York («David Hammons: Five Decades»), a career survey billed as the first of its kind in 25 years, and the George Economou Collection in Athens («David Hammons: Give Me a Moment»), the artist's first major show in Greece, and first survey in Europe.

The festival will feature over 140 events including exhibitions, conferences, open furnaces and more, involving many of the major institutions in Venice, with the aim of revitalizing and sustaining one of the city's most important artistic and creative activities.

Presenting works by some of America's most important artists, including Robert Rauschenberg and Jasper Johns, Ed Ruscha, Andy Warhol, Kara Walker and Julie Mehretu, the British Museum's eagerly anticipated exhibition showcases the Museum's expanded collection of modern and contemporary American prints for the first time, showcases more than 200 works by 70 artists, and holds a mirror to American society over the past 50 years.

The exhibition presents a selection of pieces by more than forty artists from its holdings of postwar American work (including important pieces from the Emanuel Hoffmann Foundation's collection, on long - term loan to the museum).

An important blueprint for the exhibition is Bouchet's observation that Surrealism was rendered obsolete by the explosion of advertising in the middle of the last century — effectively outshining the artists with a more sophisticated and depraved dream - machine.

Frank Stella is represented in the most important museum and private collections around the world, and has had more than 200 solo exhibitions to this day.

This exhibition will include important paintings, sculpture, photography and works on paper by more than thirty artists, offering a rare opportunity to examine the significance of an artistic tradition that, outside of the African - American community, was too often ignored during much of the twentieth century.

In an otherwise arbitrary - feeling exhibition, it feels deliberate and important — and maybe worth one more last - minute trip to Chelsea.

Opening on September 18, this unprecedented exhibition will showcase more than 50 of the most historically important masterworks from the Keir Collection, which is arriving in Dallas this year on a 15 - year loan to the DMA.

Chaffee and Conaty emphasize that the openness of the exhibition space, and the sight lines between the galleries, will be important to the final layout of the show at each venue, making these connections between Bradley's bodies of work even more apparent.

The exhibition serves as an important reminder that Detroit has a rich history and a possible future, existing as far more than a mere case study or dramatic headline.

Featuring more than eighty paintings by thirty - seven artists from thirteen countries, drawn from prominent collections across the United States and abroad, this exhibition presents renowned artists such as Berthe Morisot (French), Mary Cassatt (American), and Rosa Bonheur (French) alongside lesser - known yet equally important peers including Anna Ancher (Danish), Lilla Cabot Perry (American), and Paula Modersohn - Becker (German).

These lives of art works and objects, and the trans - national, trans - cultural and trans - historical conditions they interconnect is an important leitmotif in an exhibition dedicated to unfolding less anthropocentric, less Eurocentric and more ecologically minded forms of agency and intelligence.

With a selection of more than twenty paintings and bronze sculptures, this exhibition explores an important period in Kirkeby's oeuvre, one which has not previously been shown in such depth.

This important exhibition will feature more than twenty paintings from various periods of his forty year career: rare «early spray» paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.

Young has participated in more than a hundred group exhibitions and he has had more than forty solo exhibitions in important contemporary art galleries throughout his career.

According to the university's press release: «Brenneman will lead efforts to reflect ethnic and gender diversity in all aspects of collections, exhibitions and daily operations; create more interactive cultural experiences; and engage with museums, collections and curators throughout the world to cultivate relationships that lead to meaningful and important exhibition projects.»

Since opening in Boston in 1960, Pace has presented work by some of the most important artists of modern and contemporary art in its more than 800 exhibitions, including ones which have travelled to museums, and published more than 400 exhibition catalogues.

He refused more glamorous postings in order to continue his classes and to ensure that he could spend time at the important exhibitions of the period, notably the Mondrian retrospective and the Tate Gallery's 1956 Modern Art in the United States, at which he saw the work of Edward Hopper and Stuart Davis for the first time.

Indian Waves, an exhibition of an important series gouaches by Howard Hodgkin, which were recently rediscovered after more than 20 years, will be shown in public for the first time

More recently Ordovas has shown Painting from Life: Carracci Freud, which was curated in collaboration with the Dulwich Picture Gallery, and featured an important Carracci loan from their collection, as well as Movement and Gravity: Bacon and Rodin in Dialogue, which explored the importance of Rodin in Bacon's work and was the first exhibition dedicated to these two artists.

Indian Waves, an exhibition of an important series gouaches by Howard Hodgkin, which were recently rediscovered after more than 20 years, will be shown in public for the first time at Gagosian in Davies Street opening on 28th November 2014.

Published on the occasion of an important retrospective exhibition at the Whitney Museum of American Art, this book reproduces in more than 300 illustrations a selection of works ranging from intimate collages to life - size tableaux made between 1954 and 1994.