Not exact matches
Under this strategy, Amazon decides that it will demand no
more discount than offered to any other vendor, for any purpose *; it will do everything in its power to meet
author and indendent publisher demands; and it will send a bouquet and basket of puppies to
midlist authors who place their out - of - print books on Kindle, in addition to the royalties due (and a holiday bonus).
And the newbie is
more likely to fall flat in the dust while the
midlist author gone indie will soar.
From misguided agents to cruel or absent editors to the callous slashing of
midlist authors and backlist titles, the longer a writer is in the publishing world, the
more chance of encountering at least one of these major (and sometimes career - freezing) hurdles.
But it's getting
more and
more possible for
midlist authors to find an audience of appreciative readers and make a living or at least pay some bills as self - published
authors and it's because of the rise of eBooks and online distributors like Amazon.
According to
Author Earnings the vast majority of traditional publishing's
midlist - or - better earners started their careers
more than a decade ago.
I am the happiest of
midlist authors today for having made the leap from traditional to the new frontier in publising, that which rewards the reader and the writer
more so than the gatekeepers of old.
It's like the trad - pub
midlist, only the indie
midlist author (typically) makes
more money.
In May 2016
Author Earnings also reports that «the vast majority of traditional publishing's
midlist - or - better earners started their careers
more than a decade ago.
I firmly believe the future will see
more and
more authors (new,
midlist trad - pubbed, as well as veteran bestsellers) going indie, in part or whole.
The fiction sections consist mainly of
more prominent
authors» backlists with few or no
midlist authors, and vast quantities of large - format hardbacks.
Smashwords does a great job of partnering with other sites to push the best sellers - who are already best selling and don't necessarily NEED a push (beyond the fact that everyone can always use
more advertising), meanwhile there are
midlist authors who have no hope of hitting that best seller list (often because they were not traditionally published before, so didn't come with a fan base already established) and who have a great book, with good reviews, who could really use the push / spotlight.
He also makes reference to Hugh Howey's statement that the vast majority of
midlist authors should be paid
more attention to since they start to make a living from their writing and their income is worth a close observation.