Not exact matches
Anyone and Everyone, It Seems, Can Start Brewing With hundreds of
new breweries opening annually — and thousands
more enthusiasts giving
home brewing a shot — some business
owners have seen the wisdom not of starting their own brewery operations, but to cater to the would - be brewing entrepreneur.
That means about half of all
New Hampshire
home owners pay
more than $ 5,000 annually in property taxes.
Revamped by
new owners last year, the stately mansion is now
home to two restaurants: the Tap Room and the
more formal Dining Room, both with Wayte at the helm.
whether for the right or wrong reasons, our leader chose to stay on when things took a turn of sorts... a
new owner arrived on the scene, plans for a
new stadium emerged and Wenger became the bearer of bad news... he sold us on a
new story, one that required patience on our parts... financial constraints were the order of the day, so that the enormous sums spent on the
new venue could be recouped... although some would question the validity of such claims, why wouldn't they believe their faithful leader... according to those within the hierarchy, the future never looked so bright, as this
new home would ensure our place among the elites for years to come... as we all know now these claims were a well constructed fabrication and so those who feel they were duped in the process are infuriated and rightly so... the fact that this club and it's manager have continually misled the fans, especially following Gazidis's claims about our financial liquidity, simply rubbed
more salt in an already gaping wound... this surely isn't how you treat your «family», especially when they supported you through the supposed «lean» years... it was a dirty trick played by Kroenke but the fact is was orchestrated by Wenger himself hurt the most... as for those in the media, many of whom are former players or longtime pundits, who observed the early years firsthand, saw this as the perfect opportunity to vent the anger they felt towards this pretentious man once and for all... all in all, karma's a bitch
As the annual tax lien sale approaches, the
owners of
more than 13,000
homes owe
New York City $ 186.6 million in back taxes.
Home to the best multiplayer and entertainment experiences through Xbox Live Gold Xbox Live Gold membership offers Xbox One
owners a premium service that unlocks a
new generation of online gaming and entertainment experiences, including an expanded list of friends that lets you stay connected and play with
more people through Xbox Live.
With its huge selection of games, movies, TV shows, and
more, the PlayStation Store is
home to plenty of opportunity for PlayStation console
owners to try out
new experiences on the cheap thanks to sales, with the European store's latest sale discounting dozens of items for under $ 20.
«I couldn't be
more excited to be making the debut of our amazing
new Aston Martin GT3 here at my
home track in Sonoma», stated team
owner Kevin Buckler.
PlayBook
owners can also expect to see a tweaked
home screen,
new contacts and calendar apps, the ability to use your BlackBerry phone as a remote, and
more.
As many short sale agents from across the country can attest, the banks have initiated many
new procedures to streamline the short sale process and this in turn has lead to
more efficiency (and hence, less chance of foreclosure for distressed
home owners).
Purchasing a
home is a substantial investment and becoming
more aware of how the interest rate of a
home loan is determined can help you decide when to apply for a mortgage and ultimately become the
owner of a
new home.
Furthermore, a secondary market will enable mobile
home manufacturers to build / ship
more homes while helping community
owners (like Park Street Partners) fill vacant pads with
homes that can be purchased and financed by
new tenants.
This year's rush could be even
more pronounced now that the B.C. government has announced a
new Home Owner Mortgage and Equity Partnership (HOME) loan, which goes into effect starting this February 2
Home Owner Mortgage and Equity Partnership (
HOME) loan, which goes into effect starting this February 2
HOME) loan, which goes into effect starting this February 2017.
That is not so in cities where the «deposit» is merely a portion of the cost of spaying or neutering the
new pet, a process which forces the
new owner to pay out
more money to complete the adoption process after the animal is in their
home.
More than 500 Montreal pit bull
owners have received letters ordering them to either find their dogs
new homes outside of the city or surrender them to animal shelters in the next 4 weeks.
By opening your
home to a cat or kitten while it waits for a
new owner, you can help local animal shelters save
more homeless animals.
Now, with a program called Operation Chihuahua, a dozen of these lucky little pups are traveling from San Francisco in the hopes of finding loving
homes in
New York City with
owners who may be
more tolerant of their small and sassy natures.
Those pets included Dough Boy, a 10 - year - old mixed breed dog who came to Gainesville Pet Rescue in Florida after his
owner could no longer care for him due to his age and a leg fracture that had never been properly cared for; Molly, a 10 - year - old blind Maltese, found the perfect
home during Maddie's ® Pet Adoption Days with the help of Waggytail Rescue in
New York City; Cappy, a senior with only one eye, who came to Delta Animals Safe Haven in Antioch, CA, so matted that his knots of fur were infested with fleas; and thousands
more.
Some are pets surrendered by their
owners who can no longer care for them, while others are found roaming as strays... Some are never adopted... It is projected that
more than 600,000 homeless cats in Canadian shelters did not find
new homes in 2011.
Senior dogs lose their
homes for a variety of reasons, usually having nothing to do with their behavior or temperament, but
more due to the fact that their
owners are unable to keep them for reasons including: the novelty of owning a dog wearing off, allergies, death of a guardian, a
new baby, loss of a job, a move, change in work schedule, and various other lifestyle changes.
again horror of horrors my retired show dogs sometimes go on to
new homes to ensure they are in a 1 to 1 basis — their
owners are vetted as much as my puppy
owners, maybe
more.
This way, the rescue benefits; the pet
owner can feel
more secure about who his pet's
new home; and the
new owner has done a good deed.
Finding these animals
homes also allowed us to have
more space for
new animals, both those who were surrendered by their
owners or those we could pull from overcrowded area shelters.
They strive to carefully seek
new loving
homes for all cats and dogs, provide quality lifetime care for those who are not yet adopted, support individuals who have rescued homeless dogs or cats, educate the public and pet
owners about spay / neuter, behavioral counseling, counseling on any issues that might arise and public outreach toward a
more loving, responsible and permanent relationship with pets.
More than 500 Montreal pit bull
owners have received letters ordering them to either find their dogs
new homes outside of the...
Larger parrots have long expected life spans (50 years or
more) and some bond so closely with their
owners that adapting to a
new home can be difficult.
Of the estimated 7.5 million pets entering animal shelters every year,
more than 2.5 million are former family pets that were surrendered, most often by
owners that either weren't fully prepared for the responsibility of pet ownership or didn't take the time and effort necessary to integrate a
new pet into the
home.
This will allow us to take in
more stray, abandoned and
owner turn in dogs to find them that
new forever
home.
Dog bites can be prevented, dogs can be kept out of shelters, and
more dogs can find
new homes or stay in the
homes they already have if
owners understand what makes Rover tick.
In 2005, the artist opened lesser
new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york in her Williamsburg loft, which was a response to Greater
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or,
more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser
new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new yorkten years later at Greater
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an
owner of its own critique; so that lesser
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's
home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
And that's why we've proposed
new programs to help Americans upgrade their
homes and businesses and plants with
new, energy - efficient building materials —
new lighting,
new windows,
new heating and cooling systems --- investments that will save consumers and business
owners tens of billions of dollars a year, and free up money for investment and hiring and creating
new jobs and hiring
more workers and putting contractors to work as well.
There is nothing
more disappointing for a
new home owner than walking into their expensive
new home to find it littered with someone else's crap.
Even after your
home is finally sold at foreclosure, it may just sit there for several
more months — with you in it — before the
new owner finally gets around to getting you out.
With its huge selection of games, movies, TV shows, and
more, the PlayStation Store is
home to plenty of opportunity for PlayStation console
owners to try out
new experiences on the cheap thanks to sales, with the European store's latest sale discounting dozens of items for under $ 20.
I'm certainly going to enjoy your software I previously spend thousands of dollars with a different company I did not get near training or the product that you are offering here at the great price you have offered I've been well over a year now I have recently become a private money broker but that was due to the company that I purchased my real estate investment education from but the resources that you offer is great I would have had to spend thousands
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homes I have Ben in the
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homes around the Masters in Augusta as a superintendent and general contractor but I believe this will help me on my
new adventures in real estate investment I thank is it a great software and if you have anything that can help me along the way with my lending business I am a private money lender and the
owner of Northstar Capital Lending newly in buisness thank you
While conservatories are still
more popular in the U.K., American
home owners are adding them onto their residences as a way to bring
more light and glass into
new homes.
«We hope these
new guidelines will allow many
more hardworking American
home owners that would have previously been denied a short sale to now be approved and avoid defaulting on their mortgage loan.»
Visit our
new Home & Design page for an exclusive video walk - through with an energy auditor, a specialist who helps owners make their home more energy effici
Home & Design page for an exclusive video walk - through with an energy auditor, a specialist who helps
owners make their
home more energy effici
home more energy efficient.
«The pick - up in
new home sales should improve builder confidence and lead to
more home construction, offering
home buyers additional options and creating opportunities for current
owners to trade into
new homes, potentially unleashing existing
home inventory,» Hale continued.
The BRED mortgage, a
new mortgage product proposed by NAR economist Ken Fears, gives
home owners more options and puts
more equity in their pockets.
The Blended Rate Equity Driver (BRED) mortgage, a
new mortgage product proposed by Director of Housing Finance and Regional Economics Ken Fears, gives
home owners more options and puts
more equity in their pockets.
More than two - thirds of all homes with a mortgage now have at least 20 percent equity, giving home owners more options in the housing market in the new year and increasing their employment mobil
More than two - thirds of all
homes with a mortgage now have at least 20 percent equity, giving
home owners more options in the housing market in the new year and increasing their employment mobil
more options in the housing market in the
new year and increasing their employment mobility.
And by renovating before they sell,
home owners get to enjoy the
new space themselves, not just make the
home more appealing to buyers.
Home owners dismiss neighbors who are renters
more than any other group living in their neighborhood, a
new survey finds.
More than two - thirds of all homes with a mortgage now have at least 20 percent equity, giving home owners more options in the housing market in the new year, according to CoreLo
More than two - thirds of all
homes with a mortgage now have at least 20 percent equity, giving
home owners more options in the housing market in the new year, according to CoreLo
more options in the housing market in the
new year, according to CoreLogic.
For the broker /
owner who chooses to invest in this
new opportunity, this enables them to be a part of the
home - buying process in a much greater and
more impactful way... it potentially gives them a big competitive advantage.»
Owners of single - family
homes have long been able to convert a bedroom, den, or basement to an office, but down the road
more condo buyers and apartment renters will find
homes with small, dedicated spaces for business use, says Robert Kaliner, president of the Ascend Group, developer of the luxury Georgica condominiums in
New York, where each glass - wrapped unit will have a
home office (www.georgicany.com).
A rebound in consumer confidence and economic growth in the
new year should allow
more home owners to escape the «negative equity trap,» according to CoreLogic.
Why it's a smart choice: As
more and
more newer homes lack built - in shelves, many
home owners aren't sure how to store their books and collections after they move in.
«We also have tight inventory in the lower price ranges where many starter
homes are found, but rising
new -
home construction means some
owners will be trading up and
more existing
homes will be added to the inventory.