Focussing on two historic computer
music languages that have been
obscured by
more commercially viable options, the duo look at how computers began to impact and shape
music making, while experimenting with unfamiliar techniques involving algorithms, non-standard timing and tuning tables.
«It is in fact the case that you will
obscure your talent by allowing yourself to be pimped, whether it's the
music business or yourself doing the pimping... Nothing but harm will come in the long run, from allowing yourself to be exploited and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you)
more for your sexual appeal than your obvious talent.»